Bassoon/Trombone/Euphonium B.C./T.C. - Grade 0.5 to 1. Par . There are two things that beginners really want to do: play songs they recognize and play the TUNE. In Tons of Tunes for the Beginner, many of the easiest of familiar songs are gathered together so that young musicians can do just that - play the tunes to familiar music! Most of the songs can be performed by players who have learned only a few notes. Play along with the audio accompaniment or with any combination of solo instruments for tons of practice fun! 32 favorite tunes, including: Bingo · I've Been Working on the Railroad · Ode to Joy · Take Me Out to the Ballgame · Yankee Doodle · and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-05-31/ Recueil / Basson, Trombone ou Euphonium BC/TC

Another bumper selection of funky classics from the era of Glam and Punk, with seventy-five seventies greats arranged with full lyrics and guitar chords. Whether you're looking for the ska-inspired punk of The Police, the greasy rock of AC/DC, or the proto-disco of Blondie, you'll find those special nuggets of nostalgia in this bumper collection. Every song is presented in the key of the original hit recording, and the songs themselves include Ring My Bell , Tumbling Dice and Apeman / Paroles Et Accords (Avec Grilles D'Accords)

Arr. Andrew D. Gordon. Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on funk Keyboard styles such as: ; 60 Of The Funkiest Keyboard Riffs Known To Mankind, ; Funky Organ Grooves, ; Outta Sight Funk & R& B Riffs For Piano/Keyboards which have been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Gordon 's, he has written this instructional book 100 Ultimate Soul, Funk and R& B Grooves based on the influences of the great Funk, Soul and R& B artists such as: James Brown, Herbie Hancock, TheCrusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Gordon has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Keyboard part playing along with a rhythm section of Guitar, Bass, Drums, Organ and, in many of the grooves, Percussion. There is also a three minute Play-Along track for each of the 100 grooves minus the keyboard part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-Along tracks. A Spotify playlist containing the songs that have influenced the grooves can also be listened to. ' Andrew has a great flair for a large variety of grooves. These exercises if practiced can really help ones musicianship and feel and I wish I had them when I grew up. To be able to read them and hear them played is extremely valuable '. - Mike Garson, Keyboard player for David Bowie Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on funk Keyboard styles such as: ; 60 Of The Funkiest Keyboard Riffs Known To Mankind, ; Funky Organ Grooves, ; Outta Sight Funk & R& B Riffs For Piano/Keyboards which have been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Gordon 's, he has written this instructional book 100 Ultimate Soul, Funk and R& B Grooves based on the influences of the great Funk, Soul and R& B artists such as: JamesBrown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Gordon has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Keyboard part playing along with a rhythm section of Guitar, Bass, Drums, Organ and, in many of the grooves, Percussion. There is also a three minute Play-Along track for each of the 100 grooves minus the keyboard part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-Along tracks. A Spotify playlist containing the songs that have influenced the grooves can also be listened to. ' Andrew has a great flair for a large variety of grooves. These exercises if practiced can really help ones musicianship and feel and I wish I had them when I grew up. To be able to read them and hear them played is extremely valuable '. - Mike Garson, Keyboard player for David Bowie/ Recueil / Piano ou Clavier

Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade composed the cantata ?The Crusaders? op. 50 for soloists, choir and orchestra (termed as ?Dramatic Poem? in the original print) in the summer of 1865; it was premiered on 24 April 1866. Together with the cantatas ?Kalanus? and ?Zion? written later, the work constitutes, in Gade?s understanding, a ?kind of trilogy? which centers on different manifestations of the ?longing for the true light?. The libretto of ?The Crusaders? by Carl Andersen is based on motives from Torquato Tasso?s ?Jerusalem Delivered? and spreads these over three sections which themselves are subdivided multiple times: I In the Desert ? II Armida - III Towards Jerusalem./ Répertoire / Chant et Orchestre

This version of the work composed for Children's Voices Piano and Percussion was commissioned by the Young People's Chorus of New York City. Conductor's Score and Percussion Parts are available from the Publishers. Text:Peter Porter

This version of the work composed for Children's Voices Piano and Percussion was commissioned by the Young People's Chorus of New York City.

Par GORDON ANDREW D.. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on Flute styles such as: ; 100 Ultimate Blues Riffs for Flute, ; 100 Ultimate Jazz Riffs for Flute, ; The Blues Scale for Flute as well as another book that A. D. G. Productions publishes ; Ultimate Funk Grooves for Flute authored by Ben Tompsett which have all been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew's, he has written this instructional book ; 100Ultimate Soul, Funk and R& B Grooves based on the influences of the great Funk, Soul and R& B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Flute part playing along with a rhythm section of Guitar, Bass, Drums, Keyboards and in many of the grooves, Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Flute part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks./ Recueil / Flûte Traversière

Due to the popularity of Ben Tompsett's book series 'Ultimate Funk Grooves for Bb & Eb instruments', Tompsett has now produced a version for Flute. Funk and its infectious style, remains a popular part of the music we listen to today. Timeless recordings from such artists as James Brown, The Commodores, Stevie Wonder, The Meters, The Crusaders, Brecker Brothers, The Average White Band, Sly & the Family Stone, Tower Of Power, Prince, The Blackbyrds, Manu Dibango, Maceo Parker, Junior Walker & the All Stars, and many more, continue to enjoy massive popularity and have had a major influence on contemporary music styles, such as hip-hop, rap and R&B. Thisbook contains 92 riffs that showcase the different ways in which the soloist can create a distinct funk sound to their playing. The audio CD that comes with the book contains 31 different grooves that accompany each of the riffs, influenced by the aforementioned artists, and covers a wide range of different funk styles from the mid-sixties to the present day. The book is intended for the musician who wants to practically develop their playing style and improvisation technique in this genre./ Recueil / Flûte Traversière

Funk and its infectious style, remains a popular part of the music we listen to today. Timeless recordings from such artists as James Brown, The Commodores, Stevie Wonder, The Meters, The Crusaders, Brecker Brothers, The Average White Band, Sly and the Family Stone, Tower of Power, Prince, The Blackbyrds, Manu Dibango, Maceo Parker, Junior Walker and the All Stars, and many more, continue to enjoy massive popularity and have had a major influence on contemporary music styles, such as Hip-Hop, Rap and RandB. The saxophone in Funk music has its place not only in the Horn sections so often heard in this genre but also as a dynamic solo instrument. This book contains 92 riifs that showcase the different ways in which the soloist can create a distinct Funk sound to their playing. The audio files that comes with the book contains 31 different grooves that accompany each of the riffs, influenced by the aforementioned artists, and covers a wide range of different Funk styles from the mid-sixties to the present day. The book is intended for the musician who wants to practically develop their playing style and improvisation technique in this genre.

Missa del Cid was written in 1988 as part of BBC TV’s ‘Sound on Film’ series which showed the first performance of the piece in its entirety together with a documentary about its creation. Subsequently the work(originally written for ten solo voices) has reappeared in several other guises; performed live in concert recorded on CD and staged as part of an operatic evening about the era of the Crusades.The text has been compiled fromthe early 13th century Spanish epic Poema de Mio Cid (which chronicles the life of the 11th century Spanish outlaw Ruy Diaz de Vivar); and from the liturgical Latin Mass. Duration c. 25 minutes. A speaker is required forthe Evangelist role.

Par GORDON ANDREW D.. As playing funk styles is a passion of Andrew's, he has written this instructional book '100 Ultimate Soul, Funk and R and B Grooves” based on the influences of the great Funk, Soul and R and B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Trumpet part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves. / Niveau : Intermédiaire à Avancé / Etude / Trombone