The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Par . When kids start to play the ukulele, they want to start playing their favorite songs as soon as possible! This collection features 50 songs for children who are ready to step into songbooks, with melody, lyrics, and chord diagrams. / Date parution : 2022-02-10/ Recueil / Ukulélé

Toddlers and young children love to sing and dance classic nursery rhymes and songs. This activity strengthens bonds with family, encourages brain development and musicality, and most importantly, it's fun! This beautiful keepsake collection of over 100 classic nursery rhymes, playground songs, activity tunes, and memory rhymes ensures that all those bases are covered for parents, teachers, and their kids. Carefully arranged for piano to play and sing with toddlers and young children, each song also includes guitar and ukulele chords for easy strum-and-sing performance. The book features a 'Genre Index' that breaks the titles down into song types and categories---especially useful for educators. Finally, an 'About the Songs' section rounds out the collection with a brief history of all the tunes, and, to demonstrate what the songs should sound like, professional MP3 recordings of every song can be downloaded from alfred.com with purchase. / Piano/Vocal/Guitare (PVG)

11 contemporary rock/worship songs from this popular band's 2005 album following up on the incredible success of their debut release. Includes: And Now My Lifesong Sings - Does Anybody Hear Her - Father Spirit Jesus - In Me - Lifesong - Love Them like Jesus - Praise You in This Storm - Prodigal - Set Me Free - Stained Glass Masquerade - While You Were Sleeping.

Par USHER ALEX. Children's Song Favorites is a collection of 75 songs for children of all ages, most of them from the folk tradition. They have been collected over more than fifty years by a professional folk singer, who is also a mother and grandmother. Each song has the melody line, complete lyrics and suggested accompaniment chords for guitar or other instrument. Many of them are unusualand#151 - for example, all 13 verses of 'The Three Blind Mice,' 'Hail to Britannia' (a British nursery rhyme song), and for older children, 'Chopo, My Pony' (a cowboy song), 'Old Thompson's Mule' (of minstrel origin) and 'The Housewife's Lament.' Audience requests have persuaded the author to include two pieces she has writtenand#151 - 'The Doll Song' and 'The Solution to Pollution.' More than three-quarters of the songs involve audience participation, making this an ideal repertory resource for teachers and youth leaders. A few descriptive sentences, sometimes with suggestions for creative activity, precede each song. The songs are arranged alphabetically, and an extra table of contents lists the songs by categories: animals, cowboys and the West, creative activity, dance tunes, history, holidays, quiet time, and teaching. Although this book was designed primarily for children, the author regularly uses many of these songs with grown-up audiences. / Niveau : Débutant / Children's - Songbooks / Recueil / Tout Instrument

A beautiful illustrated collection containing over 100 folksongs from the British Isles. Songs of longing, of love, of the Irish and Scottish rebellions, as well as lullabies, children's songs, and even a few composed songs which have become part of the folk heritage can be found in this collection.Easily played piano and guitar accompaniments are provided, and not only translated lyrics, but phonetic transcriptions are also included so that songs may be sung in their original language. England: Hares On The Mountain; Allan Water; My Boy Willie; When Cockleshells Turn Silverbells; The Banks Of The Sweet Primroses; I?m Seventeen Come Sunday; Greensleeves; The Trees Are Geting High; On Ilkla Moor Baht? At; O Waly, Waly; Weel May The Keel Row; The Three Ravens; Early One Morning; O No, John!; A May Day Carol; The Oak And The Ash; Lavender?s Blue; Blow The Wind Southerly; The Cherry Tree Carol; The Green Bushes; Over The Mountains; Gently, Johnny, My Jingalo; Two Maidens Went Milking One Day; Cock Robin; Died For Love; Buttercup Joe; Ireland: Down By The Salley Gardens; Let Erin Remember The Days Of Old; The Crusikeen Lawn; Shule Aroon; The Little Red Fox; When Pat Came Over The Hill; The Bold Fenian Men; The Parting Glass; Bendemeer?s Stream; The Mountains O? Mourne; The Wearing Of The Green; The Rising Of The Moon; The Lark In The Clear Air; I Wish I Had The Shopherd?s Lamb; O?Donnell Aboo; She Moved Through The Fair; Mrs. McGrath; Lilli Burlero; Monday, Tuesday; Farewell! But Whenever You Welcome The Hour; Kevin Barry; Kilgary Mountain; Oft In The Stilly Night; Molly Brannigan; John O?Dywer Of The Glen; The Time I?ve Lost In Wooing; The Croppy Boy; The Banks Of Roses; The Bard of Armagh; ?Tis Pretty To Be In Balinderry; Whack Fol The Diddle; Scotland: Green Grow The Rashes, O!; Wae?s Me For Prince Charlie; The Wark O? The Weavers; Flow Gently, Sweet Afton; The Blue Bells Of Scotland; Baloo Baleerie; Is There For Honest Poverty; Corn Rigs Are Bonnie; Can Ye Sew Cushions?; A Hihgland Lad My Love Was Born; Ho Ro My Nut-Brown Maiden; Robin Adair; Awa?, Whigs, Awa?; My Love is Like a Red, Red Rose; Weaving Lilt; Turn Ye To Me; To The Beggin? I Will Go; Ye Banks And Braes O? Bonnie Doon; Scots Wha Ha?e Wi? Wallace Bled; Charlie Is My Darling; Oh Rowan Tree; Will Ye No? Come Back Again?; The Piper O? Dundee; Leezie Lindsay; The Road To The Isles; An Eriskay Love Lilt; Wales: The Bells Of Aberdovey; To See Swainson; Robin Redbreat; David Of The White Rock; The Kind Old Man; Men Of Harlech; Fairest Gwen; Over The Stone; Cuckoo Dear; Megan?s Fair Daugher; Little Saucepan; The Ash Grove; Rise, Rise, Thou Merry Lark; Lullaby; All Through The Night; Joy Upon The Bright Cheek Dances; Idle Days In Summertime; Counting The Goats; The Dove; Welsh National Anthem.

Classical Guitar Tunes - English Folk Songs. This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barré chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. ?It?s an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian. ?These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition.? Gerald Garcia

The unprecedented commercial success of the CD of Henryk Miko aj Góreckis Third Symphony in 1991 fifteen years after the date of its composition not only drew the Polish composer to the worlds attention arousing interest in his earlier works but also gave rise to a discussion about the state of culture in what might be described as a decadent period. So was the Third Symphony ahead of its time? Was it justifiable to regard the work as an end-of-the-seventies piece of aesthetical provocation? Should the wilful confusion of high and low aesthetic orders be considered a symbol of the end of post-Enlightenment utopia when the idea of progress in all fields including art constituted the fundamental criterion for evaluation? Attempts to answer these questions have given rise to a certain intellectual confusion leading occasionally to the advancing of false theses such as the attribution of Góreckis compositional output to the New Age spiritual landscape or the comparison of his compositional procedures with those of American minimalist composers. In fact the Third Symphony Symphony of Sorrowful Songs reflects both the composers individual exploration of technique and his attempt to determine his own Christian spiritual identity. The composition is a new manifestation of the sonoristic reductionism technique and the idea of simple music in line with Krzysztof Drobas designation of these phenomena according to which all details and modifications of tone colour are significant. By conferring on the three movements of the composition a form of mystery which negated a rational sense of time and made the work dissolve in a seemingly infinite continuum the composer managed to bring the Symphony within the sphere of folk ceremonial tradition. Anguish the principal theme of the composition presented here through both the mothers suffering after her sons death and the image of a woman prisoner in a Gestapo prison makes real sense only in the light of faith and the drama of Golgotha. Góreckis Third Symphony Symphony of Sorrowful Songs for soprano solo and orchestra dedicated to the composers wife was written in 1976. Commissioned by Südwestfunk in Baden-Baden it was premiered on 4 April 1977 during the 14th International Festival of Contemporary Art in Royan with Stefania Woytowicz as soloist. The same singer has made several recordings of the composition with different orchestras. The CD with Dawn Upshaw as soloist and the London Sinfonietta conducted by David Zinman won a Golden Disc award in 1991. The first movements outer sections (Lento sostenuto tranquillo ma cantabile) consist of an austere ten-part canon on strings. Its Aeolian theme was derived from a Kurpian song notated in Rev. Father W adys aw Skierkowskis collection. The canon is characterized by continual repetition of the theme (and its counterpoint) all its answers being tonal and thus not going beyond the notes of the scale. In this way a vibrating sound magma