SKU: MN.56-0055

UPC: 688670220586. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,” a calm, descending melodic line with the choir singing the opening “Drop, drop” motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.” Duration 4:04.

SKU: MN.56-0038

UPC: 688670220432. English.

Set for SATB voices, a soprano or tenor soloist, and piano, Goodall’s original text is a promise of constancy from one person to another. Through many kinds of situations and circumstances it is assured that “We’ll walk together stride by stride.” The choral parts are homophonic and approachable, the piano part a bit challenging (there is one section which is essentially a beautiful piano solo with the chorus accompanying on a neutral syllable). An uplifting piece suitable for school, community, or professional choruses.

SKU: BP.HB554

Arranged for 4 to 7 octave handbell choir. Level 3. An exposed opening is punctuated by upper bells mimicking the chiming of a clock tower in James Weber's expressive arrangement of this Christmas mainstay. Flowing accompaniments and lush, unexpected harmonies abound. The work builds in strength and dynamic throughout before dying away to a gentle conclusion. A fantastic addition to both the handbell literature and any Christmas service or concert.

SKU: BP.HB574A

For 3 to 5 octave handbell choir. Rated level 2-. This prayerful setting of two well-loved hymn tunes is a beautiful pairing of handbells and piano. The majority of the handbell part consists of quarter and half notes, while the piano provides an arpeggiated eighth note undercurrent. A perfect opportunity for beginning and intermediate handbell ensembles to shine in worship!

SKU: BP.HB771

8.5 inches.

The tunes OLIVE’S BROW, SELENA, and NEAR THE CROSS are featured in this medley by Jason Krug. Optional handchimes provide a smooth contrast in this flowing arrangement suitable for anytime during Lent or Good Friday.

SKU: BP.HB715

Written for 4 to 7 octave handbell choir. Level 5.

A delicate, ethereal opening gives way to a forceful, driving melody that travels through various moods and keys as it builds in intensity. The addition of the optional orchestral chimes gives an extra bit of timbral interest. This exciting work is a great choice for the advanced ensemble looking for something unique! Level 5, 4-7 Octaves.

SKU: BP.HB762

8.5 inches.

The hymntunes SIMPLE GIFTS and HOLY MANNA are featured in this arrangement by Karen Lakey Buckwalter. With a variety of techniques and optional handchimes, the textures of this arrangement are sure to delight.

SKU: BP.HB741

Written for 3 to 5 octave handbell choir. Level 4.

A fanfare-like opening gives way to a delicate melody underscored by malleted bells in a 3 3 2 rhythmic pattern, which recurs throughout the piece. Various moods and emotions are explored, providing ample opportunity for focus on musicality and expression. This is an ideal piece for the advanced ensemble looking for a worthy musical challenge!

SKU: BP.HB660

Written for 3 to 6 octave handbell choir and 3 octaves of handchimes. Level 3 . The ethereal opening of this original tune by Brenda Austin gives way to a wandering melody of hope underscored by flowing eighth note triplets. A lively and forceful variant on the melody ensues, which propels the piece through to its energetic conclusion. A perfect choice for advanced ensembles in either church or concert setting.

SKU: BP.HB748

Written for 3 to 5 octave handbell choir. Level 3.

This lush combination of the tunes WINCHESTER OLD and CHRISTMAS would make a beautiful addition to any holiday service or concert. Flowing lines abound, and unexpected harmonic twists keep things interesting throughout while providing just a small challenge to ringers. The piece builds in intensity before reaching a grand and glorious conclusion.

SKU: BP.HB668

Arranged for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 2-. This quiet, reflective arrangement by Patricia Hurlbutt is ideal for any calm, meditative moment in worship. A simple delicate opening underscored with haunting chords gives way to a verse with the melody on bass chimes overtopped with delicate treble bell chords. An unexpected key change adds intensity and a sense of urgency before returning to the opening key and fading prayerfully away.

SKU: BP.HB641

Arranged for 3 to 5 octave handbell choir. Level 3 . Fun and energetic are the perfect words to describe this upbeat arrangement from Karen Lakey Buckwalter. With a forceful malleted bass - set in a 3 3 2 rhythm - the beloved melody gets cast in a new and exciting light before a slower iteration comes in, set to interesting, intricate, and unexpected harmonies. The rhythmic feel of the opening returns to close out the piece in grand fashion. Be sure to add this to your next concert or worship service!

SKU: BP.HB759

8.5 inches.

Based on Psalm 30:11, Linda Scholes’ Dance Felice will “turn your mourning into dancing. The lilting 6/8 meter and staccato sections provide motion and excitement.

Scripture reference: Psalms.

SKU: BP.HB675

Written for 5 to 7 octave handbell choir and optional 4 to 6 octaves of handchimes. Level 4 . Rhythmic, fresh, and joyous describe this original work by Patrick Meyer. Crisp, driving rhythms and frequent syncopations give ample thrust, and the bold, exciting harmonies add interest that provides for something new around every bend. A freely wandering middle section slowly builds in intensity before a return to the opening feel and a forceful and satisfying conclusion. Perfect for the advanced church or community group looking for something showstopping.