Yambù

A l'aube du XXIe siècle, garçons et filles de la Réunion vivent leur jeunesse dans la diversité des races auxquelles ils appartiennent.

Si la vie quotidienne leur paraît simple, ils n'en demeurent pas moins hésitants devant les moments importants de leur existence. Et l'origine raciale pèse encore lourd sur leur destinée. C'est dans ce climat et à travers leur vie scolaire que les collégiens affirment leur fraternité et regardent éclore avec sympathie l'amour entre Franck, jeune métis et Stella, la gauloise blonde.

Conducteur livret des dialogues de la version théâtre parties séparées : sax. ténor Bb, trp. Bb, tbn., guit. élec., pno, synth., bs. élec., bat., perc. (tgl, kayamba, roulèr) / Jazz / Partition /

Whether you're playing blues rock classical or folk-all the chords you'll need are here.Even Eric Clapton started with a few basic chords. And Guitar Chords For Dummies offers guitarists of everyambition skill level and musical genre a key to the simplest and most complex guitar chords-over 600 in all. Illustrated with a grid showing the position of the fingers on a string a photograph of the chord being played and abrief comment on the chord and how to play it this handy portable reference offers musicians whether experimenting at home or playing in a coffee house instant access to the full range of chords that can be played on a guitar.Covers the theory and techniques of guitar chordsFeatures a handy portable design which can fit into a guitar case Includes a convenient lay-flat (wire bound) format allowing users to easilytry out new chords An ideal resource for broadening musical technique and getting new ideas Guitar Chords For Dummies will help you whether you're just picking up the guitar or a seasonedmusician add sparkle and range to your musical repertoire.

Edition de Sten Lindholm - Robert Sund Anonymus: Alta Trinità beata - Pase el agua L. Bárdos: Cantemus, quia cantare L.van Beethoven: Im Arm der Liebe ruht sich's wohl (Kanon) - Metronom-Kanon: Ta ta ta, lieber Mälzel D. Cashmore: My love is like a red rose J.A. Christiansen: I thank God I'm free at las' J. Dalsgard: Java-Jive: I love coffee P. Eluard: De grandes cuillers de neige N.W. Gade: Morgensang: I osten stiger solen op E. Grieg: Ave, maris stella B. Hallberg: Oh what a day H. Helgason: Eg ad öllum P. Hindemith: En hiver H.J. Hojgaard.: Einki er sum summarkvold vid strendur J. Johansen: Scandinavian-Shuffle (Vocalise) A. Kupriss: Gerbies, saule, sudrabota O. Lindberg: Pingst: Högt över land och vatten sig N. Luboff: Wade in the water F. Martin: Chanson en canon / Le petit village: Vivre, c'est un peu (Kanon) I. Miron: Tzena C. Monteverdi: Lasciate mi morire N. Montsalvatge: Canto negro: Yambambó P. Norgard: Du skal plante et trae H. Purcell: In these delightful, pleaseant groves J. Rheinberger: Benedictus qui venit R. Sandberg: Come, sweet death J. Sibelius: Finlandia-Hymni: Oi, Suomi, katso U. Wesslén: That lucky old sun: Up in the mornin' H. Willisegger: Du fragsch, was i möcht singe

Ce DVD présente en détail les différents rythmes afro-cubains que l'on retrouve aux congas : Abakua, Bembé, Rumba Yambu, Rumba Guaguanco, Rumba Columbia, etc. Vous y découvrirez également les Claves 4/4 et 6/8 ainsi que Cloches et Cascara. Enfin, une large partie est réservée aux percussions et rythmes Salsa: Martillo (bongos), Campana, Cascara, Cloche et Clave (timbales), Tumbao, Montuno et variations (Congas) - ainsi qu'aux rythmes modernes : Mozambique et Songo. Durée : 60 mn / Percussions

Par SALLOUM TREVOR. Trevor Salloum: Afro-Cuban Rhythms combines two of the renowned author's popular previous editions. This Gig Savers book has been specially designed for the intermediate to advanced level percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. This section includes information on Clave, Tumbao for one and two drums, Rumba columbia, Conga (Havana), Conga (Matanzas), Conga (Santiago) and much more. Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arar , Abaku (Havana), Abaku (Matanzas), Gag and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion./ Recueil / Percussions