Par PURCELL HENRY. A compilation of the music composed for and played at the funeral of Queen Mary in Westminster Abbey on March 5th 1695. Edited and reconstructed by Bruce Wood. / Rép Classique / Répertoire / Chant et Piano

Sept pièces merveilleuses du grand compositeur anglais, Henry Purcell. / Orgue / Partition

Bryan Hesford a habilement transcrit et arrangé cette pièce par Purcell pour tous les organistes peuvent en profiter. / Orgue / niveau : Elémentaire / Recueil

Les airs de trompette et de volontaires ont été écrites pour l'instrument n'est pas en laiton, la trompette, mais pour la 'trompette' ensemble de tuyaux à l'orgue. Ces tuyaux cuivrée roseaux ont été utilisés pour joyeux, airs rythmés. Purcell, considéré comme l'un des plus grands de tous les compositeurs anglais, était lui-même organiste à l'abbaye de Westminster à Londres. Cette version pour trompette et piano est idéal pour une utilisation dans les services de mariage. / Trompette Et Orgue / niveau : Elémentaire / Recueil

Oeuvres de Mozart, Charpentier, Bach, Purcell ainsi que des morceaux traditionnels. / Flûte Et Piano / niveau : Facile / Partition + Cd

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. Lord How Long Wilt Thou Be Angry? (Z 25) was one of Purcell's earlier works. It was written soon after his appointment as Organist of Westminster Abbey in 1679 and was undoubtedly used there many times during his tenure. It takes extracts from Psalm 79 for the text. The music has influences of Byrd and Gibbons but also shows howPurcell was beginning to develop his own distinctive style.

based on the march from Henry Purcell's Music for the funeral of Queen Mary II. Par DE HAAN JAN. Based On The March From Henry Purcell'S Music For The Funeral Of Queen Mary Ii / Niveau : 3.5 / Pièce de concert / Date parution : 1905-07-09/ Répertoire / Fanfare Band

based on the march from Henry Purcell's 'Music for the funeral of Queen Mary II'. Par DE HAAN JAN. Based On The March From Henry Purcell'S 'Music For The Funeral Of Queen Mary Ii' / Niveau : 3.5 / Pièce de concert / Date parution : 1905-07-10/ Répertoire / Concert Band ou Harmonie

based on the march from Henry Purcell's Music for the funeral of Queen Mary II. Par DE HAAN JAN. Based On The March From Henry Purcell'S Music For The Funeral Of Queen Mary Ii / Niveau : 3.5 / Pièce de concert / Date parution : 1905-07-09/ Répertoire / Fanfare Band

Suite Nach Henry Purcell, F. Str.Quart. Od. Str.Orch.. Par TAKACS JENO. 2Vl Va Vc (Strorch)/ Répertoire / Orchestre

Suite Nach Henry Purcell, F. Str.Quart. Od. Str.Orch.. Par TAKACS JENO. 2Vl Va Vc (Strorch)/ Répertoire / Orchestre

Dramatic Music Part 2 (Paperback Edition)-Volume 20 of the ‘Purcell Society’ series Dramatic Music Part 2 contains 16 pieces by Henry Purcell for intermediate/advanced (Grades 6-8) Voice(s) String Instruments and Continuo. The collection includes (among others) At The Close Of The Evening (The Knight Of Malta) If Thou Wilt Give Me Back My Love (A Fool's Preferment) and The Danger Is Over The Battle Is Past (The Fatal Marriage). Edited under the supervision of the Purcell Society by Ian Spink.Henry Purcell was an English composer. Although incorporating Italian and French stylistic elements into his compositions Purcell'slegacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers.The Purcell Society founded in 1876 is an organization dedicated to making the complete musical works of Henry Purcell available. Between 1876 and 1965 scores of all the known works of Purcell were published in 32 volumes.

Opera-A London theatre-goer attending the first performance of Purcell's opera in May 1692 may have expected to see a new and exciting production in which he was promised that the composer 'Mr Purcell [...] joyns Delicacy and Beauty of the Italian way [with] the Graces and Gayety of the French'. Not only would there have been music to attract the ear but the eye too would have been entertained as each successive scene unfolds with a brilliant theatrical transformation. The present edition of Purcell's operatic masterpiece offers the first ever complete and ordered publication of any of Purcell's operas with the inclusion of the complete and performable musical and spoken text insequential order.The editor Michael Burden is Fellow and Dean of New College Oxford University Reader in Opera Studies and Director of New Chamber Opera. His other publications include Performing the Music of Henry Purcell (OUP 1996) and Henry Purcell's Operas: The Complete Texts (OUP 2000).