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The Gibbons Hymnal (SATB)
15.81
The Gibbons Hymnal (SATB)
Chorale SATB
Novello & Co Ltd.
The Gibbons Hymnal contains the 17 hymn tunes composed by Orlando Gibbons for Ge...
(+)
The Gibbons Hymnal contains the 17 hymn tunes composed by Orlando Gibbons for George Wither's The Hymnes and Songs of the Church (1623), many of which are still popular today. This is the first modern edition which incorporates Wither's hymn texts beyond the first verses. Gibbons composed treble and bass lines for the hymns - editor David Skinner has constructed the inner voices to create a collection of pieces that can be performed either as hymns or as simple anthems. Also in this volume are Gibbons's ten surviving full anthems, including popular works such as Almighty And Everlasting God and his masterpiece, O Clap Your Hands , alongside lesser-known compositions such as the beautiful miniature, O Lord, I Lift My Heart To Thee , and, presented here in a new reconstruction, I Am The Resurrection And The Life . / Choeur Mixte (SATB)
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100 Hymns
26.13
100 Hymns
Violon, Guitare (duo)
[Partition]
Mel Bay
100 Hymns for Violin and Guitar is a collection of all-time favorite hymns arran...
(+)
100 Hymns for Violin and Guitar is a collection of all-time favorite hymns arranged for violin solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year./ Recueil / Violon et Guitare
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1001 All-Time Hit Songs
54.81
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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Piano Treasury Of Hymns Cd
27.40
Piano Treasury Of Hymns Cd
Piano, Voix
[Partition + CD]
-
Intermédiaire
Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...
(+)
The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
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Orlando Gibbons: The Gibbons Hymnal: SATB: Vocal Score
10.99
Orlando Gibbons: The Gibbons Hymnal: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
The Gibbons Hymnal contains the 17 hymn tunes composed by Orlando Gibbons for Ge...
(+)
The Gibbons Hymnal contains the 17 hymn tunes composed by Orlando Gibbons for George Wither’s The Hymnes and Songs of the Church (1623) many of which are still popular today. This is the first modern edition which incorporates Wither’s hymn texts beyond the first verses.Gibbons composed treble and bass lines for the hymns; editor David Skinner has constructed the inner voices to create a collection of pieces that can be performed either as hymns or as simple anthems.Also in this volume are Gibbons’s ten surviving full anthems including popular works such as Almighty And Everlasting God and his masterpiece O Clap YourHands alongside lesser-known compositions such as the beautiful miniature O Lord I Lift My Heart To Thee and presented here in a new reconstruction I Am The Resurrection And The Life.In the January 2015 edition of the Journal of the Association of Anglican Musicians Jason Overall writes about this 'superlative collection' that it 'provides a valuable resource for choirs.'
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
24.87
Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
(+)
Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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The Novello Book Of Hymns
29.39
The Novello Book Of Hymns
Chorale SATB
Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...
(+)
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
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The Best Movie Themes Ever
31.06
The Best Movie Themes Ever
Piano seul
[Partition]
Hal Leonard
80 movie themes that work perfectly as piano solos, including: American Beauty -...
(+)
80 movie themes that work perfectly as piano solos, including: American Beauty - Bellas Lullaby - Breakfast at Tiffanys - Cinema Paradiso - The English Patient - Far and Away (Main Theme) - Forrest Gump - Main Title (Feather Theme) - Gabriels Oboe - The Godfather (Love Theme) - Hedwigs Theme - Hymn to the Fallen - Il Postino (The Postman) - Jacobs Theme - Theme from Jurassic Park - Last of the Mohicans (Main Theme) - Theme from Lawrence of Arabia - The Man from Snowy River (Main Title Theme) - The Naked Gun from the Files of Police Squad! - On Golden Pond - A Prayer for Peace - The Promise (Ill Never Say Goodbye) - Raiders March - Ratatouille Main Theme - Theme from Schindlers List - Somewhere in Time - Star Wars (Main Theme) - Theme from Terms of Endearment and more./ Recueil / Piano
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America S All-Time Favorite Songs For God And Country
31.10
America S All-Time Favorite Songs For God And Country
Piano seul
[Partition]
Amsco Wise Publications
Nowhere else will you find gathered together into one priceless treasury so many...
(+)
Nowhere else will you find gathered together into one priceless treasury so many of your favourite American folk songs, patriotic anthems and marches, heart songs, sea chanteys, colonial songs, civil war songs, hymns, gospel songs, spirituals, Christmas carols, memorial songs, and sacred classics. This comprehensive volume includes over 175 full Piano arrangements with complete lyrics and chord symbols, and is illustrated with woodcuts, engravings and drawings throughout. / Rép International / Recueil / Piano
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
144.99
Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
(+)
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score
22.99
Andrew R. Mackereth: Hymnus: Fanfare Band: Score
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
(+)
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
22.99 GBP - vendu par Musicroom GB
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The Really Big Really Easy Piano Songbook
41.90
The Really Big Really Easy Piano Songbook
Piano Facile
-
Facile
Amsco Wise Publications
The Really Big Really Easy Piano Songbook combines a huge selection of songs fro...
(+)
The Really Big Really Easy Piano Songbook combines a huge selection of songs from the entire Easy Piano series. Ranging from Mozart to Justin Bieber, this songbook is sure to satiate any beginner pianist and expand their repertoire ten-fold!Includes songs from: Ludwig Van Beethoven, Coldplay, Bill Withers, John Legend, Elvis Presley, Franz Schubert, Taylor Swift, Simon and Garfunkel, David Bowie, Adele and many more! / Piano
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4 Hymns
38.91
4 Hymns
Conducteur De Poche
Boosey and Hawkes
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on...
(+)
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Conducteur De Poche
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4 Hymns
11.42
4 Hymns
Partie De Violon Alto Solo
Boosey and Hawkes
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on...
(+)
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Partie De Violon Alto Solo
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Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
3.99
Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...
(+)
'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
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Symphonie Nr. 8 (MAHLER GUSTAV)
44.34
Symphonie Nr. 8 (MAHLER GUSTAV)
Chœur Mixte [SATB] et Orchestre
[Conducteur d'étude / Miniature]
Universal Edition
Symphonie der Tausend. Par MAHLER GUSTAV. All my earlier symphonies are mere pre...
(+)
Symphonie der Tausend. Par MAHLER GUSTAV. All my earlier symphonies are mere preludes to this one. In the other works everything is subjective tragedy, - this one is a huge giver of joy.' (Gustav Mahler) Gustav Mahler's 'Symphony No. 8' is a work of exceptions. Seen from the outside, this is true of the forces that are used: with its three choirs, eight soloists and an orchestra of far more than one hundred musicians, there are few similar works in the annals of music. This cast of performers determines the second exceptional element of the work, the mix of instrumental and vocal characteristics that makes it to the prototype of a 'vocal symphony', which - as Mahler put it - 'is sung from beginning to end'. In turn, the texts that are sung influence the structure of the whole, replacing, as it were, the usual four movements of a symphony with two strongly divergent 'parts'. And, finally, as if to emphasize this divergence, the texts used - the hymn 'Veni creator spiritus' in the first part and the final scene of Goethe's Faust in the second - are not only written in two languages but also separated in their origins by more than one thousand years. Thus it is a work of extremes, and a work of contradiction. It seems, however, that it was exactly these distinctive features that lifted the symphony above the others and convinced Mahler that his 'Symphony No. 8' was 'the greatest' work 'that I have composed'./ Répertoire / Chœur Mixte [SATB] et Orchestre
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The New Novello Book Of Short And Easy Anthems For Upper Voices
20.34
The New Novello Book Of Short And Easy Anthems For Upper Voices
Chorale 3 parties
SSA, Piano
Novello & Co Ltd.
The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful c...
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The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill, this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fantastic.Some works included in this collection are universally-loved, pieces like Ave Maria by Marcel Dupré, The Lord's Prayer by John Tavener and James Whitbourn's wonderful A Prayer Of Desmond Tutu. Despite the title of Short And Easy, these pieces are anything but mundane or tired, they are all exciting, versatile and enjoyable, making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time, with limited resources. Learning from this collection is quick and efficient, but the songs don't compromise in beauty.With a range of styles, and settings for Eucharist and Evensong, this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul, Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol, the selection here is brilliant, including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a wealth of songs that can be learnt quickly. The works here include simple unison settings, while most of them can be performed with some flexible scoring, allowing the music to be opened up to wider choirs.Featuring a vast number of anthems that can be learnt and sung quickly, The New Novello Book Of Short and Easy Anthems gives Upper Voice choirs a grand selection of songs that will prevent a reliance on the same ones. Whether your choir is large or small, the music contained within this collection is perfect for beautifully versatile melodies that can be learned very easily. / Choeur SSA Et Piano
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John Tavener: Three Hymns Of George Herbert: SATB: Vocal Score
6.50
John Tavener: Three Hymns Of George Herbert: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Chester
Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus pe...
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Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener
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John Tavener: Three Hymns Of George Herbert: SATB: Score
16.99
John Tavener: Three Hymns Of George Herbert: SATB: Score
Chorale SATB
SATB, Orchestre
Chester
Full Score for John Tavener's Three Hymns Of George Herbert for SATB chorus per...
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Full Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener
16.99 GBP - vendu par Musicroom GB
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Meditation On The Old Czech Hymn St Wenceslas For String Quartet Op. 35A
23.15
Meditation On The Old Czech Hymn St Wenceslas For String Quartet Op. 35A
Orchestre à Cordes
[Partition]
Barenreiter
Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the en...
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Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert.Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas? hymn. The hymn's message - a plea for the well-being of the Czech people, directed at their patron saint - was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 - the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ.This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583 - study score TP 583) and another for string orchestra (BA 9584).The orchestral version differs in some details and has an added part for double bass. - First Urtext edition - Informative trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor - Two versions published in two separate editions / Orchestre A Cordes
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Meditation On The Old Czech Hymn St Wenceslas For String Quartet Op. 35A (SUK JOSEF)
15.02
Meditation On The Old Czech Hymn St Wenceslas For String Quartet Op. 35A (SUK JOSEF)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Barenreiter
for String Quartet op. 35a. Par SUK JOSEF. Josef Suk played second violin in the...
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for String Quartet op. 35a. Par SUK JOSEF. Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas” hymn. The hymn's message - a plea for the well-being of the Czech people, directed at their patron saint - was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 - the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583 - study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. - First Urtext edition/ Répertoire / Quatuor à Cordes
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The New Church Anthem Book (DAKERS LIONEL)
34.28
The New Church Anthem Book (DAKERS LIONEL)
Chorale SATB
[Partition]
Oxford University Press
Paperback. Par DAKERS LIONEL. La collection définitive de 100 hymnes, surtout p...
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Paperback. Par DAKERS LIONEL. La collection définitive de 100 hymnes, surtout pour les voix SATB, de l'époque Tudor à nos jours, y compris les favoris de chaque période, et des morceaux moins connus. Réductions clavier sont inclus pour la musique non accompagnés, et des accompagnements d'orgue sont toujours pratiques. Dakers Lionel est né à Rochester, Kent, en 1924, et mourut en 2003. Il a été directeur de la Royal School of Church Music de 1972 à 1989 et jouit d'une réputation internationale comme un ambassadeur de l'excellence dans la musique d'église. Il a également été pendant plus de 30 ans un examinateur pour l'Associated Board de l'Ecole Royale de Musique. Il a obtenu un doctorat en musique de Lambeth en 1979, est devenu un Fellow du Royal College of Music en 1980 et a été nommé CBE en 1983./ Recueil / Chant
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Hymnfest (Director's Score)
9.94
Hymnfest (Director's Score)
Chorale SATB
Alfred Publishing
Classic hymns are given an artful touch in this flexible new collection. Each ar...
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Classic hymns are given an artful touch in this flexible new collection. Each arrangement stands beautifully on its own, or the entire five arrangements (with optional narration to tie them together) can be performed as a 20-minute 'Hymnfest' during a regular worship service. Optional suggestions are also included to create a full hour-long hymn service with additional anthem and hymn suggestions. / Choeur Mixte (SATB)
9.94 EUR - vendu par LMI-partitions
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