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New Busker's Fakebook 1001 All-Time Hit Songs
98.70
New Busker's Fakebook 1001 All-Time Hit Songs
[Sheet music]
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The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
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The Library Of Modern Piano Music
36.90
The Library Of Modern Piano Music
Piano seul
[Partition]
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Amsco Wise Publications
Some of the most beautiful and diverse pieces by some of the finest composers in...
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Some of the most beautiful and diverse pieces by some of the finest composers in recent history are included in this enormous Library Of Modern Piano Music. Such a comprehensive collection of brilliant works for solo Piano belies the rich quality and sheer amount of music being composed that just begs to be learned. Over 100 fantastic pieces are guaranteed to keep you learning from this truly classic selection until the next century!The Library Of Modern Piano Music boasts an unprecedented volume and variety of amazing compositions, some well-known, some more unfamiliar, some composed as standalone pieces and others as film scores, but the one thing uniting them all is their impeccable musicality and how enjoyable they are to play. Featuring the biggest names in contemporary classical music, composers like Einaudi lend their wonderful compositions (Primavera, Una Mattina), and all-round geniuses like Philip Glass are represented with a generous selection of their finest work (Metamorphosis Five, Opening Piece From Glassworks and more).The varied progression of Piano music through the 20th century to the present day has given rise to an exceptionally vast and diverse repertoire. The unbelievable depth of the composers included here means you'll rarely be stuck for something to play. Kaija Saariaho, Stravinsky, Francis Poulenc, Dustin O'Halloran, Nico Muhly and Witold Lutoslawski are genuinely just a fraction of the composers featured in The Library Of Modern Piano Music. Some great standalone compositions like Samuel Barber's incomparable Adagio For Strings sit aside excerpts from longer works like a portion of Edward Gregson's An Album For My Friends or Joby Talbot's Once Around The Sun.If you happen to be a fan of film and television scores, a taste of Michael Nyman's distinguished score for The Piano is included, a section from Crouching Tiger, Hidden Dragon, as well as parts of Richard Rodney Bennett's score for the now rarely-seen but superb 1980s miniseries of Tender Is The Night. Many established composers are included in this collection who are widely-recognised as masters. However, The Library Of Modern Piano Music also includes many young virtuosos who have not yet achieved that status but are certainly well on their way.These original compositions span standalone pieces, albums, suites and arrangements from diverse talents, making The Library Of Modern Piano Music a collection that is certain to be seen by future generations as a perfect collection of the best of contemporary classical music. / Piano
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Festa Paesana (DE HAAN JACOB)
206.00
Festa Paesana (DE HAAN JACOB)
Orchestre d'harmonie
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De Haske Publications
Par DE HAAN JACOB. Lunteren, a village on the Veluwe (a wooded region in the Net...
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Par DE HAAN JACOB. Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem. The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem. The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Double Concerto (Score And Parts)
Piano Trio: Violon, Alto, Piano
[Partition]
Chester
For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so...
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For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto - but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale - and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was, of course, a Viola player, although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it - but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto (Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto') is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan . The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews / Violon, Alto Et Piano
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John Luther Adams: Everything That Rises: String Quartet: Score
24.99
John Luther Adams: Everything That Rises: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Chester
John Luther Adams' Everything That Rises for String Quartet. Composers note: I n...
(+)
John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years twomore quartets followed. The second quartet untouched is a further exploration of the aeolian sound world of the first. Then in Canticles of the Sky the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises. This fourth quartet is more expansive both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory but in a much more melodic way. Each musician isa soloist playing throughout. They surround the audience. Time floats. Over the course of an hour the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows sighing. Duration: 60 minutes
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Everything That Rises (ADAMS JOHN LUTHER)
40.10
Everything That Rises (ADAMS JOHN LUTHER)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Chester
Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quart...
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Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quartet. John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet, and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years, twomore quartets followed. The second quartet, untouched, is a further exploration of the aeolian sound world of the first. Then, in Canticles of the Sky, the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises . This fourth quartet is more expansive, both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory, but in a much more melodic way. Each musician isa soloist, playing throughout. They surround the audience. Time floats. Over the course of an hour, the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows, sighing. Duration: 60 minutes/ Répertoire / Quatuor à Cordes
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101 Hits For Buskers Country
30.70
101 Hits For Buskers Country
Ligne De Mélodie, (Paroles) et Accords
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Facile
Music Sales
Includes 'Coat Of Many Colours', 'Jolene', 'Paper Roses', 'Good Year For The Ros...
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Includes 'Coat Of Many Colours', 'Jolene', 'Paper Roses', 'Good Year For The Roses' and 'Help Me Make It Through The Night'. Lyrics and guitar chords. / Piano/Vocal/Guitare (PVG)
30.70 EUR - vendu par LMI-partitions
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Niels Rosing-Schow: Dans og Tegn i Luft / Dance And Signs In The Air: Ensemble:
38.50
Niels Rosing-Schow: Dans og Tegn i Luft / Dance And Signs In The Air: Ensemble:
ENS::Ensemble
[Partition]
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Intermédiaire/avancé
Wilhelm Hansen
POD-Dans og Tegn i Luft for Ensemble was composed by Niels Rosing-Schow in 2015-...
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POD-Dans og Tegn i Luft for Ensemble was composed by Niels Rosing-Schow in 2015-16. Scored for Flute Clarinet Bassoon Harp Piano Violin Viola and Violoncello. Commissioned by The Danish Chamber Players for their 25-year Anniversary.Programme Note: A scenario from a park in Shanghai: a group of people dances to the crackling music from a ghetto blaster. Next to then a man is drawing Chinese characters on the street with a large brush dipped in water. The sound of the music comes and goes while the calligraphy soon evaporates in the warm air. Time hardly passes and makes itself present in analmost palpable way. The noise from the surrounding city threatens every now and then to destroy the poetic moment. At the appearance of a couple of guards the scene dissolves as from a magic touch as if nothing had happened. - Was this real at all? The music tries to reconstruct the memory of this imagery by putting together sound fragments of the scenario. But will the futile image appear? Or is it just the slight touch of melancholy from the memory which is left until it dissolves as signs in the air. Niels Rosing-Schow April 2016
38.50 GBP - vendu par Musicroom GB
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Benjamin Britten: Double Concerto (Full Score): Violin & Viola: Score
39.99
Benjamin Britten: Double Concerto (Full Score): Violin & Viola: Score
[Partition]
Chester
Britten was so remarkably prolific as a young composer that many of the works fr...
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Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of hisOpus 1 Sinfonietta composed in the summer of 1932 his second year as a student at the Royal College Of Music.The Sinfonietta was written (in less than three weeks) very soon after Britten had completed thefirst draft of the Double Concerto; but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weekslater.Although the Concerto follows the same three-movement pattern as the Sinfonietta it is more ambitious in scale; and since the sketch is unusually for Britten complete in practically every detail it ispuzzling that he never made a full score of the work after finishing the composition and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was of course a Violaplayer although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college John Ireland who as Britten recorded in his diary was 'pretty pleased' with it; but it isdistinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete theDouble Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936.In the absence of Britten's full score it was necessary for me to prepare the workfrom the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add
39.99 GBP - vendu par Musicroom GB
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Hornton Cline: The Amazing Incredible Shrinking Violin: Reference Books:
19.99
Hornton Cline: The Amazing Incredible Shrinking Violin: Reference Books:
Violon
[Partition + CD]
Centerstream
Young Austin begs his parents to play violin. But Austin doesn't make time to pr...
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Young Austin begs his parents to play violin. But Austin doesn't make time to practice until one night he is visited by the violin fairy who warns him that if he doesn't practice his violin it will shrink. Austin's classmates are amazed at what happens next! Austin discovers that if he wants to sound good he must practice. This heartwarming story teaches the benefits of hard work and attaining one's goals. Austin's dream of becoming a big violin star is starting to come true. The book's whimsical illustrations by acclaimed illustrator Susan Oliver add to the charm and merriment of the story. The book includes a CD of 10 easy original songs for violin or voice (with lyrics sung bya children's choir) and narrations of the story. (Recommended for ages 4-8)
19.99 GBP - vendu par Musicroom GB
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Speak Softly Love : Memorable Ballads
25.00
Speak Softly Love : Memorable Ballads
Piano, Voix et Guitare
[Partition]
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Intermédiaire
Amsco Wise Publications
Nb de Pages : 80 Langue : Anglais
25.00 EUR - vendu par Note4Piano
Délais:
2-5 jours - En Stock Fournisseur
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Bob Hartz: Ensenese A Tocar El Piano: Piano: Instrumental Tutor
9.10
Bob Hartz: Ensenese A Tocar El Piano: Piano: Instrumental Tutor
Piano seul
Santorella Publications
The 'Traditional' manner in which most people acquire the skill to play piano is...
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The 'Traditional' manner in which most people acquire the skill to play piano is to choose a teacher commit to lessons and spend many hours practicing. Although there is no substitute for the time it takes to master this instrument we can provide an alternative to the regimented lesson format. Ensenese A Tocar El Piano the Spanish Edition of Teach Yourself Piano by Bob Hartz was created for support as you learn the basics of piano on your own schedule and the authentic translation acquaints you with playing at a pace only governed by you. Bob Hartz begins by presenting the basics and explaining the fundamentals in a logical manner. Additional information is providedin a methodic fashion in an attempt to build on the knowledge previously gained. Teaching yourself is challenging but ultimately quite rewarding as you acquire the ability to read music play chords and apply these skills to piano. Should you desire further study upon completion of this 'self-taught' methodic approach then choosing a good teacher would be the next step. To truly master the piano it takes many years of dedicated practice and study but some would like to dabble enough to simply have fun. If this endeavor is meant for recreation or you're just in need of a refresher course then Ensenese A Tocar El Piano is the perfect instructional guide for you. IndiceAcerca del autor - Introducción - Unos datos de interés - Veamos el piano - Postura/posición de las manos - Disposición del teclado - El pentagrama maestro - Nota - Leccion No. 1 - Ejereicios de la mano derecha - Ejereicios de la mano izquierda - Valores de las notas - compases - Ejercicio de negras/minimas - Corchea - Melodioa de dos octavas - Cuadro de silencios - Movimiento paralelo/movimiento contrario - Intercambio de la melodia - Accidentales - Dinamica - Nota con puntillo y ligaduras - Acordes -Tonalidades - Circulo de cuartos/circulo de quintos -Todas las notas sobre cuatro octavas - Escala de Do mayor - Escala de Sol mayor -Tresillos y compases nuevos - Repaso de ritmo con nuevo valor de nota - Acordes y simbolos de acorde - Anacrusis/uso de los pedales - Canción de cuna de Brahms - Staccato y legato - Sección de referencia de acordes - Conclusion.
9.10 GBP - vendu par Musicroom GB
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Fakebook C
23.70
Fakebook C
Piano, Voix et Guitare
[Partition]
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Facile
Amsco Wise Publications
200 songs recorded by the King Of Rock 'N' Roll for Piano, Vocal and Guitar, Ele...
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200 songs recorded by the King Of Rock 'N' Roll for Piano, Vocal and Guitar, Electronic Keyboard, and all 'C' instruments. What is a fake book? One of the most useful possessions any musician can have is a fake book. The concise, one-line music notation consisting of melody, lyrics and chord symbols acts as 'musical shorthand' that makes it possible to have hundreds of songs in just one book! / Chant Et Guitare
23.70 EUR - vendu par LMI-partitions
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Anthology Vol.2 (PRESLEY ELVIS)
33.20
Anthology Vol.2 (PRESLEY ELVIS)
Piano, Voix et Guitare
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Par PRESLEY ELVIS. Elvis Presley Anthology: Volume 2 contains discography, filmo...
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Par PRESLEY ELVIS. Elvis Presley Anthology: Volume 2 contains discography, filmography and biography. Songs include Unchained Melody, Treat Me Nice, Stuck On You and My Way . / Rép International / Recueil / Piano, Chant et Guitare
33.20 EUR - vendu par LMI-partitions
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Elvis Presley Anthology: Volume 2
26.50
Elvis Presley Anthology: Volume 2
Piano, Voix et Guitare
[Partition]
Amsco Wise Publications
Volume 2 contains discography, filmography and biography.
26.50 EUR - vendu par Note4Piano
Délais:
2-5 jours - En Stock Fournisseur
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