SKU: MN.56-0055
UPC: 688670220586. English.
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the ââ¬ÅRecordare,ââ¬Â a calm, descending melodic line with the choir singing the opening ââ¬ÅDrop, dropââ¬Â motif as accompaniment. The choir then concludes with the slow, descending lines ââ¬ÅJesu pie, Jesu pie.ââ¬Â Duration 4:04.
SKU: BT.CMP-0258-99-040
SKU: HL.44000238
UPC: 073999656589. 12.25x9.0x0.213 inches.
SKU: BT.CMP-0080-96-130
SKU: BT.CMP-0080-96-030
SKU: BT.DHP-0971061-010
SKU: BT.DHP-0971061-140
SKU: XC.HRMG1951C
UPC: 785147105459.
Gloria Score for Full Orchestra.
SKU: XC.HRMG2051C
UPC: 785147106753.
Full Orch: 2.2.2.2 - 4.3.3.1 + hp. + timp. + 2 perc. + str.
SKU: XC.HRMG2051D
UPC: 785147106852.
SKU: XC.HRMG1951D
UPC: 785147105558.
Gloria Parts for Orchestration.
SKU: HL.14028033
ISBN 9788759861608. English.
Thus Saw St. John is a work for orchestra which was inspired by chapter 6 of the Book of Revelation.
SKU: AP.48143S
UPC: 038081550732. English.
Inspired by the overthrow of King James II of England in what was later called the Glorious Insurrection (or Revolution) of 1688, this dramatic musical essay by Robert Sheldon is rife with powerful, ominous chords and poignant themes. Celtic-style motifs and colorful, rhythmic percussion parts help to energize this striking work for wind band. (6:25) This title is available in MakeMusic Cloud. Print-on-demand Grade 2.5 parts compatible to this arrangement are available (item 00-48143IB) as well as Grade 1 parts (item 00-48143YB).
SKU: AP.48143
UPC: 038081550725. English.
SKU: KJ.WB321
UPC: 8402701210.
John Zdechlik's newest masterwork is based on the chant melody Pange Lingua. An introspective fantasia in three parts, Sing My Tongue, Alleluia features Zdechlik's signature lush scoring in two outer lyrical sections and a central scherzo tied together with brief statements of the original chant.
SKU: KJ.WB321F
SKU: KJ.E1456F
Psalm XIX: The Heavens Declare was written by the Italian composer, writer, and theorist Benedetto Marcello (1686-1739). By profession Marcello served as a governor and chamber-lain in Italy, although he is well-known for his harsh satires of contemporary coposers, such as Vivaldi and Lotti, As a composer, Marcello was ingenious and imaginative; his works include opera librettos, concertos, vocal music, and psalm settings in cantana style. This particular psalm setting has become popular for organ, and, thanks to the talent of arranger Barry Toombs, is part of the repertoire of the Westwind Brass. Mr. Toombs's brass quintet arrangement of The Heavens Declare calls for the optional B Piccolo Trumpet in the 1st Trumpet part. It is preferred that the 1st trumpet player use a piccolo trumpet. However, if one is not available, B trumpet may be uses as a substitute.
SKU: HL.4001587
9.0x12.0x0.054 inches.
Grade 3-4 Based on the popular arrangements by Chip Davis.
SKU: HL.4008694
UPC: 196288190509.
To mark the 30th anniversary of Mosaici Bizantini Franco Cesarini decided to publish this revised version. He added a few instruments to the instrumentation and completely revised the notation. The work is now available in large-sized full score and exclusively from the composer's publishing house. For this grand work, Franco Cesarini was inspired by three byzantine mosaics, which can be seen in churches in Venice and Palermo. He took the musical motives from Gregorian chants. The mosaics concerned depict the following extracts from “The Gospel according to St. Matthewâ€: 1. The Nativity 2. The Temple of Jerusalem 3. Angel of the Resurrection This new, revised version of this masterpiece will delight both the orchestra and the audience!
SKU: BT.EMBZ6165
Latin.