L\'art et la technique du vibrato sur le violon et l\'alto. Par LIPIZER RODOLFO. Rodolfo Lipizer was an Italian violinist, composer, teacher, and orchestra director. He dedicated himself with passion to teaching and didactics, always looking for and applying the most valid, modern and effective solutions to technical and interpretational problems related to the violin. The art and the technique of the vibrato on the violin or viola is a systematized didactic of vibrato unique in the pedagogic literature for the left hand technique on the violin and viola. / Date parution : 2022-09-27/ Etude / Violon ou Alto

Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime

Viola Violin 3 and Ensemble Score-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The viola book includes melody (solo) viola viola harmony third violin and full score including violin viola and cello parts with piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

FLOWThe placement of the musicians.The recorder player is placed in the middle of the stage in all three movements.The cello is placed behind the audience in all three movements.In 1st and 3rd movement the violin is placed on the recorders right side and theviola on the recorders left. At the and of the 1st movement the violin and the violaare walking slowly in respective sides in the middle of the hall and stay there during2nd movement. Before the 3rd movement they walk back to their position in the 1stmovement.SR

'Die fröhliche Viola' is a viola method for children which is aimed primarily at pupils who start to learn playing the viola without taking a detour to the violin. Those who have already played the violin and use the method as a 'way to change instruments' may skip some pieces or even start with Vol.2.Like 'Die fröhliche Violine', this book intends to make the children have fun while learning to play the viola. For this purpose, a stylistically varied range of classical and folkloristic songs and instrumental pieces encourage music-making, and small texts provide interesting information on the viola, the music and its composers.The viola is used both as a solo and as an accompanying instrument, and the 'hearing' and 'counting' of middle and lower lines are specifically trained. Due to the fact that many songs and secondary parts are notated in the treble clef and thanks to examples for trio and quartet playing, this book especially encourages ensemble playing with friends or within the family.

In the summer of 1893 Antonin Dvorak sat down and composed String Quartet In F Op.96. This beloved quartet was written whilst Dvorak was on vacation in rural Iowa. It is a slow movement for quartet and the finale sweeps along on a energetic syncopated rhythm in the second violin and viola that shortly transforms itself into a wonderful patchwork of shifting accents. The first violin sings first randomly and then voluptuously atop this motoric accompaniment. The quartet is written for 2 violins viola and cello.

Richard Reed Parry's Heart And Breath Sextet for Piano Six-hands Violin Viola and Violoncello.Heart And Breath Sextet was commissioned by the 2011 MusicNOW Festival foryMusic.'This piece is based around the idea of using the widely varying internal rhythms of the performers? bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing ratesof the players are used in alternation with the individualperformers? heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately so asto be able to hear their heartbeats adequately. This in combination with the natural variance between the different heart rates results in a kind of delicate musical ?pointillism?: starts and stops which are somewhat staggered parts which repeatedly line up and fall out of synch with each other different individuals? pulses rising and falling. The piece is never performed exactly the same way twice.In this piece the pianists wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eighth notes (quavers) correspond to the two sounds of a single normal heartbeat and performers should match as closely as possible the staccatoand irregular rhythm they hear. The strings are instructed to ?play to breath?; the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without anyattempt to make it metronomic. When one instrument is designated the leader their breath will determine the starts of phrases and the procession from one bar to the next cuing other parts if necessary.' - RichardReed Parry

Von Rihanna bis Fifty Shades of Grey - Spiralbindung. Par . The bestselling series Piano Gefällt Mir! continues with Book 5 , featuring 50 more hits from the charts and blockbuster movies, arranged brilliantly for Piano by Hans-Günter Heumann . This edition is spiral-bound so will sit perfectly on a music stand. Including a huge number of hits from some of today's top performers, this is the ideal songbook for beginners to learn some popular songs straight from the charts and movies. Featuring FourFiveSeconds by Rihanna, Kanye West and Paul McCartney, All About That Bass from Meghan Trainor and the instant pop-classic Photograph by Ed Sheeran, Heumann 's arrangements are perfect for beginners, those re-learning thePiano, or even advanced players looking to expand their repertoire or practise sight-reading. The sheer range of songs in Piano Gefällt Mir! means that there really is something for everyone. Well-known songs from new and recent films are also included in this songbook, such as See You Again from 'Fast And Furious 7', Love Me Like You Do from 'Fifty Shades Of Grey' and Yann Tiersen's wonderful theme Watching Lara from 'Goodbye Lenin!' Each song in this fantastic volume features chord symbols, lyrics and useful fingering suggestions, ensuring you can learn to play these songs as quickly as possible. With Hans -Günter Heumann 's Piano Gefällt Mir! , pianists of all ages and abilities can benefit from the diversity of popular songs and the expert arrangements on offer. / Date parution : 2023-07-31/ Recueil / Piano

Viola-Violn-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces maybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemblescore downloads are available for use with this title.