Format : Sheet musicLangue :
Cavatine Rien Ne Peut Changer Mon
SKU: VD.ED12638
ISBN 9790202026380. 12 x 9 inches.
SKU: M7.DOHR-12638
ISBN 9790202026380.
Beim der Cavatine Du Barbier de Séville de Rossini (erschienen 1878) besteht die Leistung von Louis Mayeur in der tongetreuen Übertragung der berühmten Cavatine der Rosina aus dem ersten Akt von Gioachino Rossinis (1792-1868) Oper Il barbiere di Siviglia (Der Barbier von Sevilla; 1816). Lediglich die Melodie der Coda überträgt Mayeur - abweichend vom Original - zusätzlich dem Saxophon.
SKU: BT.DHP-1084435-140
9x12 inches. English-German-French-Dutch.
Italian composer Gioacchino Rossini is undoubtedly best known forhis opera The Barber of Séville. This opera features the sopranoaria ‘Una voce poco fa’, which has been performed by many divasincluding Maria Callas, Teresa Berganza and Kathleen Battle. Thistranscription by Gerard Posch has been written for alto saxophoneand concert band, however the saxophone solo can also be sungby a soprano - as in the original aria Una Voce Poco Fa ist eine der großen Soloarien aus Der Barbier von Sevilla, Rossinis wohl berühmtester Oper, die er in nur 19 Tagen schrieb und der er doch bis heute den meisten Ruhm verdankt. In der Originalversion der Oper von der weiblichen Hauptfigur im Mezzosopran gesungen, verhilft Gerard Poschs Bearbeitung der Arie für Blasorchester dem Altsaxophon zu einem glanzvollen Soloauftritt. Alternativ kann anstelle des Saxophonsolos auch die Originalarie von einem Sopran gesungen werden.Le Barbier de Séville est l'opéra le plus célèbre de Rossini. Écrit en peine treize jours, Rossini y mène le genre de l’opéra bouffe la perfection avec, au passage, quelques joyaux comme la cavatine Una voce poco fa, affectionnée par les divas telles que Maria Callas, Kathleen Battle ou Teresa Berganza. Cette version de Gerard Posch est écrite pour Saxophone alto solo (ou voix de soprano) et Orchestre d’Harmonie.
SKU: BT.DHP-1084435-010
SKU: RM.ROSS00304-CO
SKU: RM.ROSS02984-CO
SKU: DZ.DZ-723
ISBN 9782895006091.
SKU: AP.1-ADV7473
ISBN 9783892218531. UPC: 805095074734. English.
Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.
SKU: AP.1-ADV7472
ISBN 9783892218524. UPC: 805095074727. English.
SKU: BT.YE0023
Serenade du Barbier de Seville (Rossini), Air d'Il Trovatore (Verdi) and Finale de la Somnambule (Bellini). The best of Bottesini's arranged operatic arias, short, charming virtuoso pieces. Useful as encores.
Grade:Moderate
SKU: AP.1-ADV7470
ISBN 9783892218364. UPC: 805095074703. English.
SKU: BA.BA10506-01
ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.
Barenreiter's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted. A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume. A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009. Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again. Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'. Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi. Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
