Par JONES QUINCY. The Soul Bossa Nova is a classic track by Quincy Jones, arranged here by Andrew Duncan, that featured so heavily in the Austin Powers films. Yeah, Baby! Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 6 minutes/ Recueil / Brass Band

Easy Jazz Ensemble-This infectious and immediately recognizable Quincy Jones standard was popular long before Austin Powers introduced it to a brand new generation of fans. Easy to learn and fun to play this will quickly become a favorite with your band and audience alike. (Includes full performance CD) (Cherry Lane)

Even before Austin Powers adopted this catchy tune it was recorded by Quincy Jones back in the '60s. This easy arrangement is sure to be a favourite with audiences of all ages and a blast for your students as well.

It's hard to believe that it's been over 35 years since Fred and Lamont Sanford first hit the television airwaves. The show's humor along with its distinctive theme by Quincy Jones has been a hit ever since!

Arr. Masato Myokoin. Par JONES QUINCY. Trompettiste, compositeur, arrangeur et producteur, Quincy Delight Jones, surnommé Q composa en 1962 le titre Soul Bossanova dans un temps record de 20 minutes selon ses dires. Ce hit expressif a marqué les esprits de très nombreuses générations d’auditeurs. Inutile de tenter de résister au très swinguant arrangement de Masato Myokoin. / Niveau : 4 / Musique légère originale / Répertoire / Concert Band ou Harmonie

Arr. Johnnie Vinson. Par JONES QUINCY. / Niveau : 1.5 / Musique légère originale / Répertoire / Concert Band ou Harmonie

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : All The Things You Are [Kern, Jerome] [Hammerstein II, Oscar] - Anthropology [Parker, Charlie] - April In Paris [Duke, Vernon] - Big Spender [Coleman, Cy] - The Big Walk [Jones, Quincy] - Blue In Green [Davis, Miles] - Can't Help Lovin' Dat Man (Show Boat) [Kern, Jerome] - Cantaloupe Island [Hancock, Herbie] - Cheek To Cheek [Berlin, Irving] - Don't Get Around Much Anymore [Ellington, Duke] - Easy Living [Robin, Leo] [Rainger, Ralph] - The Girl From Ipanema (Garôta De Ipanema) [Getz, Stan] [Gilberto, Astrud] - Good Morning Heartache [Fisher, Dan] [Higginbotham, Irene] [Drake, Ervin] - I Wish I knew (How It Would Feel To Be Free) [Taylor, Billy] - Honeysuckle Rose (Ain't Misbehavin') [Waller, Fats] - I'm Beginning To See The Light [George, Don] [Hodges, Johnny] [Ellington, Duke] [James, Harry] - In A Mellow Tone [Ellington, Duke] - La Vie En Rose [Armstrong, Louis] - Luck Be A Lady [Loesser, Frank] - Lush Life [Coltrane, John] - Michelle [Beatles, The] - Minority [Gryce, Gigi] - Moanin' [Blakely, Art] [Jazz Messengers, The] - Mona Lisa [Livingston, Jay] [Evans, Ray] - Mood Indigo [Ellington, Duke] - Moonlight Serenade [Miller, Glen] [Parish, Mitchell] - My Baby Just Cares For Me [Kahn, Gus] - My Foolish Heart [Young, Victor] [Washington, Ned] - My Favourite Things [Coltrane, John] - The Nearness Of You [Carmichael, Hoagy] - Oleo [Martino, Pat] - Peri's Scope [Evans, Bill] - Save Your Love For Me [Johnson, Buddy] - Singin' In The Rain (Singin' In The Rain) [Brown, Nacio] [Freed, Arthur] - Smoke Gets In Your Eyes (Roberta) [Kern, Jerome] - So What [Davis, Miles] - Something To Live For [Ellington, Duke] [Strayhorn, Billy] - The Star Crossed Lovers [Ellington, Duke] [Strayhorn, Billy] - Time Remembered [Evans, Bill] - Turn Out The Stars [Evans, Bill] - The Very Thought Of You [Cole, Nat King] - The Way You Look Tonight (Swing Time) [Kern, Jerome] - What Are You Doing The Rest Of Your Life? [Legrand, Michel] - The Windmills Of Your Mind [Legrand, Michel] [Bergman, Alan] [Bergman, Marilyn] / Piano/Vocal/Guitare (PVG)

This original shuffle is solidly scored with a Benny Golson/Quincy Jones flavor. The saxes are featured on the head with the solo in the first tenor part. The bridge features a two sax/two trumpet ensemble with a tasty pyramid background that is fun to play. Ken has gone to great lengths to write extensive rhythm section parts assuring that even the most inexperienced players can make this one sound smooth.

Drummer producer singer and songwriter James Gadson has worked with the world's top performing artists including Quincy Jones Ray Charles Bill Withers The Temptations Ramsey Lewis Marvin Gaye Herbie Hancock Patrice Rushen the Pointer Sisters Herb Alpert the 5th Dimension Smokey Robinson B.B. King Aretha Franklin Natalie Cole and Paul McCartney.On this DVD James demonstrates and explains the many funk and rhythm and blues beats in his entertaining and enthusiastic manner. This session includes several live performances with talented sidemen June Yamagishi on Guitar Toru Tsuzuki on keyboards and Ko Shimizu on bass guitar. Songs featuredinclude: Double Deal ? Cold Sweat ? What's Going On ? Loveland. 1 hour 14 minutes.

The Bruce Swedien Recording Method is an incredibly timely and timeless reference for anyone interested in capturing and mixing the best possible music recordings. From the Michael Jackson albums (Off the Wall Thriller Bad Dangerous Invincible and HIStory) to many Quincy Jones hits (The Dude Back on the Block Q's Jook Joint and many more) to classic greats from Count Basie Duke Ellington the Brothers Johnson and Natalie Cole Bruce Swedien's impact on popular music has been undeniable. Engineers at all levels still use Swedien's recordings as a standard by which they judge the sonic validity of their ownwork.In The Bruce Swedien Recording Method Swedien explains many of the techniques he has used to get award-winning Drum Bass Guitar Keyboard Vocal String and Brass sounds. On the accompanying DVD-ROM he further reveals what he looks for in a recording and the steps he takes to imprint his characteristic world-class sonic signature on the music he mixes.Throughout this book Swedien consistently pinpoints the most important considerations in the recording process with such insights as 'You don't listen to the equipment you listen through the equipment'... 'Nobody ever walked out of the studio whistling the console...' - the list goes on and on.