Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of “audition music” i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The Bärenreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

This is the first movment of Handel's 'Dixit Dominus' based on Psalm 110 (Protestant Bible). This edition is based on Handel's autograph found in the British Museum. The keyboard part is a reasonable faithful reduction of theorchestral score and all editorial marks that are not in the original are marked as such. The score is for SSATB but some sections are marked as solos.

Although we may sometimes overlook His presence and work in our lives it is amazing to know that God loves us. This tender song of devotion features soloist choir and optional praise team. Orchestration includes score and partsfor Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Percussion 1 2 Drum Set Harp Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (BassClarinet) String Bass and Keyboard String Reduction. CD Accompaniment Trax also available. Duration: Approx. 5:30

1 Classic and Modern Worship Songs-A collection of ten well-loved songs that can be sung with choir only or with congregation together. Each song is presented two ways?an anthem version and a call to worship version?enabling the worship leader to beginthe service with the main thematic statement of the song and proceed from there. Titles include: Sing Out All the Earth Will Sing Your Praises Welcome in this Place It Is Good Hear Our Praises Glorious This Is YourHouse Praise Adonai Let the Praises Ring and Come and Worship. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 3 (Tenor Sax/BaritoneTC) Percussion Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (Bass Clarinet) String Bass and Keyboard String Reduction. Instrumentation varies. SATB Listening CD CD Accompaniment Trax CD 10-Pack and Preview Pack(CD) also available.

“Hail hail to the guiding Light that brought us tonight to our Savior!” From the new Selah album this energetic song is a driving anthem of upbeat praise and adoration. With its effortless rhythm this one reallysings! IPak includes score and parts for Flute 1 2; Oboe; Clarinet 1 2; Horn 1 2; Trumpet 1 2 3; Trombone 1 2 3/Tuba; Timpani; Percussion 1 & 2; Harp; Rhythm; Violin 1 2; Viola; Cello; String Bass; Keyboard StringReduction.

As a confirmed Mozartian it is natural that Müller's concertos for Flute and Orchestra should follow the classical pattern and the E minor work published here for the first time since 1801 is an attractive and virtuoso piece in the less usual minor tonality. It is edited by Nikolai Jaeger and Christopher Hogwood with a useful introduction including points of performance practice drawn from Müller’s Flute tutor. A Keyboard reduction of the Orchestral part is also available.

Days of Elijah-A collection of 12 classic and rising anthems for the worshiping choir! Featuring Days of Elijah Above All Worthy Is the Lamb and Only a God Like You. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Bass Clarinet Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Percussion 1 2 Harp Violin 1 2 Viola (Clarinet 3) Cello/Bassoon String Bass Synthesizer StringReduction and Rhythm. Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) Preview Pack (CD) and CD 10-Pack also available.

A contemporary setting of this seasonal favorite has been long overdue and J. Daniel Smith provides just the right touch for use in contemporary worship. The solo part is ambitious in range but will make an unforgettablepresentation of this beloved Christmas gem. Available separately: SATB Orchestra score and parts (pic fl ob cl 1 2 bn tpt 1 2 3 hn 1 2 3 [=asx] tbn 1 2 [=tsx/bar] tbn 3 perc 1 2 hp rhythm vn 1 vn 2 va [=cl3] vc [=bcl] b keyboard string reduction) ChoirTrax CD. Duration: ca. 4:25

Maurice Duruflè (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct it is almost chantlike in its melodic purity. Originally written for unison voices (or solo voice)with organ accompaniment Duruflé later scored it for four-part chorus. These new editions include an English text for singing the original French text and a keyboard reduction of the unaccompanied version.

For Tenor solo SATB choir string orchestra and organ.Vocal score in a new edition prepared by Christopher Brown. Includes a keyboard reduction of the orchestral score.Chorus Part available: CH55375

This new edition of Gabriel Fauré 's Requiem presents the work in a chamber edition for the first time. Edited and arranged by David Hill for Violin, Cello, Harp and Organ, this score is compatible with the Novello vocal score of the same work and all other major editions. It aims to convey the original chamber-music qualities of Fauré's original scoring, and will enhance performances with keyboard reductions at minimal cost. It will be of great use to chamber and church choirs without the budget or space to perform this understated masterpiece with full orchestra, yet who wish to convey the rich colours and textures of Fauré's most famous work. Gabriel Faure: Requiem is scored for Violin, Cello, Harp, Organ and SATB voices (for SATB, separate parts not included). In order to perform the work, choir members would require NOV072304. 'Here is a visionary publication that will solve many problems. Most important, this edition will work with existing versions, even down to rehearsal marks.' - Andrew Fletcher, Organists' Review / Chant Et Orchestre De Chambre

1 Classic and Modern Worship Songs-A collection of ten well-loved songs that can be sung with choir only or with congregation together. Each song is presented two ways–an anthem version and a call to worship version–enabling the worship leader to beginthe service with the main thematic statement of the song and proceed from there. Titles include: Sing Out All the Earth Will Sing Your Praises Welcome in this Place It Is Good Hear Our Praises Glorious This Is YourHouse Praise Adonai Let the Praises Ring and Come and Worship. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 3 (Tenor Sax/BaritoneTC) Percussion Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (Bass Clarinet) String Bass and Keyboard String Reduction. Instrumentation varies. SATB Listening CD CD Accompaniment Trax CD 10-Pack and Preview Pack(CD) also available.