/ Musique De Chambre
SKU: AP.48962
UPC: 038081562865. English.
Jon Batiste's cover for Pixar's Soul brings this feel-good Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and and upbeat vibe, it's everywhere! First made famous by The Impressions, a 60s group of which Mayfield was a member, this happy hit has stood the test of time, recorded by many diverse artists over the years. The arranger adds his own authentic touch with some gospel inflections and interjections. It's all right, have a good time, 'cause it's all right!
SKU: OU.9780193560314
ISBN 9780193560314. 10 x 7 inches.
For SATBarB unaccompanied This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates through setting gently rocking melodic lines over a rich cushion of harmonies.
SKU: CL.JCM-2502-00
A magnificent tour-de-force for solo trumpet and wind ensemble! Composed by Jay Chattaway for trumpet virtuoso Jens Lindemann, Shenandoah Fantasy brilliantly showcases the full range of trumpet virtuosity. Contrasting sections feature lyrical playing, rapid tonguing, jazz inflections, and brilliant range and dexterity. An astonishing addition to solo trumpet repertoire! Set includes oversized spiral-bound score.
SKU: AP.48963
UPC: 038081562872. English.
SKU: HL.14028266
Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.
While less appreciated during his lifetime, it is Scott's late works(written between 1950 and his death) that are the most individual, with their ever-shifting harmoniccolours and wayward inflections of phrase and mood,capturing perfectly the way the mind shifts, backwards and forwards, between reminiscence, regrets, and self-assertion.
Composed in 1961 for Flute and Piano and premiered by William Bennett and Margaret Norman on November 9 of that year, Sonata For Flute is perfect example of the genius of Scott's late works.
SKU: HL.14042246
ISBN 9781780382227. UPC: 884088922061. 6.5x9.75x0.045 inches.
This setting of the opening to Psalm 102 was composed in the early 1680s. Purcell, who was in his early twenties, had succeeded John Blow as organist of Westminster Abbey around the beginning of the decade and his star was in the ascendant as a court composer.In this piece he pulls off a remarkable compositional coup: a single, gradual climax, lasting over two minutes and culminating on the final repetition of the word 'come', is achieved through a sublime, freely developing eight-part weave of the opening material. The harmonies that result from the chromatic inflections on the word 'crying' all serve the mounting tension in this extraordinary miniature.Studyof the autograph manuscript suggest that this anthem was intended to be the opening part of a larger work which was never completed.
SKU: CF.B3473
ISBN 9781491161999. UPC: 680160920679. Key: C major.
Composed in 1924, Ernest Bloch’s Méditation Hébraϊque is a plaintive and reverent musical reflection that flows through many emotions in a series of uninterrupted movements: Moderato, Allegro deciso, and Moderato. Passionate rubato phrases are flecked with light touches of ornamentation, much like the inflections of a cantor's voice. Hemiola rhythms, dynamic swells, and contrapuntal interaction with the piano lead the soulful voice of the cello to its upper range in a dramatic dialogue that eventually descends to a more subdued and stately resolution. Cellist and teacher Julian Schwarz provides practical fingerings and phrase markings to achieve the alternating bright and warm tone that are essential to adequately express the sacred beauty of the music. .
