Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition TRIO SONATE No V qui a été écrite pourFlûte A Bec Et Piano. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB7937. / Flûte A Bec Et Piano / Partition

For The Intermediate Treble/Alto Recorder-The music contained was arranged and composed especially for the treble/alto Recorder. The student will find these selections not only instructive and useful but also pleasant and entertaining; an excellent book for thedeveloping treble/alto Recorder player. Piano accompaniment included for each song. The Recorder part is an online 16-page PDF download.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of this work and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Herm?n Cort?s an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.????????Edward Gregson

Une méthode d'enregistreur complète allant des premières notes du débutant et progresse dans soigneusement gérés petites étapes avancées de jouer sur l'alto. Une valeur particulière est placée sur la prise de conscience musicale - jouant expressive est présenté sur une base égalitaire avec respiration, doigt et Teenagers techniques. Chanter et jouer de la mémoire sont essentiels au développement musical et jouent un rôle majeur tout au long de la série. Depuis les premiers volumes de Fun et jeux avec l'enregistreur ' pour enregistreur soprano sont destinée aux enfants de près de six ans, cette méthode pour alto enregistreur est donc destinée aux enfants de 10-12 ans environ. Comme dans les livres précédents de cette série, nous adresser directement de l'enfant et fournissent des exercices soigneusement planifiées et précisément formulées. / Flûte A Bec Alto Avec Autres Instruments (SATB Flûtes A Bec, Piano, Guitare Et Percussions Ad Libitum)

Incroyables Solos sont incroyablement vaste sélection de pièces faciles. De Bach à Bernstein, une grande variété de styles musicaux est incluse - mélodies folkloriques de jazz en Angleterre et au Pérou, baroque et classique ' lollipos ' et des classiques modernes. Une colle unique / Flûte A Bec Alto Et Piano

THE JAMES HOOK COLLECTION: 9 Pieces for alto recorder and piano/harpsichord, ed. Bernard Thomas. A varied selection from one of the most popular composers of this generation. Very useful material for the relatively inexperienced student: interesting piano parts too!

Bach's Brandenburg Concerto No. 6 (BWV 1051) transcribed for 2 Treble Recorders and Keyboard by Fumio Kitamika.