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OperAria Tenor
36.52 €
OperAria Tenor
Voix Tenor, Piano
Breitkopf & Härtel
Repertoiresammlung herausgegeben von Peter Anton Ling. Par . The Three Tenors Ar...
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Repertoiresammlung herausgegeben von Peter Anton Ling. Par . The Three Tenors Are Coming On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes. ?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling, editors) OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2023-03-11/ Recueil / Tenor et Piano
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Ouverture du Barbier de Séville (ROSSINI GIOACHINO)
185.68 €
Ouverture du Barbier de Séville (ROSSINI GIOACHINO)
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[Partition]
Klarthe
Charles Jean-Jacques. Par ROSSINI GIOACHINO. / Date parution : 2023-03-21/ Rép...
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Charles Jean-Jacques. Par ROSSINI GIOACHINO. / Date parution : 2023-03-21/ Répertoire / Orchestre D'Harmonie
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FANTASIES FROM OPERA FOR VIOLIN AND PIANO
18.29 €
FANTASIES FROM OPERA FOR VIOLIN AND PIANO
Violon et Piano
[Partition]
Dover Publications
Par . This single-volume compilation features four popular opera fantasies arran...
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Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano
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The Marriage of Figaro Overture (MOZART WOLFGANG AMADEUS / JOHNSTON MATT (Arr)
28.53 €
The Marriage of Figaro Overture (MOZART WOLFGANG AMADEUS / JOHNSTON MATT (Arr)
Ensemble de Bassons
[Conducteur et Parties séparées]
Alry Publications
for 6 Bassoons and Contrabassoon. Par MOZART WOLFGANG AMADEUS / JOHNSTON MATT (A...
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for 6 Bassoons and Contrabassoon. Par MOZART WOLFGANG AMADEUS / JOHNSTON MATT (Arr.). The Marriage of Figaro Overture by Wolfgang Amadeus Mozart, arranged for Bassoon Choir by Matt Johnston. Instrumentation: 6 Bassoons, Contrabassoon (or String Bass), Timpani (optional). / Date parution : 2022-11-29/ Répertoire / Ensemble de Bassons
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Carmen (BIZET GEORGES)
39.20 €
Carmen (BIZET GEORGES)
En Français
Orchestre d'harmonie
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Martin, Robert
Par BIZET GEORGES. / Date parution : 2022-03-08/ Répertoire / Orchestre D'Harm...
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Par BIZET GEORGES. / Date parution : 2022-03-08/ Répertoire / Orchestre D'Harmonie
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Noces De Figaro (Les), Ouverture (Le Nozze di Figaro) (MOZART WOLFGANG AMADEUS)
110.02 €
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Par MOZART WOLFGANG AMADEUS. Paul KELSEN (Arr. ) / Niveau : Avancé / Opéras, opéras comiques, opérettes / Répertoire / Exemplaire Complet
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Par BOSSI MARCO ENRICO. / Date parution : 2022-07-30/ Recueil / Chant et Orgue
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33.46 €
Opere per Voce e Organo (BOSSI MARCO ENRICO)
Voix, Orgue
Armelin Musica
Par BOSSI MARCO ENRICO. / Date parution : 2022-07-30/ Recueil / Chant et Orgue
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46.84 €
Rondine Opera Completa (PUCCINI GIACOMO)
Piano, Voix
[Partition]
Sonzogno
Canto e piano. Par PUCCINI GIACOMO. / Date parution : 2022-10-12/ Répertoire /...
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Canto e piano. Par PUCCINI GIACOMO. / Date parution : 2022-10-12/ Répertoire / Chant et Piano
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
522.00 €
Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Opéra
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
64.96 €
Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Piano, Voix
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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SINGER\'S MUSICAL THEATRE ANTHOLOGY: DUETS VOLUME 3 - CHANT
31.70 €
SINGER\'S MUSICAL THEATRE ANTHOLOGY: DUETS VOLUME 3 - CHANT
Voix duo, Piano
Hal Leonard
La source la plus fiable au monde de grande littérature théâtrale pour les ac...
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La source la plus fiable au monde de grande littérature théâtrale pour les acteurs chanteurs. Les CD comprennent des accompagnements au piano. Le livre présente des éditions authentiques de chaque duo dans les tonalités originales. Les duos ont été choisis avec soin et sont issus d\'une large sélection de classiques et de spectacles contemporains. Contenu : THE ADDAMS FAMILY : Crazier Than You - AVENUE Q : Schadenfreude - CABARET : Money, Money - CANDIDE : Oh, Happy We - CHILDREN OF EDEN : In Whatever Time We Have - A CHORUS LINE : Sing ! - FIDDLER ON THE ROOF : Do You Love Me ' - THE FROGS : Invocation et instructions au public - GODSPELL : All for the Best - GREY GARDENS : Peas in a Pod - INTO THE WOODS : Agony, It Takes Two, No More - THE LIFE : My Friend - THE LIGHT IN THE PIAZZA : Statues and Stories, Say It Somehow - THE LION KING : Can You Feel the Love Tonight - A LITTLE NIGHT MUSIC : Every Day a Little Death - MONTY PYTHON\'S SPAMALOT : I\'m All Alone - MYTHES ET HYMNES : Come to Jesus - PARADE : All the Wasted Time - THE PRODUCERS : Où avons-nous fait fausse route ' - THE RINK : La pomme ne tombe pas très loin de l\'arbre - SPRING AWAKENING : The Word of Your Body - SUNDAY IN THE PARK WITH GEORGE : Move On - SWEENEY TODD : Kiss Me - WEST SIDE STORY : A Boy Like That/I Have a Love - WICKED : As Long as You\'re Mine, For Good - WOMAN OF THE YEAR : L\'herbe est toujours plus verte / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD
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DONIZETTI GAETANO - LUCIA DI LAMMERMOOR - VOIX and PIANO
42.50 €
DONIZETTI GAETANO - LUCIA DI LAMMERMOOR - VOIX and PIANO
Piano, Voix
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Lucia di Lammermoor de Gaetano Donizetti, ecrit sur un livret de Salvadore Camma...
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Lucia di Lammermoor de Gaetano Donizetti, ecrit sur un livret de Salvadore Cammarano, a ete cree au Teatro di San Carlo de Naples le 26 septembre 1835. Il est reste au repertoire sans interruption comme l'un des operas les plus populaires de Donizetti tout au long de son existence de pres de 200 ans. L'edition propose comme texte principal une version de l'opera qui, en majeure partie, est aussi fidele que possible a celle donnee lors de la premiere a Naples. L'edition critique retablit les tonalites originales, conservant ainsi la conception harmonique globale de Donizetti, mais aborde les transpositions qui sont entrees plus tard dans la tradition d'interpretation et d'edition de l'opera. Nous presentons ici la reduction pour voix et piano. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
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Ascanio (LOTTI ANTONIO)
225.62 €
Ascanio (LOTTI ANTONIO)
Orchestre
[Conducteur]
Hofmeister Musikverlag
Ovvero Gl'odji delusi dal sangue. Par LOTTI ANTONIO. / Date parution : 2022-04-...
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Ovvero Gl'odji delusi dal sangue. Par LOTTI ANTONIO. / Date parution : 2022-04-26/ Répertoire / Opéra
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Le opere attestate in antologie compilate in vita (GABRIELI ANDREA)
121.73 €
Le opere attestate in antologie compilate in vita (GABRIELI ANDREA)
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Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in ...
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Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in italiano e inglese). Par GABRIELI ANDREA. Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer?s death in 1585. Broadly speaking, Gabrieli?s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer?s habitual interaction with patrons, poets and musicians in mid sixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli?s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ?stradioto? dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli?s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil?s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli?s presence in multi-author anthologies follows a predictable pattern. The young composer?s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark?s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer?s death). / Date parution : 2022-04-26/ Recueil / Orchestre
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Platée et Io (RAMEAU JEAN-PHILIPPE)
68.44 €
Platée et Io (RAMEAU JEAN-PHILIPPE)
Orchestre de chambre
[Conducteur]
Barenreiter
Symphonies. Par RAMEAU JEAN-PHILIPPE. This edition unites all the purely instrum...
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Symphonies. Par RAMEAU JEAN-PHILIPPE. This edition unites all the purely instrumental and dance numbers from one of Rameau?s most popular operas, along with those from his last one-act opéra-ballet ?Io?, which was left unfinished at the time of his death. ?Platée? is the setting of a libretto by Jacques Autreau that Rameau arranged to be adapted for his own purposes, especially with regard to comic effects. In grotesque form, it shows Jupiter curing his wife Juno of her jealousy by feigning a marriage of love with the ugly swamp nymph Platée. Faced with such a ludicrous rival, Juno is forced to admit that her suspicions were unfounded. The opera was premièred in Versailles in 1745 for the wedding of the Dauphin Louis and Maria Theresia of Spain. The performance was a fiasco, however, for the coarse comedy and bizarre characters were deemed inappropriate by the wedding audience. It was not until 1749 in Paris that ?Platée? achieved its breakthrough, becoming Rameau?s greatest triumph to date. Another version with an altered text was performed from 1754 on. The plot of the fragmentary ?Io? deals with the amorous relations between the nymph Io and Jupiter in the guise of the shepherd Hylas, who becomes a rival of Apollo, disguised as Philemon. Now the inventive and richly varied orchestral numbers from this cruelly comical bonfire of the vanities can be presented in concert with greater flexibility. / Date parution : 2022-04-05/ Répertoire / Ensemble de Chambre
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Gaetano Donizetti: La fille du régiment: Orchestra: Score
398.10 €
Gaetano Donizetti: La fille du régiment: Orchestra: Score
Orchestre
[Conducteur]
Ricordi
Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fil...
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Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fille du régiment, always one of Donizetti?s most popular stage works, was first performed at the Théâtre de l?Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success ? at the Opéra-Comique alone, more than one thousand performances were given between 1840 and 1917 ?, and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources ? only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France ?, the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio?s romance «Pour me rapprocher de Marie» from Act Two, included in the original libretto and actually sung at the première, but expunged from the Schonenberger edition of the score. Donizetti himself cut the romance soon after the première, possibly because of the tenor?s poor performance - as a result, the omission became customary. The appendices to this critical edition present, additionally, two unpublished variants, handed down in form of complete and autograph score: these pieces, crossed out or modified through the compositional process, add fresh new possibilities to current performance practices. The first one is a duet for Marie and Tonio that Donizetti had originally devised for Act Two, but later deleted from the score. The second one is a preliminary draft of the Act Two Finale, later expunged and replaced, in both music and literary text, by the final version.
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John Adams: Opera Choruses Vol. 3: Mixed Choir and Piano/Organ: Choral Score
15.99 €
John Adams: Opera Choruses Vol. 3: Mixed Choir and Piano/Organ: Choral Score
Opéra
Boosey and Hawkes
Chrouses from The Death Of Klinghoffer
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John Adams: Opera Choruses Vol. 1: Mixed Choir and Piano/Organ: Choral Score
15.99 €
John Adams: Opera Choruses Vol. 1: Mixed Choir and Piano/Organ: Choral Score
Chorale
Boosey and Hawkes
Choruses from El Niño The Gospel According To The Other Mary
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Nico Muhly: Two Boys (Study Score): Children's Choir: Study Score
Opéra
[Conducteur d'étude / Miniature]
St Rose Music Publishing
An Opera in Two Acts
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John Adams: Opera Choruses Vol. 2: Mixed Choir and Piano/Organ: Choral Score
15.99 €
John Adams: Opera Choruses Vol. 2: Mixed Choir and Piano/Organ: Choral Score
Opéra
Boosey and Hawkes
Choruses from Nixon In China Doctor Atomic A Flowering Tree
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Les Huguenots (MEYERBEER GIACOMO)
639.33 €
Les Huguenots (MEYERBEER GIACOMO)
Piano, Voix
[Partition]
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Opera, Voice and Piano. Par MEYERBEER GIACOMO. / Date parution : 2022-03-05/ RÃ...
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Opera, Voice and Piano. Par MEYERBEER GIACOMO. / Date parution : 2022-03-05/ Répertoire / Chant et Piano
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