Designed for Violinists who have never Fiddled in the Scottish style or for anyone who would simply like to brush up on their 'Scottishness' this guide discusses ornamentations and their applications bowing styles rhythmicissues and stylistic interpretations. It covers five basic types of tunes: airs marches jigs reels and strathspeys as well as Scottish Fiddle history and regional styles. Accompanying video clips demonstrated by formerU.S. National Scottish Fiddling Champion Melinda Crawford show how to execute all of the different techniques and how to perform more than 44 full-length traditional Scottish Fiddle tunes. Transcriptions of the tunesare included within the guide. Includes access to online video.

Par ALLISON KEVIN. While one of a kind is a hard rating to achieve at Mel Bay Publications, Kevin Allison has done it with The Ceilidh Dance Book. A ceilidh is a traditional Scottish gathering where people share songs, stories, music, and dancing that is very much alive today. In Scotland, there are hundreds of ceilidh bands, each of which has their own trademark tune sets, making it possible for a man in a kilt to make a living as a performing musician. This book not only provides 85 Scottish tunes in sets as they might be used in a ceilidh event—it also offers detailed, beat-by-beat descriptions of the dance steps for twenty-four dances! From The Highland Scottish to The Mooncoin Jig, with this book in hand, you'll be able to both play in the band and step to the music with the locals. The kilt is optional. Arranged for mandolin or fiddle with suggested chord backup, in standard notation only. / Recueil / Mandoline et Violon

The fiddle has been popular in Scotland for over 500 years as an accompanying instrument for dance and song. Bonnie Rideout has been playing traditional Scottish fiddle music since the 1980s. This collection presents favoritetunes which Bonnie had stashed away over the years while awaiting the perfect opportunity to record them. The music written here ranges from J. Scott Skinner's Dr. Gordon Stable (a wonderful fiery reel she once played to garnerher first national fiddling title as a young teenager) to Fear A Bhata (a heartbreaking air she has known as long as she can remember). These Scottish fiddle selections have been carefully transcribed from Bonnie's recordingScottish Fire. It would be impossible to write down all her bowings and every grace note especially since they are not always consistent from one playing to the next. Readers should use this book as a basis for exploring theirown voice within the music.

As part of the Mel Bay Encyclopedia Series the purpose of this book is to offer fiddlers direct access to the gems of the genre. Composers represented in this volume span a three hundred year period including works by: PatrickMacDonald Adam Craig Capt. Charles Duff Simon Fraser Robert and Joseph Lowe Robert MacIntosh William Marshall and J. Scott Skinner. Ms. Rideout's original compositions are also included. The tunes are listed in order bykey signature to enable the fiddler to put sets together for performance competition or session playing. This book contains extra marches and strathspeys unique to Scottish fiddling. The end of the book is dedicated to solonumbers consisting of piobaireachd (pibroch) and slow airs. The Scottish Fiddle Encyclopedia is an essential tune book for musicians interested in developing a deeper appreciation for genuine traditional Scottish fiddle music.

The forty-five tunes in this collection represent the vast repertoire of traditional Scottish fiddle music dating back to the 1700s.There is a long history of music shared between fiddle bagpipe and song. Included are laments airs marches strathspeys reels and jigs. The music has been edited and arranged for viola along with guitar chords if desired for accompaniment. The tunes are presented in sets of three or four for solo performance.

Rich harmonies abound in this traditional Scottish ballad with a text by Robert Burns in a King's Singers arrangement that perfectly captures all the emotion and longing of a lost love. Duration: ca: 4:15. This piece is for SATBBB a cappella.

Leichte Bis Mittelschwere Folksongs Aus Schottland, Irland, Wales, Dem Cornwall und Der Bretagne. Martin Tourish is an accordion specialist from Ireland whose own history is steeped in the tradition of Celtic Music. In his ground-breaking publication ?CELTIC?, he explored, in arrangements for solo, standard-bass accordion, music from Ireland, Scotland, Wales, Cornwall and Brittany. In this new book, he opens the world of Celtic music to flautists who can explore this music in equal partnership with an accordion player. He offers his expert insight into no less than thirteen pieces in accessible arrangements for intermediate players./ Recueil / Flûte et Accordéon Basse

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

Double Act is a collection of duets where the accent is on playing for pleasure. It is aimed at players of equal standard with the melody often shared between the parts. The popular melodies cover a broadspectrum of styles that will appeal to trumpeters of all ages and abilities from Grade 2 upwards. The duets will help to develop technique and the familiar tunes will make sight-reading easy and rewarding.Adagio from Clarinet Concerto - MozartAmazing grace - Traditional American melodyAndante from Violin Concerto - MendelssohnBlow the wind southerly - Traditional English melodyCanon in D - PachelbelCome landlord fill the flowing bowl - Traditional Scottish student songDaisy Daisy - Harry DacreDance to your daddy - Traditional Northumbrian melodyDick's maggot From 'The Dancing Master' - John PlayfordDonkey riding - Traditional Canadian melodyEvening prayer from 'Hansel and Gretel' - HumperdinckFlower duet from 'Lakmé' - DelibesHallelujah chorus from 'Messiah' - HandelHornpipe from 'WaterMusic' - HandelI do like to be beside the seaside - John A. Glover-KindJ'ai du bon tabac - Traditional French melodyLa donna è mobile - VerdiLinstead Market - Traditional Jamaican melodyLittlebrown jug - Joseph WinnerLullaby - BrahmsMango walk - Traditional Jamaican melodyMinuet in G - BeethovenNearer my God to thee - Lowell MasonPrelude from 'Te Deum' - CharpentierRule Britannia- Thomas Augustine ArneSoldier soldier - Traditional English melodyStill still still (Hush hush hush) - Traditional Austrian melodySwing low - SpiritualThe ash grove - Traditional Welsh melodyTheBritish grenadiers - Traditional English melodyThis jazzy old man - Adapted from a traditional English melodyWaltzing Matilda - Marie Cowa

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Adagio (Mozart) * Allegretto (Haydn) * Bouree (Telemann) * Concert Duet in Three Movements (Snell) * Dance (Snell) * Daniel Cowper (English Country Dance) * English Folk Tune (Traditional) * The Hunters of Kentucky (American Traditional) * Intrada (Graupner) * Legend (Snell) * March (Anonymous) * Minuet in G (Bach) * The Music Box (Snell) * Norwegian Folk Song (Traditional) * Red River Valley (American Traditional) * Scottish Folk Song (Traditional) * Sea Shanty (American Traditional) * Serenade (Turk) * Three German Dances (Haydn).

Selected for the Randy Stenson Male Chorus Series this traditional Scottish Folksong is a tender love song. Perfect for the high school and college men's chorus there is something that pulls at the heart strings when those malevoices sing a Scottish strain. Randall Johnson continues to impress us with his well-crafted writing.

Scottish Folk-Canadian composer Stuart Calvert is a master with folk settings. This is no exception. Here we have a traditional Scottish melody arranged for mixed chorus with a beautiful piano accompaniment. Notice the pronunciation instructions.