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A Box of Darkness With a Bird in Its Heart (MENDONCA VASCO)
23.17
A Box of Darkness With a Bird in Its Heart (MENDONCA VASCO)
Violon
[Partition]
Leduc, Alphonse
Par MENDONCA VASCO. 'Terrance Hayes? series of sonnets is an extraordinary colle...
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Par MENDONCA VASCO. 'Terrance Hayes? series of sonnets is an extraordinary collection of poems: his poetry captures the spiralling social and political chaos in America (and the world) in a way no newspaper article or scholarly essay has been able to; his words have the rare quality of clarifying a collective feeling that is messy and confusing, an elusive and disturbing combination of fear, hope, perhaps despair. I have never personally experienced (and probably never will) the reality Hayes writes about: the oppression, danger and ambiguity he reflects upon are alien to my own experience. But I nevertheless felt compelled to create something inspired by his words. To engage - how can you not engage' The first movement of ''A Box of Darkness with a Bird in its Heart'' is a hurtful ostinato with an uneven, organic pulse - not unlike the way we breathe under physical or emotional strain. The second is a quiet, delicate birdsong; its very high melody almost a secret that?s unwillingly shared - followed by an expressive lament. The ending in the low register brings me the image of a viola da gamba played outside in a warm summer night, a distant tale of violence and loss. In the final movement the energy picks up, in a relentless and unforgiving mechanism of pizzicati. This piece was written for the wonderful violinist Diana Tishchenko, and is dedicated to her. (Vasco Mendonça)' / Date parution : 2022-04-26/ Répertoire / Violon
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Gabon (ZARATE JOSE)
18.76
Gabon (ZARATE JOSE)
Orchestre à Cordes
[Conducteur]
Unión Musical Ediciones
Par ZARATE JOSE. 'Gabon' ('good night' in the basque language) (2001), is a work...
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Par ZARATE JOSE. 'Gabon' ('good night' in the basque language) (2001), is a work where the composer investigates and delves into his personal idealization of the relationship of the text and its interpretation as poetic-musical recital. The piece tries to propose to the musician certain meaningful poetical concepts, with the requirement of a meticulous willingness to sing, to recite, and to feel. / Date parution : 2021-11-03/ Répertoire / Orchestre à Cordes
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John Miller: Beginning Fingerstyle Guitar: Guitar: Instrumental Tutor
21.00
John Miller: Beginning Fingerstyle Guitar: Guitar: Instrumental Tutor
Guitare notes et tablatures
[Partition + Accès audio]
Mel Bay
Beginning Fingerstyle Guitar. With Beginning Fingerstyle Guitar, author John Mil...
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Beginning Fingerstyle Guitar. With Beginning Fingerstyle Guitar, author John Miller has written a book designed to provide newcomers to this style, whether first-time guitarists or guitarists who have previously only played with a pick, the techniques needed to develop a solid foundation for playing fingerstyle. The book uses songs for teaching, presenting multiple ways of playing a song, starting simply, and building gradually in terms of technical difficulty. And the exercises are designed to build skills in a wide range of fingerstyle skills: strumming, thumb-lead playing, pattern picking, and melody arrangements with the thumb playing alternating bass. What specific features does the book offer for the beginning fingerstyle guitarist' ? Over fifty exercises, for playing through the songs, all notated in both standard notation and tablature. ? Links to sound samples for all of the exercises, with each exercise played at a slow tempo, for starting out, and a target tempo, with all of the exercises counted in, so that you can play along with them. ? Chord diagrams are provided for each song with the fingerings indicated that you would need to play the exercises. ? Playing tips precede each exercise, offering guidance on how to play the exercises with the greatest ease and efficiency in both the picking and the fretting hands. ? A special section on playing Blues at the end of the book.Additional guidance is offered on understanding tablature, practicing, developing your tone, scale structure and transposition and use of a capo. So, in Beginning Fingerstyle Guitar, you will find a full service instruction manual?one that has been designed to enable you to progress comfortably at your own rate of learning, while steadily building skills and moving forward in terms of your own confidence and willingness to accept new challenges.
21.00 GBP - vendu par Musicroom GB
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Berliner Messe (PART ARVO)
29.41
Berliner Messe (PART ARVO)
Chœur Mixte [SATB] et Piano
Universal Edition
Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentec...
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Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)/ Répertoire / Chœur Mixte [SATB] et Piano
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Torstein Aagaard-Nilsen: The Binding of the Wolf: Brass Band: Score
17.99
Torstein Aagaard-Nilsen: The Binding of the Wolf: Brass Band: Score
Ensemble de cuivres
Gobelin Music Publications
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written fo...
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This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. ?The Binding of the Wolf? is not a programmatic piece of music but I felt that there was a kind of coherence between the music and the dramatic story: ?...The wolf Fenrir was one of the demonic offspring of Loki and as he grew up in Asgard among the gods he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world such as the roots of a mountain the noise of a moving cat the breath of a fish. When completed this chain seemed to be no more than a silken cord but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this and when the wolf found that the chain was unbreakable the gods rejoiced but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men as well as that of the gods from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...?
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Children's Lied 2 (ESKELINEN MARJUKKA)
66.22
Children's Lied 2 (ESKELINEN MARJUKKA)
Piano, Voix
[Partition]
Fennica Gehrman
Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Li...
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Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Lied 2 is a collection of repertoire for young singers and pianists with songs from a wide range of countries and cultures. There are songs in eight languages, all of them with sung English translations. Text interpretation and storytelling, social and musical interaction skills together with instrument and performance skills are activated when children themselves take the active role in devising interpretations. A thorough pedagogical introduction and a large collection of downloadable versions of the songs in various keys make this collection a valuable tool for all educators willing to open the door to the world of Lied for kids and teens./ Recueil / Chant et Piano
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Siegfried - Full Score (WAGNER RICHARD)
48.90
Siegfried - Full Score (WAGNER RICHARD)
Opéra Full Score
[Partition]
Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as wel...
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in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater — one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's Realpolitik, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In The Perfect Wagnerite, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as 'a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche. ' Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of Der Ring des Nibelungen are indisputable. The crowning achievement of German music of the Romantic era, the Ring forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form. Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings Siegfried, an important opera in the Ring and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price. Reproduced from first 1876 edition. The third Ring opera, 'Siegfried' is here carefully reproduced from the authoritative edition of 1876 which Wagner himself approved. / Opéra-opérette / Répertoire / Opéra Full Score
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Black Nativity: Piano Vocal and Guitar: Mixed Songbook
18.99
Black Nativity: Piano Vocal and Guitar: Mixed Songbook
Piano, Voix et Guitare
Hal Leonard
Music from the Motion Picture Soundtrack-In a contemporary adaptation of Langsto...
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Music from the Motion Picture Soundtrack-In a contemporary adaptation of Langston Hughes' celebrated play the holiday musical drama Black Nativity follows Langston (Jacob Latimore) a street-wise teen from Baltimore raised by a single mother as he journeys to New York City to spend the Christmas holiday with his estranged relatives Reverend Cornell and Aretha Cobbs (Forest Whitaker and Angela Bassett). Unwilling to live by the imposing Reverend Cobbs' rules a frustrated Langston is determined to return home to his mother Naima (Jennifer Hudson). Langston embarks on a surprising and inspirational journey and along with new friends and a little divine intervention he discovers the true meaning of faith healing andfamily. The soundtrack features 12 songs including: As · Be Grateful · Can't Stop Praising His Name · Fix Me Jesus · Hush Child · Motherless Child · Test of Faith · and more.
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24 Melodious Etudes (VASILIEV)
17.80
24 Melodious Etudes (VASILIEV)
En Français
Tuba
[Partition]
Leduc, Alphonse
for Tuba. Par VASILIEV. 24 Melodious Etudes is a set of studies by S. Vasiliev f...
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for Tuba. Par VASILIEV. 24 Melodious Etudes is a set of studies by S. Vasiliev for Tuba. Number 276 of the collection ; Music for Brass, each study is between one and two pages long, and will enable intermediate players to work on their embouchure and their breathing. They will also help to gain a better sonority. S. Vasiliev has managed to make them quite lyrical to avoid any fastidious feeling while working on them. This volume is definitely a must-have for all tubists willing to improve their skills and abilities. This volume was selected for the ABRSM Tuba Syllabus Grade 4. / Répertoire d'Examen / Etude / Tuba
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Schärfe. Schatten (SCHWEITZER BENJAMIN)
37.74
Schärfe. Schatten (SCHWEITZER BENJAMIN)
Flûte [Piccolo], Hautbois, Clarinette en Bb, A et
[Conducteur et Parties séparées]
Schott
for wind quintet and piano. Par SCHWEITZER BENJAMIN. Benjamin Schweitzer present...
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for wind quintet and piano. Par SCHWEITZER BENJAMIN. Benjamin Schweitzer presents his first work for this combination. Willing to try out something new, he adds to the typical character of the wind instruments the sound of the piano. The work is made up of two movements, each movement of several parts. Complex interwoven passages are set against stringently composed sections. The composer says of his piece: 'the combination of shortness and an ease of attitude with the complexity of a major chamber music work relates, in a certain way, the piece to the late works of Elliott Carter.'/ Répertoire / Flûte [Piccolo], Hautbois, Clarinette en Bb, A et
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Bent Sørensen: Intermezzi: Mezzo-Soprano: Score
Wilhelm Hansen
Intermezzi from the opera Under Himlen was composed by Bent Sørensen in 2003....
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Intermezzi from the opera Under Himlen was composed by Bent Sørensen in 2003. Scored for 2 Mezzosoparanos and Orchestra. Text by Peter Asmussen. Programme Note: In March 2003 when the Royal Theatre premiered the composer Bent Sørensen’s and the dramatist Peter Asmussen’s opera Under the Sky it was not only Bent Sørensen’s first opera on the large scale but also his first work as a music dramatist at all. The challenge of composing an opera came from the general manager of the Danish National Symphony Orchestra/DR Per Erik Veng who had asked Asmussen in 1996 whether he would write the librettofor an opera and pick out a composer to work with on it. Asmussen was willing and he pointed to Bent Sørensen as the composer. Bent Sørensen reacted positively to Per Erik Veng’s suggestion of an opera collaboration with Asmussen and with the opera agreement settled the Danish National Symphony Orchestra/DR was then offered an independent work. It is related to the opera but sheds light on it from a different angle Bent Sørensen himself compares it to a film ‘trailer’. The result is Intermezzi a suite in five movements. Intermezzi is expressly not just a garland of selected episodes from the opera but an independent work built up in one long symmetrical sequence with instrumental passages in the middle of the first third and fifth movements as well as the purely instrumental second and fourth movements as the bearing pillars of the work. Fragments of the story of Ida and Molte (both mezzo-sopranos) are told but they do not happen in the same order or with the same conclusion as in the opera. In this way Intermezzi becomes a comment on how not everything in the past is necessarily what it seems or what one at first makes of it. In the first movement Ida sings to Magius that she is carrying Molte’s child while from afar Molte observes the idyllic world from the outside. The second movement is
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Darrell Evans: Redeemer Savior Friend: SATB: Vocal Score
11.25
Darrell Evans: Redeemer Savior Friend: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Daybreak Music
This favorite worship song of gratitude and devotion is accessible to most SATB ...
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This favorite worship song of gratitude and devotion is accessible to most SATB or SAB choirs. From “I know You had me on Your mind when You climbed up on that hill” to “I'll gladly lay down all my crowns for thename by which I'm saved ” the lyrics express the profound love of Christ for us and our willing response to that love. Performance Time: Approx. 3:55.Available separately: SATB SAB SSA ChoirTrax CD and Instrumental ePak(Parts for Violin I & II Viola Cello and String Bass).
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Bob Chilcott: A Sporting Chance: Unison Voices: Vocal Score
10.75
Bob Chilcott: A Sporting Chance: Unison Voices: Vocal Score
Chorale Unison
[Vocal Score]
Oxford University Press
For Unison upper voices (with optional parts) Brass Quintet and optional Percu...
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For Unison upper voices (with optional parts) Brass Quintet and optional Percussion.A Sporting Chance is a fun and lively choral work on the theme of sport games and exercise. Each of the seven movements celebrates a different sport - you'll find running soccer weightlifting and more - and words by the composer provide an entertaining narrative of each event. Look out for exciting choral effects such as panting rapping and grunting as well as active audience participation and even a slow-motion race from the trumpet players. Scored for unison voices with optional extra parts this crowd-pleaser will have both choir and audience cheering for theirhome team and willing the athlete to 'run for gold'!Bob ChilcottBob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.
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Chad Johnson: How to Record at Home on a Budget: Reference Books: Reference
18.99
Chad Johnson: How to Record at Home on a Budget: Reference Books: Reference
[Livre]
Hal Leonard
Home recording has never before seen the popularity it's experiencing today. Whe...
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Home recording has never before seen the popularity it's experiencing today. Whether it's simply a laptop with a camera microphone or a decked-out studio with tens of thousands of dollars in equipment more people are recording their music at home now than at any other time in history. What's even more impressive are the sounds that can be accomplished with affordable gear. The gap between the capabilities of the professional and home studio is diminishing more every year which makes this a great time to be in the home recording business. In How To Record At Home On A Budget we'll look closely at all aspects involved in getting qualityrecordings from your modest home studio rig. The technological revolution has made high-grade production from home more attainable than ever but the instruments won't record themselves. There's still lots of know-how involved and that's where this book comes in. If you're willing to put in a bit of effort to learn the tools of the trade great sounds await!
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Michael Berkeley: Listen listen O my child: Mixed Choir: Vocal Score
2.50
Michael Berkeley: Listen listen O my child: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
Listen Listen O My Child was commissioned as the anthem for the Enthronement o...
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Listen Listen O My Child was commissioned as the anthem for the Enthronement of the 105th Archbishop of Canterbury the Most Reverend and Right Honourable Justin Welby.It sets a text from The Rule of St Benedict translated by Michael Berkeley counselling the recipient to 'receive willingly and carry out effectively your loving Father's advice'. The vocal lines are simple flowing and eminently singable with alternating sections of unaccompanied chant and joyous outbursts from the full choir. The supportive Organ part may be omitted if preferred.
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Kris Lennox : Etudes - Download Card
25.63
Kris Lennox : Etudes - Download Card
Guitare notes et tablatures
[Partition + Accès audio]
-
Intermédiaire
Amsco Wise Publications
Contained within Etudes For Electric Guitar are twelve exciting pieces for solo ...
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Contained within Etudes For Electric Guitar are twelve exciting pieces for solo Electric Guitar designed to improve your skill and technique, specially devised by renowned composer Kris Lennox. As well as the standard notation and tab, the accompanying Download Card also gives you instant access to professionally-recorded demonstrations by the author himself.If your Guitar-playing is somehow stuck in a rut, or perhaps you just want some pieces to play away from a band setting, then Etudes For Electric Guitar is the book for you. Designed for intermediate guitarists, these twelve, completely original studies will help improve your technique and range by really focusing on certain aspects of your playing, such as fingering, rhythm and picking. These are challenging pieces, but if incorporated into a practice routine, they'll be hugely beneficial, as well as simply enjoyable to play. Author and composer Kris Lennox feels strongly about the etudes included in this collection of solo Guitar sheet music, and this is evident in his extensive written introductions, justifications and guidance notes for each study. He has noticed that the majority of electric guitarists can play the rhythm or lead parts of songs, while the electric Guitar is rarely thought of as its own solo instrument. With Etudes For Electric Guitar, Lennox hopes to change this, composing pieces that sound great, while also being technically challenging and entirely worthy of your time. You won't need any special equipment, just a standard electric Guitar and a willingness to learn and improve. The extensive notes give you essential tips on working through each study, making sure they are as beneficial as possible.Featuring twelve etudes, all in different keys, the notes are included in standard notation and tablature, so you don't have to know how to read music. There are also some fingering suggestions, so for particular stretches or complex passages, you can get help on where to put your fingers! The accompanying download card also gives you instant online access to studio-quality demonstrations, recorded by Kris Lennox himself, so you can hear exactly how each etude should sound. If you're feeling brave enough, you could attempt to play along with Lennox's recording, but be sure to start slowly! This collection of Etudes For Electric Guitar is a fantastic opportunity to play a set of twelve expertly-composed studies for solo Electric Guitar, the likes of which are difficult to find among today's PVG or tab songbooks. To improve your playing, or just to expand your repertoire beyond simple songs, Etudes For Electric Guitar by Kris Lennox is a creative collection of pieces that are both enjoyable to play and invaluable to your technique. / Guitare
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Darrell Evans: Redeemer Savior Friend: SAB: Vocal Score
11.25
Darrell Evans: Redeemer Savior Friend: SAB: Vocal Score
Chorale 3 parties
SAB
[Vocal Score]
Daybreak Music
This favorite worship song of gratitude and devotion is accessible to most SATB ...
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This favorite worship song of gratitude and devotion is accessible to most SATB or SAB choirs. From I know You had me on Your mind when You climbed up on that hill to I'll gladly lay down all my crowns for the name bywhich I'm saved the lyrics express the profound love of Christ for us and our willing response to that love. Performance Time: Approx. 3:55.Available separately: SATB SAB SSA ChoirTrax CD and Instrumental ePak (Parts forViolin I & II Viola Cello and String Bass).
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Geoffrey Burgon: Orpheus: Voice: Vocal Score
15.99
Geoffrey Burgon: Orpheus: Voice: Vocal Score
Opéra
[Partition]
Chester
A chamber opera in one act for soprano tenor baritone and bass soli TTBB chor...
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A chamber opera in one act for soprano tenor baritone and bass soli TTBB chorus and orchestra commissioned for the Wells 800 Celebration in 1982. Libretto by Peter Porter. Vocal score with piano reduction. Duration: c. 55minutes.Orpheus is a Chamber Opera or perhaps more properly might be described as an ‘Opera-Cantata’. It is designed to be performed as a short opera fully staged and costumed or as a concert piece. Either way itsstructure is dramatic rather than reflective. It tells the story of Orpheus probably the most familiar story in music and en emblem of their art for composers of all periods as a direct narrative. Since the legend is set inthe world of pagan mythology it has been lightly Christianised for its Church setting. The Aeneid has often been seen as speaking of Christ avant la lettre and Renaissance Humanists were always willing to identify forerunnersof Christian types in Classical personages: in this manner Orpheus pursues without undue emphasis musical parallels with St Francis St Cecilia and even Adam and Eve.The work is framed briefly by a prologue and epilogue. ThePrologue introduces the four solo singers Hades (bass) Orpheus (tenor) Eurydice (soprano) and Charon (baritone). It also introduces the chorus who do not only portray at various stages Orpheus’s wedding companions thedenizens of Hell and Blessed Spirits in the Elysian Fields but also comments on the action as it proceeds.
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Ben Stewart: Evolving Drumming: Drum Kit: Instrumental Tutor
16.50
Ben Stewart: Evolving Drumming: Drum Kit: Instrumental Tutor
Batterie
[Partition + CD]
-
Facile
Play Music Publishing
This method is designed for all Drummers from beginners to advanced willing to...
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This method is designed for all Drummers from beginners to advanced willing to practise their instrument cleverly whether alone or supervised in order to refine both their independence coordination and above all musical skills. Through a simple and progressive logic any Drummer will indeed find what he or she is looking for among the 400 evolving Drum beats and breaks featured in this method. The beginners will spend some time working on the first pages while the more advanced Drummers will quickly go to the next pages to discover and practise rhythms matching their level. The MP3 CD features the 400 examples of the book in order. For each audio index you will at first hear the Bass/Drum pair for several bars before the Drums are muted to let you take the place.
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Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
11.70
Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
Piano Trio: piano, violon, violoncelle
Furore Verlag
Instrumentation: piano trio (violin, violoncello and piano) Edition: score and p...
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Instrumentation: piano trio (violin, violoncello and piano) Edition: score and parts editor: Eberhard Mayer Item no.: fue 4160 Difficulty: medium ISMN: 979-0-50012-916-5 Mel Bonis's music became more and more influenced by a highly refined impressionism over the years. Her work was enriched by new rhythmic innovations and willingly turned towards humour. Surely they belong to the most important chamber music compositions in French Post Romanticism and can greatly enrich today's concert programmes.
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Christoph Willibald Gluck: Orfeo ed Euridice (Orpheus and Eurydice): Mixed
25.99
Christoph Willibald Gluck: Orfeo ed Euridice (Orpheus and Eurydice): Mixed
[Vocal Score]
Schirmer
Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an atte...
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Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck for his approach to the score is also monumental as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furies contrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife unwilling tofollow her husband blindly out of Hades even though she has been called back to life. Her arguments and pleadings her passion and confusion create the torment in Orfeo that results in her being sent back to hell. This is the Schirmer edition of the Vocal Score with English words by Walter Ducloux taking precedance over the French original.
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Fred Ebb John Kander: Steel Pier: Piano Vocal and Guitar: Vocal Album
15.99
Fred Ebb John Kander: Steel Pier: Piano Vocal and Guitar: Vocal Album
Voix seule
[Partition]
Hal Leonard
11 vocal selections from the 1997 Broadway musical: Rita's Theme · Willing to...
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11 vocal selections from the 1997 Broadway musical: Rita's Theme · Willing to Ride · Second Chance · Dance with Me · The Last Girl · Everybody's Girl · Wet · Lovebird · Somebody Older · First You Dream · Steel Pier.
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Blythswood. Three Pieces For Viola And Piano (SAMUEL RHIAN)
11.88
Blythswood. Three Pieces For Viola And Piano (SAMUEL RHIAN)
Alto, Piano
[Partition]
Stainer and Bell
Par SAMUEL RHIAN. Rhian Samuel's fresh and stimulating vocal and instrumental wo...
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Par SAMUEL RHIAN. Rhian Samuel's fresh and stimulating vocal and instrumental works have earned her an enviable reputation as a composer willing to tackle challenging subjects and a variety of musical forms. The three contrasting pieces of Blythswood were written at Glaick in Scotland, on the mainland across from Skye, and each one evokes in terms of seascape or memory the idea of the 'distant view'./ Répertoire / Alto et Piano
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