SKU: BT.PWM13002
SKU: HL.48189518
UPC: 888680880125. 8.25x12.0x0.15 inches.
Carinola Lignes Brisees En Relief Flute & Harp Book.
SKU: JK.00937
1 Corinthians 13:1-4, 8, 13, D&C 124-29.
Relief Society cantata program commemorating the history of Relief Society. Arranged for treble chorus (SSA), narrator, and piano accompaniment.Songs included in the cantata:A Society of SistersI Will Reach OutFor MeBlessingComposer: Lynn S. LundLyrics: Mabel Jones Gabbott Difficulty: Medium / Medium-difficult acc. Performance Time: 16:00References: 1 Corinthians 13:1-4, 8, 13, D&C 124-29
SKU: HH.HH316-FSP
ISBN 9790708092650.
Un sogno a tre for flute, viola and harp was written in 1990 for a trio of young instrumentalists and first performed in the USA. In the enigmatic words of the composer: the piece has no beginning, no middle and no end ... simply three musicians telling each other something and dreaming a little ... sound is arising and that is enough .... The three parts could be said to interact -- the harp creating a foundation, and the flute and viola forming a relief -- yet they never really meet, nor do they coalesce within the overall texture. Pitch and rhythm are strictly organized, but any attempt at dramatic development has been consciously avoided. The result, according to the composer, is a relief like mass that moves and sometimes stays still, the density of the events changing within and between each section. Despite the seemingly amorphous nature of Un sogno a tre, the structural unity of the piece is never in doubt.
SKU: CF.CM9740
ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.
Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War†finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.†Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly†in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O†is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.
SKU: ET.PNO49
ISBN 9790207003669.
Armenian Bas-Reliefs is a cycle of 5 short piano pieces written around 1975: I - Ayrivank [famous armenian cave monastery] an Andante sostenuto nel modo antico, II - Blue Eyed Girl (capriccioso con grazia), III - Mountaineers Dance (Allegro vivace con brio), IV - Cross Stones [in armenian: Khachkarer] (Moderato) and V - Grapes Festival (Allegro animato). These very lively, stilized pieces with armenian roots have been performed by well known pianists from Armenia and abroad as well as by young players, since it is included in many piano classes.
SKU: BT.DHP-1033439-140
Der Besuch einer weltberühmten Blumenschau inspirierte den Komponisten Henk Hogestein zu diesem brillanten Marsch. Die riesige Vielfalt an exotischen und einheimischen Blumen spiegelt sich in ebenso abwechslungsreichen Themen wider, die mal melancholisch in Moll, dann lebhaft und schließlich heiter diesen Marsch zu einem ganz besonderen Erlebnis werden lassen. Le compositeur néerlandais Henk Hogestein s’est inspiré d’une fl nerie travers un salon d’art floral pour composer cette marche élégante. Le premier thème, écrit dans une tonalité mineure, reflète la fois le mysticisme et la sensualité des senteurs et le mystère de la profondeur des couleurs des fleurs orientales. L’art floral décoratif est mis en relief dans le second thème, plus vif de caractère. Le trio, léger et pétillant, dépeint l’élégance des fleurs indigènes et des plantes exotiques.
SKU: BT.DHP-1033439-020
SKU: BT.DHP-1064032-015
MARS (135X180) inches. English-German-French-Dutch.
A rip roaring grandioso concert march, full of wonderful melodic lines and striking rhythmic features. An extremely appealing composition for both performers and listeners alike. In Decorum volgt na een verrassende, virtuoze inleiding een speels leggiero thema. Hier wordt in een dynamische contrastwerking de houtgroep afgewisseld door tutti-spel. Aansluitend komt een melodische lijn aan bod met triolenen gepunteerde figuren als opvallendste ritmische kenmerken. Het triodeel etaleert een nieuw thema waarin het zestiendenotenbeeld de overhand krijgt. Met een markante grandioso slotreprise wordt deze concertmars afgesloten. Decorumis een bijzonder aanstekelijke compositie voor zowel muzikanten als publiek.In Decorum folgt auf eine überraschende, virtuose Einleitung ein verspieltes, leichtes Thema. Hier wechseln sich die Holzbläser mit Tutti-Passagen ab, wodurch ein dynamisch kontrastiver Effekt entsteht. Danach tritt eine Melodielinie, mit Triolen und punktierten Motiven als auffälligste rhythmische Merkmale, in den Vordergrund. Das Trio präsentiert ein neues Thema, in dem die Sechzehntelnoten die Oberhand haben. Eine ausgesprochen erhabene Reprise beendet diesen Konzertmarsch. Decorum ist eine äußerst attraktive Komposition für Musiker und Zuhörer.Après une introduction ornementée, suit un thème enjoué et léger. Les bois alternent avec des passages en tutti dans un effet de nuances contrastées. Une ligne mélodique dont les triolets et des motifs marqués constituent l’aspect rythmique le plus surprenant est ensuite mise en relief. Le trio développe un nouveau thème et mène vers un finale grandiose. Decorum est une oeuvre très attrayante tant pour les musiciens que pour l’auditoire. Dopo un’introduzione di abbellimento, segue un tema giocoso e leggero. I legni alternano con passaggi in tutti in un effetto di sfumature contrastate. In seguito viene evidenziata una linea melodica nella quale le terzine e motivi incisivi costituiscono l’aspetto ritmico più sorprendente. Il trio sviluppa un nuovo tema e accompagna verso il grandioso finale. Decorum è un brano che esecutori e pubblico troveranno molto accattivante.
SKU: HL.4008706
ISBN 9798350115734. UPC: 196288190868.
Lord of the Flies is intended to be a small symphonic poem describing different episodes of the book: the despair of the children stranded on the island, the use of the unifying conch and symbol of democracy, the adventures, and the formation of the camp and finally the savagery of the clan of Jack which undeniably leads to chaos. The finale is mysterious and half-tone, imbued with both the relief of having been rescued, and a deep sadness linked to the tragic events that have occurred on the island. All the main themes and elements developed in the work come from the idea “d-e-fâ€, exposed from the first bars. The orchestration is intended to be variable in geometry and avoids the main technical difficulties related to the instruments. However, the composer wanted to find as many colors as possible and avoided confining himself to too “simple†harmonies. Lord of the Flies: a piece accessible to most brass bands.
SKU: MN.50-9050
UPC: 688670590504. Text: Jaroslav J. Vajda.
Jaroslav Vajda text on Church's mission and discipleship. Music unfolds patiently, with change of key casting larger text questions into relief. 3 stanzas Unison, one SATB. Gentle descant compliments Vajda's paraphrase of Beatitudes for final stanza. Discipleship/Church Mission.
SKU: BT.PWM9929010
SKU: FL.FX071822
A piece that puts into relief the 4 trumpetists and that includes as well a tenor saxophone chorus. ; Instruments: 1 Bb Trumpet 1 (1 Part) 1 Bb Trumpet 2 (1 Part) 1 Bb Trumpet 3 (1 Part) 1 Bb Trumpet 4 (1 Part) 1 Trombone 1 (1 Part) 1 Trombone 2 (1 Part) 1 Trombone 3 (1 Part) 1 Bass Trombone (1 Part) 1 Alto Saxophone 1 (1 Part) 1 Alto Saxophone 2 (1 Part) 1 Tenor Saxophone 1 (1 Part) 1 Tenor Saxophone 2 (1 Part) 1 Baritone Saxophone (1 Part) 1 Piano (1 Part) 1 Guitar (1 Part) 1 Double Bass (1 Part) 1 Drums (1 Part); Difficuly Level: Grade 4.
SKU: VD.ED96350
ISBN 9790202003503. 11.69 x 8.26 inches.
SKU: BT.PWM13042
SKU: JK.01861
John 15:10-12.
From our General Conference Series, written for women's chorus (SSAA) and organ, performed in the Saturday evening General Women's Broadcast, March 25, 2017. Performed by the Combined Relief Society Choir.Composer: K. Newell Dayley Arranger: Ryan T. Murphy Lyricist: Ralph Rogers, Jr., K. Newell Dayley and Laurie Huffman Performance time: 3:00Reference: John 15:10-12
SKU: BT.DHP-1033439-010
The convent of St. Florian was the place of work of the Austrian composer Anton Bruckner. It was in the rural setting of this convent with its marvelloaus church that Bruckner composed many of his great symphonies. St. Florian Choral is Thomas Doss’ modest tribute to this great master whose music has left its permanent mark on the composer’s musical life. Der Besuch einer weltberühmten Blumenschau inspirierte den Komponisten Henk Hogestein zu diesem brillanten Marsch. Die riesige Vielfalt an exotischen und einheimischen Blumen spiegelt sich in ebenso abwechslungsreichen Themen wider, die mal melancholisch in Moll, dann lebhaft und schließlich heiter diesen Marsch zu einem ganz besonderen Erlebnis werden lassen. Le compositeur néerlandais Henk Hogestein s’est inspiré d’une fl nerie travers un salon d’art floral pour composer cette marche élégante. Le premier thème, écrit dans une tonalité mineure, reflète la fois le mysticisme et la sensualité des senteurs et le mystère de la profondeur des couleurs des fleurs orientales. L’art floral décoratif est mis en relief dans le second thème, plus vif de caractère. Le trio, léger et pétillant, dépeint l’élégance des fleurs indigènes et des plantes exotiques.Floriana évolue dans la diversité des parfums et des couleurs des espèces florales. Le style est méditérranéen, exotique, alpin. Le trio, léger et pétillant, dépeint l’élégance de l’art floral.
