Set of parts for Hilda Paredes' Hacia Una Bitácora Capilar. Hacia una bitácora capilar was written in 2013-14 to celebrate the fortieth anniversary of the Arditti Quartet with funds provided by the PRS for Music Foundation.

Jazz Play-Along Vol.40. All Levels. If you own one Classic jazz recording, there is a good chance it contains at least one of these songs. Offers a good variety of song types, from the beautiful, haunting 'Round Midnight, to the exciting and often played Love For Sale. Complimenting those are some of the best such as George Shearing, Johnny Mandel, and Henry Mancini. The selection of songs makes it obvious why this is one of our favourite Play-A-Long Volumes. If you own one classic jazz recording, there is a good chance it contains at least one of these songs. This set offers a good variety of song types, from the beautiful, haunting ?Round Midnight to the exciting and often played Love For Sale. Complimenting those favourites are some of the best work of composers such as George Shearing, Johnny Mandel and Henry Mancinni. Vocalists will particularly enjoy the oft? played standard September In The Rain. Melodies, chords and lyrics (sheet music style). Transposed parts for all instrumentalists and vocalists. / Rép International / Recueil / Tout Instrument

Mixed Bag No. 28-This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three or four mainparts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are also included for beginners. These have very simple rhythms andnotes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical romantic modern and folktunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation mixed ability and mixed tastes.

Recorder Quartets (Set Of Parts)-A new collection of quartets for descant treble tenor and bass recorders by John Pitts. This varied selection of quartets includes Latin American dances hit show tunes folk and classical favourites blues and ragtimepieces and some original compositions by John Pitts. Challenging and wide-ranging the collection is aimed at the more advanced recorder group. In all the pieces all players have a chance to feature. This set includes separateparts for Descant Treble Tenor and Bass. A separate playing score is also available for sale (CH61696).

John Rutter's What Sweeter Music for SSA or SSS and Organ or Strings.Originally published in a version for mixed voices this much-loved Rutter carol has been adapted by the composer for performance by upper-voice choirs. Full scores and Sets of Parts specially composed for the upper-voice version are available on sale and on hire/rental. The Set of Parts contains the following String parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db.

Gates is the second section from the ballet MAA scored for Chamber group tape and live electronics. Written in 1991 commissioned by the Finnish National Opera this work beautifully demonstrates the poeticism of Saariaho's music with a sensuous calm that permeates throughout. MAA translates from Finnish into world earth or country. It is a complimentary title as the ballet does not have a plot as such rather it is built around thematic archetypes such as doors gates stepping into new worlds journeys and the crossing of waters. Gates can be played either as an acoustic or often preferably an amplified version. The acousticversion is suitable for small and resonant halls or in a context of e.g. an early music program in which case the piece can also be played on original instruments. This is the Full set of parts for one of Kaija Saariaho's most major works to date. Score is avilable: KP00326.

John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and String Orchestra. This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful Cello solo the Vocal lines are rich and flowing and the Organ supports the choir with warm harmonies. The carol was written at the invitation of Red Balloon a Cambridge-based UK-wide organization dedicated to the recovery of bullied children. The Cello part is published separately and an accompaniment for strings is available on sale and on hire/rental. This set of parts includes the following string parts: 4 x vln I 4 x vln II 3 xvla 2 x vc 1 x db.

After being unavailable for some 30 years these original organ and piano selectios are being republished through arrangements with G. Schirmer. Excellent literature dating from 1917 and 1922 these duets make a fine addition to the repertoire ofthis popular combination. Set of parts included for each player.

Set of three performing scores for Jeremy Dale Roberts' Croquis for String Trio.Published 1976-1990 this piece was first performed at the Venice Biennale and was first broadcast by members ofArditti Quartet - irvine Arditti Levine Andrade Rohan de Saram.Croquis is in three parts:Cahier 1 - 17 minutesCahier 2 - 16 minutesCahier 3 - 18 minutes

Set of parts for Anders Nordentoft's Moment dating from 1989 (rev. 1992 & 1997). Scored for Clarinet Violin Cello and Piano. Score (also Piano part) available: KP00059

Soprano Saxophone And Double Bass Parts-John Harle's Lookout! is scored for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard. These are the parts for Saxophone and Double Bass.Lookout! waswritten for The Folkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from CreativeFoundation.'Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for 'Complaints Choirs' the lyric material isdrawn from actual notes made by the residents of Folkestone about living in their town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to be able to be rehearsed and performed on aminimum ofrehearsal time as the logistics of large-scale community events means that the singers andmusicians often come together only on the day of performance.The accompanying instrumental parts are straightforward the role ofthe saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forces or simply a keyboard or pianoaccompaniment.' -John Harle