The Grammy Award® is undoubtedly one of the world's most prestigious accolades for recorded music.Established in 1958, the Grammy® Awards Record Of The Year has been awarded to many of the greatest artists of our time - from Michael Jackson and Frank Sinatra to Amy Winehouse and U2.This collection for easy Piano contains all 54 songs that have received the honor, providing a unique snapshot of the changing times in popular music.The Grammy Awards® Record Of The Year 1958-2011 includes the hits Bette Davis Eyes, Clocks, Hotel California, Tears In Heaven, Rolling In The Deep and more. / Piano

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Les Grammy Awards: Chanson de l'année 1990-1999 comporte une prestigieuse brochette de près de 50 des plus grands succès de la décennie qui ont été nommés pour la chanson de l'année, y compris les gagnants.Les Grammy Awards: Chanson de l'année 1990-1999 est un instantané parfait de certains de la musique du meilleur 90.Savamment disposés pour Piano, Voix et Guitare et avec des chansons comme Another Day In Paradise, Tears In Heaven, Kiss From A Rose et Iris, pour n'en nommer que quelques-uns, strong> Les Grammy Awards: Chanson de l'année 1990-1999 est le parfait , Chants pour les éclectiques 90. / Piano/Vocal/Guitare (PVG)

Les Grammy Awards: Meilleure chanson country 1964-2011 compte en tout 47 chansons jugées Best Country Song par la Recording Academy, y compris le roi de la route, On The Road Again, 9-5, tu es Still The One et The Gambler.La partition dans ce songbook a été savamment arrangé pour Piano, Voix et Guitare. Il s'agit d'une grande collection tout au long de classiques de pays et journée Country Hits plus modernes. / Piano/Vocal/Guitare (PVG)

As a lily among thorns was composed as a wedding present for Katie Johnston and John Hillier in March 2004. It was performed at their marriage in Christ Church Cathedral Oxford and later performed publicly by Commotio directed by Matthew Berry. The words are taken from the Song of Songs.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden theirrepertoire and explore some of the best new music around.Thomas Hyde (b.1978) studied at Oxford University where he gained a doctorate in composition in 2008 and the Royal Academy of Music. His teachers have included David Matthews Simon Bainbridge Peter Maxwell Davies and Robert Saxton. In October 2008 he was appointed Lecturer in Music at Worcester College Oxford and since September 2009 has been visiting lecturer in composition at City University London. Prizes include finalist in English National Opera’s young composer festival ‘New Visions New Voices’ (1992) the National School Band Association Prize (1993) and a Wingate Scholarship (2004-5). His music is performed regularly in Britain at festivals including Spitalfields City of London Presteigne Deal and Little Missenden as well as abroad and has been broadcast on BBC Radio 3. Recent works have included a string quartet for the Allegri Quartet and the one-man opera That Man Stephen Ward for the Hampstead & Highgate Festival.

Une collection idéale pour un étudiant préparant aux examens et / ou à la recherche pour le répertoire de performance après 3-4 ans d'études.Les livres de cette collection présente documentation appropriée pour des récitals ou des concours, en trois niveaux de difficulté différents: facile à intermédiaire, intermédiaire, intermédiaire à avancé. L'information historique est inclus dans chaque pièce et chaque volume comporte un CD d'accompagnement, avec des performances et des accompagnements au piano enregistrées par Mark Niehaus, trompette solo de l'Orchestre symphonique de Milwaukee et pianiste Laura Ward. / Trompette Et Piano

Silver was expertly composed by Thomas Simaku. First published in 1995 Silver was commissioned by the New London Children's Choir with funds provided by the RalphVaughan Williams Trust. The piece received its debut performance in Spring 1996 at John's Smith Square performed by the New London Children's Choir and conducted by Ronald Corp.For over a decade Albanian-bornBritish composer Thomas Simaku’s music has been reaching audiences all over Europe and the USA winning a number of prestigious awards such as the Serocki International Prize AHRC Fellowship DAAD Award as wellas an Honourable Mention at the Musical Personalities International Competition. Many notable performances include among others those given by Kreutzer Quartet English Northern Philharmonia European Union ChamberOrchestra the New London Orchestra Amsterdam New Music Ensemble Tokyo Phonosphere Musicale Capricorn Ensemble Norwegian Medieval Trio and the Austrian 'Ticom' Ensemble.Simaku’s stylecombines avant-gardism and modality in his own way often with a deeply convincing inner strength structural integrity and impressive character.

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

From the creators of the record-breaking Broadway sensation The Producers Young Frankenstein is based on the Oscar-nominated smash-hit 1974 film. A wickedly inspired re-imagining of the Frankenstein legend based on Mel Brooks' classic comedy masterpiece the story follows bright young Dr. Frankenstein (that's Fronkensteen) as he attempts to complete his grandfather's masterwork and bring a corpse to life. With such memorable tunes as 'The Transylvania Mania ' 'He Vas My Boyfriend' and 'Puttin' on the Ritz ' Young Frankenstein features music and lyrics by the three-time Tony Award® winner Mel Brooks book by Brooks and three-time Tony Award® winner ThomasMeehan.

Détendez-vous avec cette compilation tranquille de dix-huit pièces de compositeurs maîtres de la période classique à nos jours. Featuring facile à lire, des arrangements simplifiés pour piano, ces pièces apaisants de la classique, romantique et contemporain ères vous donnera l'occasion idéale pour se détendre au Piano. Comprend : Hoppipolla le thème de la série TV de planète Terre, À l'ouest par Howard Shore et météo tempête par Craig Armstrong, tant dans les arrangements simples pour la première fois. De la beauté fascinant de Adagio pour cordes de la paisible méandres Six Feet Under thématique, il y aura quelque chose à vous détendre et à inciter calme, même dans les plus stressées. / Piano / 48 pages / Partition