Camelia City March

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Trombone, Trumpet 1, Trumpet 2, Tuba, Wood Block and more.

SKU: CF.YPS263F

Composed by R. Alan Carter. Full score. 16 pages. Carl Fischer Music #YPS263F. Published by Carl Fischer Music (CF.YPS263F).

ISBN 9781491164037. UPC: 680160922826.

Camel ia City March was written to celebrate the small southern city of Quitman, Georgia and Brooks County. Quitman is known as the “Camelia City” because of the many varieties of camelia plants found in the historical part of town.This march is written for young band in the traditional style of Henry Fillmore. After a short introduction, the first strain has a light, happy melody with a simple flourish from the low brass. The second strain is highlighted by dynamic changes to add depth. The new melodic content introduced by the low clarinets and euphonium first time through the trio add to the beauty of this march. This is followed by a flourish of brass to the end.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Trombone, Trumpet 1, Trumpet 2, Tuba, Wood Block and more. - Grade 2.5

SKU: CF.YPS263

Composed by R. Alan Carter. Set of Score and Parts. Carl Fischer Music #YPS263. Published by Carl Fischer Music (CF.YPS263).

ISBN 9781491163634. UPC: 680160922420.

Camel ia City March was written to celebrate the small southern city of Quitman, Georgia and Brooks County. Quitman is known as the “Camelia City” because of the many varieties of camelia plants found in the historical part of town.This march is written for young band in the traditional style of Henry Fillmore. After a short introduction, the first strain has a light, happy melody with a simple flourish from the low brass. The second strain is highlighted by dynamic changes to add depth. The new melodic content introduced by the low clarinets and euphonium first time through the trio add to the beauty of this march. This is followed by a flourish of brass to the end.