Wolfgang Amadeus Mozart: Le nozze di Figaro (vocal score paperback) KV492: Mixed

This compilataion of thirty-six arias from Mozart's seven theatrical masterpieces moves from the youthful exuberance of 'The abduction from the Seragli' to the complex enchanting moral allegory of 'The Magic Flute' complete shortly before the composer's death in 1791. Together with all of the great soprano arias from these works are classic pieces from 'Idomeneo' 'The Marriage of Figaro' 'Don Giovanni' 'Cosi fan tutte' and 'La Clemenza di Tito'.

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition LES NOCES DE FIGARO (OUVERTURE) tout le talent de Mozart. Cette partition a été composée pour Accordéon. C'est l'éditeur Billaudot qui a publiée cette oeuvre. / Accordéon / Partition

This outstanding volume features a rich selection of the composer's greatest overtures: Idomeneo (K.366); The Abduction from the Seraglio (K.384); The Marriage of Figaro (K.492); Don Giovanni (K.527); Così Fan Tutte (K.588); The Magic Flute (K.620); and La Clemenza di Tito (K.621). All reproduced in full score from authoritative early editions. Content : OVERTURES TO THE OPERAS Idomeneo Idomeneo, rè di Creta / Idomeneus, King of Crete Die Entführung aus dem Serail The Abduction from the Seraglio Le Nozze di Figaro Die Hochzeit des Figaro / The Marriage of Figaro Don Giovanni Il dissoluto punito, ossia II Don Giovanni / Don Juan Così fan Tutte . . . ossia La scuola degli amanti / Weibertreue Die Zauberflöte The Magic Flute La Clemenza di Tito The Clemency of Titus

Nach der Ouvertüre zu ?Le nozze di Figaro? erscheinen nun auch die beiden ebenfalls als Konzertstücke beliebten Ouvertüren zu Mozarts Opern ?Don Giovanni? und ? Così fan tutte ? in Einzelausgaben im Urtext der ?Neuen Mozart-Ausgabe?. Für die ?Don Giovanni

Complete Edition hardcover Opera buffa in four acts-Premièred at the Vienna Hoftheater on 1 May 1786 Wolfang Amadeus Mozartâ??s and Lorenzo Da Ponteâ??s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozartâ??s music: on the contrary because of the extraordinary demands it placed on the orchestra (especially the woodwinds) the music even posed an obstacle to the workâ??s spread outside the German-speaking countries. At least equally responsible for the operaâ??s success was the librettist Lorenzo Da Ponte who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Many of the sources for Mozartâ??s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the â??New Mozart Editionâ?? volume was published. These include the autograph scores of acts 3 and 4 now held at the Biblioteka Jagiello ka in Kraków significant portions of the original sets of parts and acts 2 to 4 of the conductorâ??s copy from the first performance of 1786.These original sources now available again offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the â??New Mozart Editionâ?? reflecting the latest musicological researchWith findings from original sources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01) Vocal score (BA4565-92) study score format 22.5 x 16.5cm

Overture-In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto based on the play Le mariage de Figaro by Beaumarchais was written by Lorenzo da Ponte—who also made the libretti of Mozart?s opera?s Don Giovanni and Così fan tutte. In the opera Le Nozze di Figaro Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart—at times in a humorous way—reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music.