The Best Of Doo Wop And Beyond

Michael's exciting new piece for developing groups is one of his best - filled with tone clusters percussive effects and a driving rhythmic feel and a sizzling climatic coda. Each season directors look to Michael for theircontest or festival work that will keep students intrigued and motivated. Beyond the Seven Hills is certain to be a choice of teachers who insist on top quality teaching literature for their bands.

Straight Talk from Successful Music Pros-The Best Jobs in the Music Industry is an essential career guide for those who love music and are exploring different areas of the music industry beyond the obvious performer route. Michael Redman boils down the jobrequirements skill sets potential revenue longevity benefits and challenges of a variety of music careers both direct and indirect spanning from performer to label executive to recording engineer and musicproducer.Each description of a job starts with a short summary designed to help you decide right off the bat whether this might be something you want to explore further followed by the real stories paths to success andchallenges you may confront – all in the words of real pros. Read and learn from people who have lived the music industry navigated it well and been successful.Redman interviewed over 70 pros in the business including Lee Sklar (sessions and touring musician) Damon Tedesco (scoring mixer) Brian Felsen (CD Baby CEO) Mike Boris (worldwide director of music for McCann) Louis Clark (MTV/VH1 Music Supervisor) David Newman (composer) Michael Semanick (re-recording mixer) Conrad Pope (orchestrator) Todd Rundgren (musician) Gary Calamar (music supervisor) Mark Bright (producer) and Scott Matthews (producer).

15 Selections from the Easy Jazz Ensemble Series-From Hal Leonard's long-standing series for Easy Jazz Ensemble here is a marvelous collection of 15 outstanding arrangements. From well-known jazz standards to rock classics this is quality and variety at a greatvalue!Includes: All Blues All of Me Beyond the Sea Boogie Woogie Bugle Boy Freddie Freeloader Green Onions Hey Jude In a Sentimental Mood Kansas City Respect Saxes with Attitude Sesame Street Theme Sidewinder Tuxedo Junction and 25 or 6 to 4.

15 Selections from the Easy Jazz Ensemble Series-From Hal Leonard's long-standing series for Easy Jazz Ensemble here is a marvelous collection of 15 outstanding arrangements. From well-known jazz standards to rock classics this is quality and variety at a greatvalue!Includes: All Blues All of Me Beyond the Sea Boogie Woogie Bugle Boy Freddie Freeloader Green Onions Hey Jude In a Sentimental Mood Kansas City Respect Saxes with Attitude Sesame Street Theme Sidewinder Tuxedo Junction and 25 or 6 to 4.

15 selections from the Easy Jazz Ensemble Series-From Hal Leonard's long-standing series for Easy Jazz Ensemble here is a marvelous collection of 15 outstanding arrangements. From well-known jazz standards to rock classics this is quality and variety at a greatvalue!Includes: All Blues All of Me Beyond the Sea Boogie Woogie Bugle Boy Freddie Freeloader Green Onions Hey Jude In a Sentimental Mood Kansas City Respect Saxes with Attitude Sesame Street Theme Sidewinder Tuxedo Junction and 25 or 6 to 4.

15 Selections from the Easy Jazz Ensemble Series-From Hal Leonard's long-standing series for Easy Jazz Ensemble here is a marvelous collection of 15 outstanding arrangements. From well-known jazz standards to rock classics this is quality and variety at a greatvalue!Includes: All Blues All of Me Beyond the Sea Boogie Woogie Bugle Boy Freddie Freeloader Green Onions Hey Jude In a Sentimental Mood Kansas City Respect Saxes with Attitude Sesame Street Theme Sidewinder Tuxedo Junction and 25 or 6 to 4.

Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

A unique book and CD from the hands of a true slide guitar legend - Warren Haynes. As guitarist with The Allman Brothers Band and The Grateful Dead, Haynes has forged himself a reputation as one of the greatest slide players in rock history, and you can now get a candid guide to his style from the man himself! Haynes covers every part of your development as a slide guitarist, from choosing the best slide for you and perfecting the basic techniques to playing rhythm parts and blues soloing. A CD is included that features split-channel recordings of Warren performing all examples with a full band... either listen to the master at work, or solo along to the backing track and get your slide licks really cookin'.

Par PANTERA. Best of de Pantera, partitions pour basse (avec tabaltures). / Rép International / Tablatures / Guitare Basse Tablatures

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

The chorus score contains no Piano reduction or solo parts - for full Vocal score (with Piano reduction) see BA7674-90. Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldidisplays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.The same mastery has also been applied to the ?Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive Choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).