Images - Paris Qui Va
SKU: HL.14077241
SKU: BA.BA05810-01
ISBN 9790006495511. 33 x 26 cm inches. Text Language: French. Preface: Philippi, Daniela. Text: Favart, Charles Simon.
For his ParisCythere assiegee, Gluck drew on his eponymous opera comique from 1759, transforming it into an opera-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version.This edition ofCythere assiegeecontains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts.The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CF.H84
ISBN 9781491165539. UPC: 680160924530.
Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. Over his long career, he added a significant catalogue of very beautiful works to the harp repertoire. Many of his solo works, almost one hundred, have been consistently in print since they were first published. But in recent years harpist Carl Swanson has discovered a treasure trove of pieces by Tournier heretofore unknown and unpublished. These include the Déchiffrages in this edition, as well as songs set for voice, harp, and string quartet, and ensemble arrangements of some of his most beloved works.All of the works that Carl Swanson found were in manuscript only. With the help of the great harpist Catherine Michel, he has put these pieces into playable form, and they are being published for the very first time. He and Catherine often had to re-notate passages to show clearly how they could be played, adding fingerings and musical nuances, tempos, pedals, and pedal diagrams.Tournier wrote these pieces when he was in his 20s, and before he became the impressionistic composer those familiar with his work know so well. They are written in the late nineteenth-century romantic style that was being taught at that time at the Paris Conservatory. They are beautiful short, intermediate level pieces by a first rate composer, and add much needed repertoire to that level of playing.Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. He graduated from the Paris Conservatory with a first prize in harp in 1899. He also studied composition there and won a second prize in the prestigious Prix de Rome competition, as well as a first prize in the Rossini competition, another major composition competition of the day. From 1912 to 1948 he taught the harp class at the Paris Conservatory. But composition, and almost entirely, composition for the harp, was the main focus of his life. His published works, including many works for solo harp, a few for harp and other instruments, and several songs, number around one hundred pieces.In 2019, while researching Tournier for my edition MARCEL TOURNIER: 10 Pieces for Solo Harp, I discovered that there was a significant list of pieces by this composer that had never been published and were not included on any inventory of his music. Principal on this list were his déchiffrages (pronounced day-she-frahge, like the second syllable in the word garage).The word déchiffrage means sight-reading exercise, and that was their original purpose. Tournier numbered and dated these pieces, with dates ranging from 1900 to 1910, indicating that they were in all likelihood written for Alphonse Hasselmans’ class at the Paris Conservatory. Tournier was probably told how long to make each one, and how difficult. They range in length from two to four pages, with only one in the whole series extending to five, and from thirty to fifty-five measures, with only one extending to eight-five. The level of difficulty for the whole series is intermediate, with some at the easier end, and others at the middle or upper end.We don’t know if they were intended to test students trying to enter the harp class, or if they were used to test students in the class as they played their exams. The fact that they were never published means that students had to not only sight read them, but sight read them in manuscript form!I worked from digital images of the original manuscripts, which are in the private music library of a harpist in France. She had twenty-seven of these pieces, and this edition is the second in a series of three that will publish, for the first time, all of the ones that I have found thus far. The manuscripts themselves consist of little more than notes on the page: no pedals written in, no fingerings, few if any musical nuances and tempo markings, and no clear indication as to which hand plays which notes. These would have been difficult to sight read indeed! My collaborator Catherine Michel and I added musical nuances, fingerings, pedals and pedal diagrams, and tempo indications to put them into their current condition.At the time these were written, Tournier would have been in his twenties, having just graduated from the harp class himself (1899), and might still have been in the composition class. These are the earliest known pieces that he wrote, and they were written at the very beginning of a cultural revolution and upheaval in Paris that was to completely and profoundly alter musical composition. Tournier himself would eventually be caught up in this new way of composing. But not yet.All of the déchiffrages are written in the late romantic style that was being taught at that time at the Paris Conservatory. Each one is built on a clear musical idea, and the variety over the whole series makes them wonderful to listen to as well as to learn. They are also great technical lessons for intermediate level players.The obvious question is: Why didn’t Tournier publish these pieces, and why didn’t he list them on his own inventory of his music? Actually, four of them were published, with small changes, as his collection Four Preludes, Op. 16. These came from the ones that will be in volume three of this series from Carl Fischer. His first large piece, Theme and Variations, was published in 1908, and his two best known and frequently played pieces, Féerie and Au Matin, followed in 1912 and 1913 respectively. We can only speculate because there is so much still unknown about Tournier and about these unpublished pieces. He may have looked at them, fresh out of school as he was, as simply a way to make some quick money. The first several pieces that he did publish are much longer than any of the déchiffrages. So it could be that, because of their shorter length, as well as the earlier musical style that he was moving away from, he chose not to publish any more of them. We may never know the full story. But all these years later, more than a century after they were composed, we can listen to them for their own merits, and not measured against whatever else was going on at the time. The numbers on these pieces are the ones that Tournier assigned to them, and the gaps between some of the numbers suggest that there are perhaps thirty or more of these pieces still to be found, if they still exist. They will, in all likelihood, be found, as these were, in private collections of harp music, not in institutional libraries. We can only hope that more of them will be located in years to come.—Carl SwansonGlossary of French Musical TermsTournier was very precise about how he wanted his pieces played, and carefully communicated this with many musical indications. He used standard Italian words, but also used French words and phrases, and occasionally mixed both together. It is extremely important to observe and understand everything that he put on the page.Here is a list of the French words and phrases found in the pieces in this edition, with their translation.bien chanté well sung, melodiousdécidé firm, resolutediminu peu à peu becoming softer little by littleen diminuant becoming softeren riten. slowing downen se perdant dying awayGaiement gayly, lightlygracieusement gracefully, elegantlyLéger light, quickLent slowmarquez le chant emphasize the melodyModéré at a moderate tempopeu à peu animé more lively, little by littleplus lent slowerRetenu held backsans lenteur without slownesssans retinir without slowing downsec drily, abruptlysoutenu sustained, heldtrès arpegé very arpeggiatedTrès Modéré Very moderate tempoTrès peu retenu slightly held backTrès soutenu very sustainedun peu retenu slightly held back.
SKU: GI.G-006199
This collection of art by the late Stan Gorski will truly speak to the heart of your community. From images of the Madonna and Child to classical renderings of scripture stories, Gorski's creations will find a welcome home on the pages of your parish bulletin and other parish publications. The included PC and MAC-compatible CD-ROM contains almost four hundred black & white and color images as high-resolution TIFF files. An electronic index is included on the CD-ROM. It enables you to find any image on the disk using a quick keyword search. Every image with text is rendered in both English and Spanish.
SKU: HL.48180975
UPC: 888680787776. 9.0x12.25x0.058 inches.
Images for Solo Flute, Op. 38 by Eugène Bozza (1905-1991) is one of Bozza's most famous pieces. Technically challenging, it includes flutter tonguing, extreme range, and multi-phonics. Really enjoyable and often played in contests and representations, Images for Solo Flute, Op. 38 would fit advanced level players. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.
SKU: GI.G-006651
UPC: 641151066516. English or Spanish Bilingual.
Add life your parish publications with the humorous experiences of Pastor Al! Here is another volume of cartoons about Pastor Al, a parish priest who provides a lighthearted yet gentle look at the people and situations that pop up in parish life. The additional fifty-two Pastor Al cartoon panels found here are perfectly appropriate for use in a year‚ worth of parish bulletins and other parish publications. The compact disc contains images in four graphic formats for PC and Mac, plus thumbnails, indexes, and suggestions for use. Don't miss the first volume (#006650) and the third volume (#006652)!
SKU: GI.G-006650
UPC: 641151066509. English or Spanish Bilingual.
Liven up your parish publications with the humorous experiences of Pastor Al! Meet Pastor Al, a parish priest who provides a lighthearted yet gentle look at the people and situations that pop up in parish life. This collection of fifty-two Pastor Al cartoon panels is perfectly appropriate for use in a year‚ worth of parish bulletins and other parish publications. The CD-ROM contains images in four graphic formats for PC and Mac, plus thumbnails, indexes, and suggestions for use. A second volume is also available (#006651).
SKU: GI.G-006652
UPC: 641151066523.
Meet Pastor Al, a parish priest who provides an amusing yet gentle look at the people and situations of parish life. Each volume contains 52 cartoon panels in both English (Pastor Al) and Spanish (Padre Pancho) versions. Add a lighthearted touch to bulletins and other parish publications! Images are provided in four graphic formats for PC and Mac, plus thumbnails, indexes, and suggestions for use.
SKU: HL.48181018
UPC: 888680907761. 9x12 inches.
Theme and Variations by Marcel Tournier is a piece for advanced harp players. Starting with a main theme of arpeggiated chords, the piece then follows with a number of variations, including chords, arpeggios, glissandos, and numerous nuances and speed variations. The piece starts in Allegro moderato, then evolving to Allegretto, Allegretto Scherzando, sometimes more energetic or quieter. This piece is great to master speed, flexibility and agility as well as the different types of nuances. Marcel Tournier (1879-1951) was a French harpist and teacher. He studied with Alphonse Hasselmans at the Paris Conservatoire and composed numerous pieces for solo harp: Russian Lullabies, Six Christmas, Four Preludes and Three Images, Suite 1, Op. 29, among many others.
SKU: BT.DHP-1043529-140
English-German-French-Dutch.
The French composer Daniel François Esprit Auber (1782-1871) witnessed many important developments in the history of music ? from Luigi Cherubini to Richard Wagner. His extensive output consisted mainly of operas, but unfortunately today only two of these are still well known, including the comic opera Fra Diavolo. The story concerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure and is filled with striking themes and motifs and has a particularly unusual introduction (for the time) with the snare drum taking the leading role!De Franse componist Daniel François Esprit Auber (1782-1871) heeft belangrijke ontwikkelingen in de muziekgeschiedenis meegemaakt: van Luigi Cherubini tot Richard Wagner. Zijn uitgebreide oeuvre bestaat voornamelijk uit opera’s, waarvaner nu nog maar twee bekend zijn, waaronder het komische werk Fra Diavolo. Het verhaal over Fra Diavolo, een beroemde Italiaanse roverhoofdman en soldaat, is er een van misdaad, begeerte en verraad. De ouverture heeft een klassiekeopbouw met opvallende thema’s en motieven en heeft een (voor die tijd) wel heel ongebruikelijke inleiding: de kleine trom speelt een solistische rol!Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird! Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.L’ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.
SKU: HL.48024820
ISBN 9781784544508. UPC: 888680989217.
Score: The violin and Cello parts can be downloaded without additional cost via www.boosey.com/AfterAvedon This work in four movements is inspired by the work of the photographer Richard Avedon, in particular the following images: - The Duke and Duchess of Windsor, Waldorf Astoria, suite 28A, New York, April 16, 1957 - Ronald Fischer, beekeeper, Davis, California, May 9, 1981 - Francis Bacon, artist, Paris, April 11, 1979 - Allen Ginsberg and Peter Orlovsky, poets, New York City, 1963.
SKU: HL.14079010
SKU: BT.DHP-1043529-010
SKU: BT.DHP-1043529-040
French composer Daniel François Esprit Aubers extensive outputconsisted mainly of operas, but unfortunately today only two of theseare still well known, including the comic opera Fra Diavolo. The storyconcerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure filled with striking themes and motifs with a particularly unusual introduction (for the time) with the snare drum taking the leading role!De ouverture van Fra Diavolo, een komische opera van de Franse componist Daniel François Esprit Auber (1782-1871), heeft een klassieke opbouw. De gebruikte thema’s zijn zeer herkenbaar en roepen duidelijke beelden op. Signaalmotievenzijn rijkelijk aanwezig - en deze mogen natuurlijk ook niet ontbreken als het in de handeling gaat over rovers en gendarmes. De inleiding is voor Aubers tijd bijzonder ge nstrumenteerd: de kleine trom speelt een solistischerol!Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird! Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.L’ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.
SKU: SA.10128
8.25 x 11 inches.
This is a beautifully digitized reprint of Debussy's early gem first published in 1891, from the 1912 revised and re-engraved score. In contrast so many on-demand scores now available, this one comes complete with all the pages and the images have been checked to make sure it is highly readable. The score is beautifully printed on large size (9 x 12) off-white stock with a quality cover, all saddle-stitched in the traditional sheet music binding. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.
SKU: GI.G-006189
This great book and CD-ROM package includes lectionary-based art and articles for the Sundays, solemnities, and feasts of Year A, in English and Spanish on facing pages. The art and texts are ideal for including in your parish bulletin or in seasonal newsletters and other handouts. Each page is presented on the CD-ROM as a PDF file to be used as is, or you can use the art and text independently as needed. The art images are provided as tiff files, in black and white and color, and the texts as editable Microsoft Word files. A busy bulletin editor‚ dream!
SKU: GI.G-002702
A comprehensive 4-DVD set that includes twelve 30-minute lectures providing a scriptural, historical, and theological overview of the development of the Eucharist. This lecture series was written and is presented by expert theologian and national speaker Edward Foley, who discusses the topics: Encountering the Mystery Jesus the Jew Jesus at Table The Last Supper  Paul's Teaching and Eucharistic Living Emerging Christian Eucharist: Centuries of Diversity The Early Medieval Period The Late Middle Ages Reform and Counter-Reform Trent and the Counter-Reform Real Presence Revisited The Sacrifice of the Mass Revisited Scripture practices, art, and historical images, plus quotes from theologians throughout the Church's history help to deepen the viewers' understanding of the developments that led to the Eucharist that we celebrate today. Use these DVDs with adult parish education groups, study and reflection groups, and in the classroom. A complete semester's worth of material at one very reasonable price.