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My First Schumann
16.41
My First Schumann
Deutsch
Piano Facile
[Partition]
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Schott
My First Bach and My First Mozart are now followed by a third edition of easy-to...
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My First Bach and My First Mozart are now followed by a third edition of easy-to-play original works from one of the most important composers of the Romantic era: Robert Schumann. This collection includes pieces from Album for the Young and Scenes from Childhood, enabling young players to experience Romantic piano music for the first time. Ideal for teaching the first use of the pedal, pupils can learn how to play expressively and to distinguish between melody and accompaniment. / Piano
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John J. Davye's Missa Brevis for SATB choir a cappella.The Missa Brevis is a Mas...
(+)
John J. Davye's Missa Brevis for SATB choir a cappella.The Missa Brevis is a Mass in which each movement is based on either a four or five note tone-row (of a major second minor third and perfect fourth) with various canonic devices (inversion retrograde etc.) used throughout.Kyrie: Tonality of D - four note rowGloria: Tonality of G- five note rowSanctus: Tonality of C - four note rowBenedictus: Tonality of C - five note rowAgnus Dei: PolytonalityThis Miss Brevis is in both Latin and English.
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Patrick Hawes: Arioso For Pedal Harp: Harp: Instrumental Work
80 Days Publishing
Arioso is the third piece from the Towards the Light collection for piano writte...
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Arioso is the third piece from the Towards the Light collection for piano written during Patrick’s time as Composer in Residence for Classic FM. Arranged for pedal harp by Elinor Evans this beautiful piece is a soothing outpouring of melody. Meaning ‘in the style of an aria’ it introduces the lyrical quality which is a major feature of the collection.
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Arioso is the third piece from the Towards the Light collection for piano writte...
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Arioso is the third piece from the Towards the Light collection for piano written during Patrickâ??s time as Composer in Residence for Classic FM. Arranged for lever harp by Elinor Evans this beautiful piece is a soothing outpouring of melody. Meaning â??in the style of an ariaâ?? it introduces the lyrical quality which is a major feature of the collection.
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The Best Movie Songs Ever - 3rd Edition: Easy Piano: Instrumental Album
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The Best Movie Songs Ever - 3rd Edition. This third edition features a great ret...
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The Best Movie Songs Ever - 3rd Edition. This third edition features a great retrospective of 76 favorite songs that have been a part of some of the most memorable movies ever. Songs include: Alfie · As Time Goes By · City of Stars · Endless Love · Hallelujah · Laura · A Million Dreams · Moon River · Over the Rainbow · Shallow · Somewhere Out There · Tears in Heaven · Time Warp · The Trolley Song · The Wind Beneath My Wings · You're Welcome · and more.
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Flex Ability Holiday - Saxophone And Piano
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Saxophone et Piano
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The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-leve...
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The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.
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Flex Ability Holiday - Clarinet
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Alfred Publishing
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The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.
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Emily Bear: Once Upon a Wish: A Holiday Collection and More..: Piano:
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Once upon a Wish 7-year-old Emily Bear's third CD features original compositio...
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Once upon a Wish 7-year-old Emily Bear's third CD features original compositions that Emily hopes will help and inspire others to make a difference in the world. This beautiful matching songbook features many pages of colorful photos notes about Emily and piano solo arrangements of ten pieces: Giving · Motherlove · Christmas Bells · Once upon a Wish · Mary's Hope · and more.
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Flex Ability Holiday - Tenor Sax
11.60
Flex Ability Holiday - Tenor Sax
Alfred Publishing
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-leve...
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The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.
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Flex Ability Holiday - Wind Ensemble
11.60
Flex Ability Holiday - Wind Ensemble
Alfred Publishing
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-leve...
(+)
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.
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Flex Ability Holiday - Cello And Bass
11.60
Flex Ability Holiday - Cello And Bass
Alfred Publishing
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-leve...
(+)
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.
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Flex Ability Holiday - French Horn
11.60
Flex Ability Holiday - French Horn
Alfred Publishing
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-leve...
(+)
The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.
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Flex Ability Holiday - Flute And Piano
11.60
Flex Ability Holiday - Flute And Piano
Flûte traversière et Piano
Alfred Publishing
Series: Flex-Ability SeriesCategory: Mixed Instruments - Flexible Instrumentatio...
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Series: Flex-Ability SeriesCategory: Mixed Instruments - Flexible InstrumentationFormat: BookInstrument: FluteInstrumentation: FluteThe Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.
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Paul Herfurth: A Tune A Day For Violin - A Beginning Scale Book: Violin:
8.99
Paul Herfurth: A Tune A Day For Violin - A Beginning Scale Book: Violin:
Violon
Boston Music
C. Paul Herfurth. A supplement to any violin method. Includes studies in thirds ...
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C. Paul Herfurth. A supplement to any violin method. Includes studies in thirds arpeggios and an introduction to double stops. All in first position.
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Hollywood Musicals Year By Year - Third Edition: Reference Books
16.50
Hollywood Musicals Year By Year - Third Edition: Reference Books
[Livre]
Hal Leonard
Whose singing voice was substituted for Marjorie Reynolds in Holiday Inn? What m...
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Whose singing voice was substituted for Marjorie Reynolds in Holiday Inn? What movie was the first to combine live action with animated cartoon characters? What movie did Marlon Brando first sing in? These and thousands ofother interesting facts about Hollywood's favorite musicals are answered in Hollywood Musicals Year by Year. This book provides a world of information facts and trivia about cinema's favorite musicals. Beginning withThe Jazz Singer and moving through the years this illustrated book documents more than 300 movies. Each entry includes the screenplay writer producer director choreographer cast list song list release date plotsummary and interesting notes surrounding the production cast and spin-offs that the movie inspired. Hollywood Musicals Year by Year also contains many photographs of memorable moments in celluloid history.
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Bartók, Béla : Mikrokosmos - Volume 3
14.97
Bartók, Béla : Mikrokosmos - Volume 3
Piano seul
[Partition]
Schott
The definitive edition (1987) of the piano teaching classic. Includes an introdu...
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The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.
In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.
The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Partition /
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Morton Manus: Alfred's Basic Guitar Method 1 (Third Edition): Guitar:
13.50
Morton Manus: Alfred's Basic Guitar Method 1 (Third Edition): Guitar:
Guitare
Alfred Publishing
The Most Popular Method for Learning How to Play-Recognized for over 50 years as...
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The Most Popular Method for Learning How to Play-Recognized for over 50 years as the best-paced and most comprehensive guitar method available Alfred's Basic Guitar Method has introduced over five million beginners to the joy of playing guitar. Now included are blues country folk jazz and rock styles plus more pop songs! DVDs are available for the visual learner and correlating theory chord and pop books provide everything you need from one complete method. Learning to play has never been easier or more fun than with Alfred's Basic Guitar Method---the first and best choice for today's beginning guitar students.Book 1 introduces you to the foundations of guitar playing. Learn notes songs techniques and many other important topics for a lifetime of musical enjoyment.For the first time companion audio tracks that can be downloaded or streamed online are included with the book so you'll have everything you need in one place. The available DVD is newly updated and features video lessons MP3 audio tracks as well as TNT 2 software which lets you slow down tracks isolate and loop parts and change tempos and keys for customized practice.
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Charles E. Ives: Symphony No. 3: Orchestra: Score
32.50
Charles E. Ives: Symphony No. 3: Orchestra: Score
Orchestre
Associated
Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most ...
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Score-Charles Ives' Third Symphony ‘The Camp Meeting’ is the most concisely-scored of his five symphonies. Containing only Strings a few Winds Horns and Trombone this is a clear and uncluttered reminiscence of nineteenth centuryAmerica as viewed through some of its traditional hymn tunes and in doing so evokes the old 'camp meetings' which were such a feature of pioneer life. The first movement ‘Old Folks' Gatherin'’ is a patchwork of hymntunes drifting through an unpredictable constantly changing harmonic orientation. After a climax is reached a quiet passage opens with oboe and flute over hushed distant strings. Ives reintroduces part of the middle section and settles down to a quiet coda ending the movement almost imperceptibly. The second movement ‘Children's Day’ opens with strings in two parts over Haydnesque eighth notes in the horns. ‘There is a Fountain Filled withBlood’ ‘Happy Land’ ‘Naomi’ and ‘There's Music in the Air’ all are heard. As this is a movement depicting children at play Ives is playful himself weaving hymn tunes into one another in a somewhat tongue-in-cheek manner. Thethird movement ‘Communion’ is darker in tone than the others and provides a psychologically satisfactory close to the work as a whole. This is the 1990 edition of the Score The Charles Ives Society Critical Edition edited byKenneth Singleton and reprinted in 2001. It contains substantial notes on Ives and this work.
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Bartók, Béla : Mikrokosmos - Volume 5
14.97
Bartók, Béla : Mikrokosmos - Volume 5
Piano seul
[Partition]
Schott
The definitive edition (1987) of the piano teaching classic. Includes an introdu...
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The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.
In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.
The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Partition /
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The Four Quarters (ADES THOMAS)
23.40
The Four Quarters (ADES THOMAS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quart...
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Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16. / Ensemble Music / Répertoire / Quatuor à Cordes
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The Four Quarters (ADES THOMAS)
32.60
The Four Quarters (ADES THOMAS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quart...
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Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16. / Ensemble Music / Répertoire / Quatuor à Cordes
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Siegfried - Full Score (WAGNER RICHARD)
53.81
Siegfried - Full Score (WAGNER RICHARD)
Opéra Full Score
[Partition]
Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as wel...
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in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater — one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's Realpolitik, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In The Perfect Wagnerite, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as 'a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche. ' Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of Der Ring des Nibelungen are indisputable. The crowning achievement of German music of the Romantic era, the Ring forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form. Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings Siegfried, an important opera in the Ring and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price. Reproduced from first 1876 edition. The third Ring opera, 'Siegfried' is here carefully reproduced from the authoritative edition of 1876 which Wagner himself approved. / Opéra-opérette / Répertoire / Opéra Full Score
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James MacMillan: Symphony: Orchestra: Study Score
Orchestre
[Partition]
Boosey and Hawkes
Third Part Of The Orchestral Triptych Triduum-Symphony: ‘Vigil’ (19...
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Third Part Of The Orchestral Triptych Triduum-Symphony: ‘Vigil’ (1997) is the last of three interrelated works forming Triduum commissioned by the London Symphony Orchestra the other works being The World’s Ransoming for cor anglais and orchestra and the Cello Concerto (both 1996). All three relate to the historical events and religious liturgies of the Easter Triduum namely Maundy Thursday Good Friday and the Easter Vigil. The symphony’s first movement ‘Light’ deals with the promise of a glimmer of light in the darkness. The central movement ‘Tuba insonet salutaris’ (Sound the trumpet of salvation) is based on the Exsultet melody sung at the Easter Vigil described by Mozart as probably the mostbeautiful ever written. The final movement ‘Water’ opens savagely but subsides towards the presentation of two conflicting principal materials a wild ecstatic dance followed by a slower more mysterious texture leading to a climax and a luminous floating close.
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Schubert Songs Transcription 3 (LISZT FRANZ)
26.90
Schubert Songs Transcription 3 (LISZT FRANZ)
Piano seul
[Partition]
Dover Publications
The Complete Schwanengesang. Par LISZT FRANZ. The foremost pianist-composer of h...
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The Complete Schwanengesang. Par LISZT FRANZ. The foremost pianist-composer of his day, Franz Liszt unselfishly promoted the works of his fellow composers through his brilliant piano transcriptions of their music. Among his most inspired contributions to the literature were his legendary transcriptions of Franz Schubert's songs. This volume, the third in the series, contains Schubert's complete Schwanengesang, and nine other great lieder. Reproduced from extremely rare early editions edited by Liszt himself, they retain all the lyric beauty and emotional depth of Schubert's original music, yet reflect Liszt's incomparable mastery of the difficult art of transcription from the original medium of voice and piano to that of solo piano. The foremost pianist-composer of his day, Franz Liszt unselfishly promoted the works of his fellow composers through his brilliant piano transcriptions of their music. Among his most inspired contributions to the literature were his legendary transcriptions of Franz Schubert's songs. This volume, the third in the series, contains Schubert's complete Schwanengesang, and nine other great lieder. Reproduced from extremely rare early editions edited by Liszt himself, they retain all the lyric beauty and emotional depth of Schubert's original music, yet reflect Liszt's incomparable mastery of the difficult art of transcription from the original medium of voice and pianoto that of solo piano./ Répertoire / Piano
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Fantasias On Eurasian Melodes (LOEB DAVID)
26.00
Fantasias On Eurasian Melodes (LOEB DAVID)
Piccolo
Alry Publications
Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for ...
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Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17./ Répertoire / Piccolo
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