Brass Quartet Vol.1

Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique - son catalogue d'oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Easy Trumpet Quartets pour trompettistes ayant environ 2 à 3 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de trompettes. / Quatuor De Trompettes

for Trombone Quartet. Par SPARKE PHILIP. Jeder der drei Sätze dieser Komposition für Posaunenquartett beschreibt einen Stadtteil der Metropole Tokio: Auf eine kraftvolle Fanfare über das moderne Bahnhofsviertel folgt ein nachdenklicher zweiter Satz über einen alten Tempelbezirk, dann beendet ein schnelles, dynamisches Finale über ein lebhaftes Einkaufsviertel, das berühmt für sein buntes Nachtleben ist, das Werk. / Niveau : Elémentaire / Recueil / 4 Trombones

Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique - son catalogue d'oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate Trumpet Quartets pour trompettistes ayant environ 4 à 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de trompettes. / 4 Trompettes

La référence GB3051 de l'éditeur Billaudot dont l'auteur célèbre est Dubois Pierre-Max, qui a pour titre A TOUTE COULISSE VOLUME 2, a été écrite et composée pour Trombone et plus particulièrement pour 4 Trombones. Cette partition musicale appartient à la catégorie Classique. / 4 Trombones / Partition

Flexi-Brass (5 Parts). Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / 2 Trompettes, Trombone et Tuba

German Trombone Vibration - Gtv. Par MEACHAM FRANK W. / VOLLERTHUN JOERG. Set in an uptempo swing style featuring a mix of plunger, half-plunger and open passages in the tenor parts, this toe-tappin? version of the great favorite by F.W. Meacham is a complete ensemble effort without any solo or improvisation requirements./ Recueil / 4 Trombones (3 Trombones et Trombone Basse)

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)