SKU: DZ.DZ-4287

ISBN 9782898522048.

Ant� �nio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.
In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.
Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.
Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).
In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.
In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.
Unfortunately , Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.
The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.

Antôni o Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.
En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.
De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.
Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).
En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.
En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.
Malheureuseme nt, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.
La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».
Envoyer des commentaires
Panneaux latéraux
HistoriqueEnregistrées.

SKU: GI.G-8153

ISBN 9781622770724. English, Spanish. Text Source: English refs.: Lectionary for Mass, English vv.: The Revised Grail Psalms or NAB, Spanish: Leccionario Edición Hispanoamericana

SKU: HL.119698

UPC: 884088911584. 5.5x5 inches.

Featuring a stunning choral introit in Spanish, this composition pairs a new melody along with the traditional hymn, “Holy, Holy, Holy.” There's room for congregational singing, as well.

SKU: GI.G-012684

UPC: 641151126845. Spanish, Bilingual.

“V amos a la Casa del Señor” (Let us go to the house of the Lord) is a collection of prayerful Spanish and bilingual songs and acclamations from Al Valverde, widely considered one of the pioneers in modern bilingual liturgical music. The title track, a joyful gathering hymn, is alive with trumpets and marimba, there’s also a unity-inspired hymn Siempre Unidos and a delightful Christmas song full of child-like wonder, Ha Venido.” The album’s centerpiece is the beloved Mi Madrecita,” an effusive anthem for Mother's Day, set in a mariachi style and sure to move hearts with its exceptional lyricism and loving message.

SKU: HL.119700

UPC: 884088911607. 5.5x5 inches.

Featuring a stunning choral introit in Spanish, this composition pairs a new melody along with the traditional hymn, “Holy, Holy, Holy.” There's room for congregational singing, as well.

SKU: HL.119699

UPC: 884088911591. 5.5x5 inches.

Featuring a stunning choral introit in Spanish, this composition pairs a new melody along with the traditional hymn, “Holy, Holy, Holy.” There's room for congregational singing, as well.

SKU: GI.G-7226

UPC: 785147722601. English, Spanish. Text Source: Based on John 6 and 11, Spanish tr. anonymous, rev. Ronald F. Krisman. Text by Suzanne Toolan. Scripture: John 6.

Hymn is presented in a new octavo with Spanish and English texts, and parts for two instruments. It features a newly revised Spanish text that is a more faithful translation of the English.

SKU: GI.G-CD-641

SKU: GI.G-CD-294

Mariachi is an exciting work that brings forth the deeply spiritual roots of the Hispanic people. With a mix of the ancient and the new, you'll delight to the upbeat rhythms that trace their beginning to the Spanish colonization of Mexico. Constantly evolving, mariachi is experiencing a new resurgence as the musical ambassador of Mexico. With this in mind, Cuco has written this collection of songs for the new mariachi era. This recording features The Mariachi Sol de Mexico, one of the finest mariachi bands today, under the direction of José Hernandez, along with the incredibly talented Sue Ann Pinner. This recording will delight listeners of all cultures. CONTENTS: Pescador de Hombres (bilingual) GABARÁIN - Compasión derramada - Ave Maria SCHUBERT - Sol de este pueblo - Hymn of Joy / Hymno de Alegria BEETHOVEN - La Nueva Misa Mariachi - Señor Ten Piedad (Forma 3) - Gloria - Aleluya - Santo - Aclamación Conmemorativa - Amén por siempre - Padre Nuestro y Doxologia - Letanía del Pan.

SKU: GI.G-012571

English or Spanish Bilingual.

WLP proudly presents the ¡Celebremos!/Le t Us Celebrate! CD Recording, a compilation of the Spanish and bilingual music offered in the ¡Celebremos!/Le t Us Celebrate! missal and hymnal. This collection encompasses the entire Spanish/Bilingual volume of the accompaniment edition and the Spanish/bilingual titles from the Service Music volume--in all, more than 300 titles! From learning melodies to identifying and emulating particular styles of music, ¡Celebremos! /Let Us Celebrate! is a valuable learning tool for both musicians who rely on their ear to learn music as well as for skilled music readers. Written and arranged by various well-known composers, the songs in ¡Celebremos!/Let Us Celebrate! resonate with many cultures throughout Latin America and around the world. ¡Celebremos! /Let Us Celebrate! ensures that the rich heritage of Hispanic liturgical music lives on.

SKU: GI.G-012572

English or Spanish Bilingual.

WLP proudly presents the ¡Celebremos!/Le t Us Celebrate! CD Recording, a compilation of the Spanish and bilingual music offered in the ¡Celebremos!/Le t Us Celebrate! missal and hymnal. This collection encompasses the entire Spanish/Bilingual volume of the accompaniment edition and the Spanish/bilingual titles from the Service Music volume--in all, more than 300 titles! From learning melodies to identifying and emulating particular styles of music, ¡Celebremos! /Let Us Celebrate! is a valuable learning tool for both musicians who rely on their ear to learn music as well as for skilled music readers. Written and arranged by various well-known composers, the songs in ¡Celebremos!/Let Us Celebrate! resonate with many cultures throughout Latin America and around the world. ¡Celebremos! /Let Us Celebrate! ensures that the rich heritage of Hispanic liturgical music lives on.

SKU: GI.G-006815

UPC: 641151068152. Spanish.

With over 270 songs, representing many Spanish traditions, Cantos del Pueblo de Dios is the hymnal resource your assembly has been waiting for! On this 6-CD set, recorded by various artists, each song is represented by a refrain and at least one verse—an invaluable resource for teaching new songs to your musicians. All of the repertoire in the Cantos del Pueblo de Dios hymnal is included.

SKU: SU.80101140

This set contains six hymn preludes for organ pedals alone. All are accessible to the average organist and are designed to be used as actual service (or recital) literature (rather than just exercises, like most pedal only pieces). The six hymns in this collection are: Roeder, St. Gertrude, Toplady, Iverson (Living God), Kingsfold, and Madrid (Spanish Chant). Published by: Zimbel Press.

SKU: GI.G-002504

MISAL/MISSAL ¡Celebremos!/Let Us Celebrate! is a subscription-based resource. For information on quantity pricing , contact Suzanne Orland, Sales and Customer Relationship Manager at 708.552.9815 or email hymnalsandmissals@giamusi c.com This is the 7 x 10 large-print edition of the ¡Celebremos!/Le t Us Celebrate! missal. ¡Celebremos!/Let Us Celebrate! is the original and most affordable bilingual missal, featuring a side-by-side English and Spanish-language format. Other features include: Four issues per year Lectionary readings for Sundays All prayer texts for Sunday Mass, including entrance and communion antiphons Also available in a standard-print edition (5.5 x 8.5) A rich selection of English and Spanish-language psalms No extra charge for weekdays! Accompaniment books designed specifically for ¡Celebremos!/Let Us Celebrate! There is a set for guitar and a set for keyboard, each consisting of three spiral-bound books.* Volume 1–Service Music Volume 2–English Music Volume 3–Spanish and Bilingual Music *Books are sold in sets only. For more information contact our Sales and CRM Manager, Suzanne Orland at 708-552-9815 or email (suzanneo@giamusic.com for pricing. Click here for more detailed information or to download the most current indexes for this publication.

SKU: GI.G-002536

UPC: 641151025360. Spanish, Latin, English or Spanish Bilingual, English.

Refreshing solo piano arrangements of familiar hymn tunes, played with finesse and expertise.

SKU: GI.G-7408

UPC: 785147740803. English, Spanish. Translation: Georgina Pando-Connolly. Text by Omer Westendorf.

Ferguso n's classic concertato setting of the evergreen hymn is new again through the inclusion of a recent Spanish translation of the text. The poetry of Westendorf has said so much to believers for so many years, now these sentiments will be appreciated by a widening circle of Christians.

SKU: JK.00969

Psalm 104:34, Enos 1:27.

Reverent hymn arrangement for mixed chorus (SATB) and organ, beginning in unison and gradually broadening to a full eight part choir--particularly appropriate for a stake choir. Includes both English and Spanish text.
Composer: John B. Dykes
Arranger: Nancy L. Oliver
Lyricist: attributed to Bernard of Clair Vaux
Difficulty: Medium-difficult / medium-difficult acc.
Performance time: 2:45
Preference: Psalm 104:34, Enos 1:27.

SKU: GI.G-006517

Missal Parroquial is a subscription-based resource. For information on quantity pricing , contact Suzanne Orland, Sales and Customer Relationship Manager at 708.552.9815 or email hymnalsandmissals@giamusi c.com. The excellent quality of a WLP Missalette combined with culturally rich hymns, songs, psalms, acclamations, and Mass settings—all in Spanish! This annual missal is issued each year starting with the first Sunday of Advent and spanning the liturgical year. It contains the Sunday readings and feast days celebrated in the United States, plus selected texts for weekday Masses. The psalms were selected by the USCCB and were carefully chosen for Sunday Mass and weekdays. Features: 6 x 9 size Issued annually Complete Order of Mass with six Eucharistic Prayers Readings and prayers for Sundays and Holy Days from Leccionario para Estados Unidos Responsorial Psalms from Leccionario Hispanoamérica Seasonal blessings and prayers Table of Contents segmented into liturgical seasons Songs for worship presented as text-only Mass settings with musical notation provided INCLUDES A WIDE SELECTION OF SONG CHOICES AND SERVICE MUSIC. For more information, to request a sample copy, or to place an order, contact our Sales and Customer Relationship Manager, Suzanne Orland at suzanneo@giamusic.com.

SKU: GI.G-7333G

English, Spanish. Text Source: Vv.: Latin, 9th c., tr. The Hymnal 1982, ref.: Carol Browning, Spanish tr. Ronald F. Krisman; Translation: Ronald Krisman. Text by Carol Browning.

Tune Name: CONDITOR ALME SIDERUM.

SKU: GI.G-012703

ISBN 9781892875167. English, Spanish, Bilingual.

Este es un recurso indispensable para sacerdotes, diáconos y aquellos que trabajan en el ministerio hispano, es una colección bilingüe de rituals católicos hispanos y devociones populares que son profundos en su fe y enralzados en una abundante tradición. Instrucciones detalladas y diagramas se muestra en inglés mientras que la oraciones, los textos, y los himnos están en español. Este libro es fácil de usar ya que presenta de manera sencilla a los ministros cuyo primer idioma es el inglés las celebraciones como los quinceaños, las mañanitas a la Virgen de Guadalupe y las posadas.   This indispensable resource for priests, deacons, and those who work in Hispanic ministry is a bilingual collection of Hispanic Catholic rituals and popular devotions that are deep in faith and steeped in a rich tradition. Detailed instructions and diagrams are presented in English while the prayers, texts, and hymns are presented in Spanish. Easy to use, this book makes ceremonies like quinceaños, mañanitas to Our Lady of Guadalupe, and las posadas readily accessible to ministers whose first language is English. .