This expansive collection will provide years of musical enjoyment for anyone who loves Irish music. Nowhere else will you find such a rich array of traditional ballads, airs, love songs, anthems, jigs, reels and hornpipes - along with popular Irish song hits from stage and screen. Just mention a beloved melody and, chances are, you will find it in this essential volume. / Guitare

Traditional Irish-This traditional Irish tune has been arranged numerous times. Here Dan Rash provides a unique and creative new look at this familiar melody set for male voices with piano and Irish whistle.

A Collection of Songs in the Irish Language-A spectacular and inspiring collection of songs in the Irish Language. These traditional folk songs are evocative of Irish culture and represent the diversity of styles that make up Irish Folk music. All songs in Gaelic and arranged for Melody-line and Lyrics. Includes An Ciarraioch Mallaithe An Buachaill Caol Dubh agus Spailpin A Run.

Charles Villiers Stanford was an Irish composer music teacher and conductor. Stanford composed a substantial number of concert works including seven symphonies but his best-remembered pieces are his choral works for church performance chiefly composed in the Anglican tradition. Admitted to Queens College Cambridge with an Organ scholarship Stanford had written a substantial number of compositions including vocal music both sacred and secular and orchestral works before getting involved with the university’s Musical Society. While still an undergraduate Stanford was appointed organist of Trinity College Cambridge.Part of the‘Four Intermezzi Op. 189’ Intermezzo On An Irish Air for Organ is based on the melody of the well-known ‘Londonderry Air’. The traditional Irish tune was first collected in the mid 19th century by Jane Ross and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.

Composed for SSA and Piano Irish Blessing is a moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony.

This Book features sets played in West Coast Irish pub sessions presenting 40 often played Irish slip jig reel hornpipe waltz polka and jig sets as well as some original tunes and songs. These 'session friendly' settings arewritten for all melody instruments and include chord symbols. You will be able to build your own repertoire of Irish music from these sets and fit in with sessions from Ireland to California. The accompanying CDs have theversions of these sets as played by Dannsair on their 3 CD releases: Mists of Ennistymon Rias Medias and Galicia. Audio Tracks: The music on the audio tracks contains 40 pieces of music found in the book. The pieces ofmusic are the complete recordings of Dannsair and have all the melodies and backup instruments. They are played at performance tempos.

Par HANWAY TOM. An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. The appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. The first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is 'out front' and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. The recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD. / Niveau : Intermédiaire / Celtic/Irish - Solos / Tablatures / Banjo Tablatures à 5 Cordes

Traditional Irish melody with words by Sir Samuel Ferguson. Arranged for unaccompanied SATB choir by Donald Cashmore.Includes piano accompaniment for rehearsal purposes.

This gentle communion anthem presents the full emotion of the Last Supper with a moving text and a traditional Irish melody. The optional chamber orchestration will add a beautiful touch. / Choeur Mixte (SATB)

A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The

The Londonderry Air (Danny Boy) est un Hymne Irlandais. C'est une mélodie populaire au sein de la diaspora Irlandaise et est également utilisé par l'Irlande du nord comme Hymne National avant certaines compétitions sportives. - Alain LOPEZ /Formation : Quatuor de ClarinettesInstrumentation : 3 Clarinettes Sib, 1 Clarinette BasseNiveau de Difficulté : IntermédiaireDurée : 4'15Style Musical : Classique, TraditionnelCatégorie : ArrangementCompositeur : TRADITIONALArrangeur : LOPEZ Alain