SKU: BP.HB638

Written for 5 to 7 octave handbell choir and 5 to 6 octaves of handchimes. Level 3 . Lush harmonies underscore this beautiful, prayerful melody by Matthew Compton. The triplet accompaniment figure gives way to a more delicately scored melody which progressively becomes more and more agitated before the return of the opening figure once more. A lovely addition to your concert or worship service.

SKU: BP.HB554

Arranged for 4 to 7 octave handbell choir. Level 3. An exposed opening is punctuated by upper bells mimicking the chiming of a clock tower in James Weber's expressive arrangement of this Christmas mainstay. Flowing accompaniments and lush, unexpected harmonies abound. The work builds in strength and dynamic throughout before dying away to a gentle conclusion. A fantastic addition to both the handbell literature and any Christmas service or concert.

SKU: BP.HB614

Arranged for 3 to 5 octave handbell choir and optional shaker, guiro and claves. Level 3. Patricia Hurbutt's jaunty arrangement of this traditional German carol is sure to delight listeners this holiday season. The theme is set in four-four time instead of the usual three-four, and syncopations abound. The addition of the optional shaker, claves, and guiro add an extra air of fun to the piece. A different take on an old favorite!

SKU: BP.HB663

Arranged for 3 to 7 octave handbell choir and 3 to 6 octaves of handchimes. Level 3. Great Things He Hath Done - Brian Childers's arrangement of To God Be the Glory begins with a grand, fanfare-like figure before giving way to a lush, fantasia-like variant on the well-known melody. A brief section on chimes precedes a majestic and chromatic final verse. An outstanding choice for any general worship service throughout the year.

SKU: BP.HB748

Written for 3 to 5 octave handbell choir. Level 3.

This lush combination of the tunes WINCHESTER OLD and CHRISTMAS would make a beautiful addition to any holiday service or concert. Flowing lines abound, and unexpected harmonic twists keep things interesting throughout while providing just a small challenge to ringers. The piece builds in intensity before reaching a grand and glorious conclusion.

SKU: BP.HB641

Arranged for 3 to 5 octave handbell choir. Level 3 . Fun and energetic are the perfect words to describe this upbeat arrangement from Karen Lakey Buckwalter. With a forceful malleted bass - set in a 3 3 2 rhythm - the beloved melody gets cast in a new and exciting light before a slower iteration comes in, set to interesting, intricate, and unexpected harmonies. The rhythmic feel of the opening returns to close out the piece in grand fashion. Be sure to add this to your next concert or worship service!

SKU: BP.HB720

Written for 3 to 6 octave handbekk choir and optional 3 to 5 octaves of handchimes. Level 3-. This stirring composition from the talented pen of Michael Helman is dedicated to all who have suffered losses as part of the Coronavirus Pandemic. The simple, haunting melody speaks of pain and loss, but also of hope and healing. Handchimes are used throughout to beautiful musical affect. This is a poignant musical statement suitable for worship, concert, or memorial use.

SKU: BP.HB213

3-5 octaves optional B2 and B-flat 2, level 3. Original setting by John Ness Beck, handbell setting by Arnold Sherman.

SKU: BP.HB746

Written for 4 to 7 octave handbell choir. Level 3+.

From the pen of the talented Sandra Eithun comes this engaging setting of the hymntune MELITA. A haunting, slightly dissonant opening gives way to a verse of the tune underpinned by a slightly unsettled malleted accompaniment. Further verses of the tune explore different moods and emotions before a return to the feeling of the opening. A worthy choice for the ensemble wanting something a little different.

SKU: BP.HB572

Written for 3 to 5 octave handbell choir and 3 octaves of handchimes. Level 3-. Written in memory of the September 11 terror attacks, Philip Young's original work is a haunting piece full of aching and loss. A melodic prayer is underscored by original harmonies and a moving eighth note line that propels the piece inexorably onward. Frequent use of handchimes helps bring out various lines in the music. A worthy musical choice for the ensemble looking for something different.

SKU: BP.HB436

For 3-7 octaves, optional 3-6 octaves of handchimes, level 3-. This haunting original composition will provide ringers with ample opportunity to focus on their musicality. From moments of quiet tranquility to soaring heights of passion, this song runs the gamut of emotions, carrying musician and listener alike on a beautiful musical journey.

SKU: BP.HB753

Written for 3 to 6 octave handbell choir. Level 3.

An ethereal opening featuring randomly-malleted suspended bells gives way to a setting of the well-known tune underscored by flowing sixteenth notes. Unexpected harmonies appear prominently throughout the piece, and textural changes on various inflection points of the piece provide a respite from the relentless accompaniment figures. The melody moves throughout the ensemble, giving all parts a chance to shine. A fantastic choice for the ensemble looking for something different this holiday season!

SKU: BP.HB96

Arranged for 3-4 octave handbell choir with viola or C instrument. Level 3. Hymntun GORDON.

SKU: BP.HB88

Arranged for 3-4 octave handbell choir, toy cymbals and optional toy percussion. Level 3+. From Tchaikovsky's Nutcracker Suite.

Please note, because of a glitch on the CD recording, March of the Toy Soldiers does not start until after O Come, Little Children by Barbara Kinyon (2 minutes and 19 seconds after the start of the recording).

SKU: BP.HB90

Arranged for 5 octave handbell choir and flute (in the handbell score). Level 3+. ABERYSTWYTH.