Par REBILLARD JEAN-JACQUES. Indispensable pour l'impro, la composition et l'arrangement. A posséder absolument Méthode 160 pages Par Jean-Jacques REBILLARD Volume 2 confirmé : Improvisation avec les modes (modes grecs, modes grecs altérés, modes de Bartok), accords de 3 sons, harmonisation d'une basse et d'une ligne mélodique, application à la composition, au déchiffrage et à l'arrangement... / Date parution : 2022-03-02/ Méthode / Harmonie

First writing skills for musicians. This book has been designed to help the beginner student to read and write commonly used musical symbols, providing a firm grounding in notation from which to progress onto Trinity?s Theory of Music Workbook Grade 1. There is ample opportunity to practise each element throughout this workbook, with symbols often explored in more than one way to build deeper understanding and to consolidate the learning. ?Did you know'?, ?Handy tip? and ?Remember? boxes give advice along the way, encouraging the development of good musical handwriting habits. After completing the exercises in this book, students are sure to feel confident when they begin studying for their first Theory of Music exam.

The Rhythm Changes Guide. The Rhythm Changes Guide takes the reader from the absolute essentials to advanced improvisational concepts, all supplemented with examples from legendary players. Includes 20 Etudes in all transpositions with backing tracks by a live NY rhythm section, exploring the rich tradition of Rhythm Changes and its harmonic possibilities. 70 pages of tradition-derived improvisation concepts and exercises, with dozens of examples from legendary players like John Coltrane, Sonny Rollins, Hank Mobley, Don Byas, Michael Brecker, and many others. Features strategies for both diatonic and chromatic improvisation and unexplored concepts for improvisation such as Schenkerian theory. Useful for beginners, intermediate-level performers, professionals, and musicians interested in diverse styles such as bebop, hardbop, modern contemporary, etc.

Expanded Third Edition. Witold Lutoslawski is widely regarded as one of the foremost composers of the post-war era and one of the truly great musicians of the 20th century. Charles Bodman Rae's examination of Lutoslawski's life and work draws on wide-ranging and meticulous research, including hours of recorded conversation with the composer himself. Now expanded for this third edition to include an additional chapter and many more photographs, The Music of Lutoslawski is an absorbing study of the man and his music.

Cet ouvrage propose au lecteur d?acquérir une conception claire de tout ce qui fait le rythme, de fortifier sa sûreté rythmique et d?exercer le geste jusqu?à ce qu?il devienne parfaitement naturel, souple, vivant. La 1re partie s?explore sans instrument : on mobilise progressivement mains, pieds et voix afin de développer les idées, l?écoute, l?imagination.

? Construire un rythme régulier (pulsation, temps, mesure, décompositions binaires et ternaires). ? Lire et réaliser des rythmes (répartition entre mains, pieds, voix et métronome, latéralisation gauche / droite, indépendance).
? Expérimenter des formules rythmiques reliées à des styles musicaux (jazz, rock, musiques latino-américaines, africaines, indiennes, etc.).
? Relier le rythme à la mélodie et l?harmonie.
? Construire des rythmes complexes (superpositions, rythmes impairs).
Dans la 2e partie sont abordées les particularités de certains instruments (claviers, guitare, contrebasse, basse électrique, instruments à anche et embouchure). Il s?agit d?ajuster la sensation intérieure du rythme avec le geste instrumental : réalisation technique de rythmes, coordination, fonction rythmique des instruments, etc.

En isolant le rythme des autres domaines de la musique, cet ouvrage développe un terrain de jeu trop souvent abandonné aux spécialistes ? batteurs et percussionnistes. Il s?adresse à tous les musiciens, visant à dissiper le flou qui entoure fréquemment le jeu rythmique. Il se propose de fournir des méthodes de travail qui donnent envie d?approfondir.

Exercices et exemples proviennent de nombreux contextes rythmiques : jazz et ses dérivés, rock, musiques latino-américaines, africaines, indiennes, etc. Voyageant entre l?universel et le particulier, décloisonnant styles et instruments, cet ouvrage aidera chaque musicien à élargir son horizon en découvrant les richesses du monde du rythme. / Livre / Agrafé /

George Self. This book recognises that aural work is essential to help pupils derive the full benefits from class music. The 17 lessons are designed to be used with students of varied ability. Most questions are based on the comparative method; for example a short melodic shape is played pupils identify this from three or four shapes printed in their own books. Gradually structural elements are introduced and the book draws its examples from different musical periods and cultures.George Self. This book recognises that aural work is essential to help pupils derive the full benefits from class music. The 17 lessons are designed to be used with students of varied ability. Most questions are based on the comparative method; for example a short melodic shape is played pupils identify this from three or four shapes printed in their own books. Gradually structural elements are introduced and the book draws its examples from different musical periods and cultures.

Per Licei musicali Conservatori e Corsi universitari a indirizzo musicale-The thirteen chapters of this work cover the history of music from the Middle Ages to the twentieth century. For each period the book focuses on the respective musical forms as well as on their transformations. Great attention is devoted to the following topics which concur to a thorough musical knowledge: monody modal and tonal harmony extratonal systems semiography. Many exercises based on actual compositions by the Classical authors enrich the description of the forms.

Form as Harmony in Rock Music investigates the formal-harmonic structures of classic rock of the 1960s 70s and 80s demonstrating how artists across decades and genres have unified under similar compositional structures and a single musical style.

A collection of short graduated studies for teaching or learning to read rhythms. Exercises cover all fundamental rhythms meters and mixed meters. Ideal as a supplement or primary reading method. Now even better with the addition of access to demonstration audio online showcasing the exercises featured in the book. Useful for any instrument or voice.

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Formation Musicale vous pourrez découvrir une des oeuvres de Koechlin Charles en l'occurence TRAITE ORCHESTRATION 4 qui a été éditée par la maison d'édition Max Eschig. / Formation Musicale / Partition

La référence AL19891 de l'éditeur Leduc dont l'auteur célèbre est Messiaen, qui a pour titre 20 Lecons D'Harmonie Bl744, a été écrite et composée pour Formation Musicale et plus particulièrement pour Pédagogie Musicale. Cette partition musicale appartient à la catégorie Pédagogie. / Pédagogie Musicale / Partition

George Heussenstamm, composer of more than 85 published works and author of The Norton Manual of Music Notation , taught college-level theory for several decades. Unable to find what he considered a suitable text, he wrote his own, honing it through practical classroom experience. It is now published for the first time as Hal Leonard Harmony and Theory . This book is designed for anyone wishing to expand their knowledge of music theory, whether beginner or more advanced. The first two chapters deal with music fundamentals, and may be skipped by those with music reading experience. Each chapter contains many examples that clearly illustrate the concepts presented. Written exercises at the end of each chapter allow the reader to test and apply their knowledge. Topics include: basic music-reading instruction - triads in root position - triads in inversion - cadences - non-harmonic tones - the dominant seventh chord - other seventh chords - and more. / Formation Musicale