Cantata No. 28 (Sunday After Christmas)

SKU: BR.PB-4652

ISBN 9790004204979. 9 x 12 inches.

SKU: BR.OB-4652-22

ISBN 9790004317846. 9 x 12 inches.

SKU: BR.OB-4528-26

ISBN 9790004313503. 9 x 12 inches.

SKU: BR.OB-4528-16

ISBN 9790004313480. 9 x 12 inches.

SKU: BR.PB-4528

ISBN 9790004204252. 9 x 12 inches.

SKU: BR.OB-4652-11

ISBN 9790004317822. 12 x 9 inches.

SKU: BR.OB-4528-15

ISBN 9790004313473. 9 x 12 inches.

SKU: BR.OB-4652-26

ISBN 9790004317853. 9 x 12 inches.

SKU: BR.OB-4528-19

ISBN 9790004313497. 9 x 12 inches.

SKU: BR.OB-4652-30

ISBN 9790004317860. 9 x 12 inches.

SKU: BR.OB-4528-11

ISBN 9790004313466. 12 x 9 inches.

SKU: BR.OB-4528-30

ISBN 9790004313510. 9 x 12 inches.

SKU: CA.3115203

ISBN 9790007164553. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score available separately - see item CA.3115200.

SKU: CA.3115213

ISBN 9790007208653. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score and part available separately - see item CA.3115200.

SKU: CA.3115200

ISBN 9790007164577. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition.

SKU: CA.3115212

ISBN 9790007208646. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score and part available separately - see item CA.3115200.

SKU: CA.3115211

ISBN 9790007208639. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score and part available separately - see item CA.3115200.

SKU: CA.3115209

ISBN 9790007208622. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score and parts available separately - see item CA.3115200.

SKU: CA.3115249

ISBN 9790007208660. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score and part available separately - see item CA.3115200.

SKU: CA.3115219

ISBN 9790007164584. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score and parts available separately - see item CA.3115200.

SKU: CA.3112207

ISBN 9790007141615. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score available separately - see item CA.3112200.

SKU: CA.3112213

ISBN 9790007207434. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score and part available separately - see item CA.3112200.

SKU: CA.3112212

ISBN 9790007207427. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score and part available separately - see item CA.3112200.

SKU: CA.3112200

ISBN 9790007097462. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year.

SKU: CA.3112205

ISBN 9790007161910. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score available separately - see item CA.3112200.

SKU: CA.3112214

ISBN 9790007207441. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score and part available separately - see item CA.3112200.

SKU: CA.3112209

ISBN 9790007207403. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score and parts available separately - see item CA.3112200.

SKU: CA.3112211

ISBN 9790007207410. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score and part available separately - see item CA.3112200.