SKU: HL.49004997
ISBN 9790001053556. 8.0x11.75x0.287 inches.
3 (2., 3. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 4 * 3 * 3 * 1 - P. (2 Spieler) S. (Beck. * Tamt. * kl. u. gr. Tomt. * Ruhrtr. * kl. Tr. * gr. Tr. * Vibr. * Xyl. * Marimba) (4 Spieler) - 2 Hfn. * Klav. (auch Cel.) - Str. (12 Vl. I * 10 Vl. II * 10 Vl. III * 6 Va. I * 6 Va. II * 10 Vc. * 8 Kb.).
SKU: BR.OB-5328-19
ISBN 9790004333846. 10 x 12.5 inches.
Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use.
SKU: BR.OB-5328-30
ISBN 9790004333877. 10 x 12.5 inches.
SKU: BR.OB-5328-27
ISBN 9790004333860. 10 x 12.5 inches.
SKU: BR.OB-5328-23
ISBN 9790004333853. 10 x 12.5 inches.
SKU: HL.48184948
UPC: 888680825928. 8.5x11.0x0.154 inches.
“Russian-born, Victor Ewald (1860-1935) mainly composed for brass instruments. His Symphony for 5-part Brass Choir, also known as his Brass Quintet, No. 1, Op. 5 remains among his greatest works. It is often thought that Ewald's four quintets are the first original pieces to be composed for the ensemble recognised today as the Brass Quintet. The first of these, Symphony, comprises three movements; 1) Moderato, 2) Adagio-Allegro-Adagio, and 3) Allegro Moderato. Including separate parts as well as a full score, this edition of Ewald's Symphony for 5-Part Brass Choir is not to be missed by aspiring brass ensembles.â€.