SKU: HL.143614
UPC: 888680059231. 6.75x10.5 inches.
Here is a joyful and celebratory work that is well-crafted for younger performers. Ideal for contest and festival, your choirs will shine!
SKU: HL.143615
UPC: 888680059248. 5x5 inches.
SKU: KU.GM-1174
Latin.
The Set of Parts contains:1/1st horn1/2nd horn1/1st violin1/2nd violin1/viola1/ violoncello/contrabass
SKU: BT.EMBZ14925
The noted Hungarian choirmaster and composer, born in 1930, composed this short, jubilant choral work to the Latin text of Psalm 98 (97 in many English translations). Written in 2013 for the 23rd International Chamber Choir Competition in Pécs, the work makes rewarding and attractive material for both professional and amateur choirs to sing. Cantate Domino has appeared in versions for both mixed and women's choir.
SKU: LO.45-1645H
ISBN 9780787779290.
This reproducible collection features 6 Latin settings for unison and two-part choirs. Full of musically diverse selections, this collection will guide your young choirs as they build a strong foundation of choral technique. From Mary Lynn Lightfootâ??s jubilant Cantate Hodie! (Sing Today) to Greg Gilpinâ??s haunting Sanctus and Mark Burrowsâ?? elegant Lux Aeterna, this collection contains musical styles for a vast range of programming needs. Translation and pronunciation guides precede each piece throughout the collection. The text and music pairings in this collection will offer â??easy winsâ? along with slightly more challenging repertoire as your ensemble advances. Featuring unison, optional two-part, and two-part pieces, you can use this collection time and again as your singersâ?? skills develop.
SKU: CA.3101213
ISBN 9790007204617. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.
SKU: CA.3101211
ISBN 9790007204594. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101215
ISBN 9790007204631. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101212
ISBN 9790007204600. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101214
ISBN 9790007204624. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101209
ISBN 9790007204587. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and parts available separately - see item CA.3101200.
SKU: CA.3101207
ISBN 9790007102937. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score available separately - see item CA.3101200.
SKU: CA.3101205
ISBN 9790007102920. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: HP.C5889C
UPC: 763628958893. By Joseph Haydn. Scripture: Psalm 96:1, Psalm 98:1, Psalm 149:1.
Classic hymn by Joseph Haydn Appropriate for church and concert use, this exuberant setting of a canon by Johann Michael Haydnhas been arranged with both small and large choirs in mind. Incorporating the well known Latin phrases: Gloria Deo (glory to God) and Cantate Domino (sing to the Lord), this is a perfect selection year around. The opt. Flute Part is included and offers a supportive obbligato for this jubilant Psalm setting.
SKU: BT.DHP-1074172-010
9x12 inches. English-German-French-Dut ch.
Ottorino Respighi was one of the most well known Italian composersfrom the beginning of the twentieth century. His style is influencedby the French impressionists, Rimsky-Korsakov and Richard Strauss,but with his very own touch. Respighi’s fame is mostly based on hisinstrumental works, especially the orchestral triptych of symphonicpoems, which included Feste Romane. This skilful adaptation forconcert band retains all the excitement of the original. Ottorino Respighi, een van de bekendste Italiaanse componisten van het begin van de twintigste eeuw, is met name beroemd om zijn orkestrale drieluik van symfonische gedichten: Fontane di Roma, Pini di Roma en Feste Romane.Het laatstgenoemde werk (waarvan de titel ‘Romeinse feesten’ betekent) bestaat uit de delen Circenses, Il Giubileo, L’Ottobrata en La Befana. Respighi verklankt de essentie van deze historische feesten op eenlevendige manier. De Japanse arrangeur Yoshihiro Kimura heeft het werk op vakkundige wijze bewerkt voor harmonieorkest.Feste Romane ist neben Fontane di Roma und Pini di Roma das dritte der berühmten sinfonischen Gedichte aus dem orchestralen Tryptichon des Italieners Ottorino Respighi. Die vier Sätze Circenses, Il Giubileo, L’Ottobrata und La Befana zeichnen ein musikalisches Bild festlicher Anlässe im alten Rom. Führen Sie mit dieser Transkription Ihr Publikum in den Zirkus, zusammen mit einer Pilgergruppe in die heilige Stadt hinein, zu einem bezaubernden Oktoberfest und feiern Sie zum Abschluss ein überschwängliches Dreikönigsfest!Ottorino Respighi (1879-1936) est considéré comme l'un des plus grands compositeurs italiens du début du XXe siècle. Respighi a composé plusieurs opéras, des ballets, quelques cantates, des œuvres de musique de chambre et des mélodies pour orgue et piano. Son style unique a été profondément influencé par les impressionnistes français, par Rimski-Korsakov et Richard Strauss. Toutefois, il est surtout connu pour son triptyque symphonique Fontane di Roma (Les Fontaines de Rome), Pini di Roma (Les Pins de Rome) et Feste Romane (Fêtes romaines). Le poème symphonique Feste Romane (Fêtes romaines), dernier volet de la trilogie, est composé de quatre mouvements :Circenses, Il Giubileo, L’Ottobrata et La Befana.Circenses (Jeux dans le Circus Maximus)La Rome antique plébiscitait les jeux du cirque (circenses, en latin). Ce premier mouvement reflète l’agitation autour des jeux spectaculaires dans l’immense enceinte du Circus Maximus.Il Giubileo (Le Jubilé)Une procession de pèlerins s’approche de la Cité sainte de Rome. Les cloches des églises se mettent sonner. La musique s’inspire largement d’un chant chrétien occidental.L’Ot tobrata (La fête de la moisson d’octobre)En octobre, Rome fête l’Ottobrata . L’atmosphère est joyeuse, on entend des échos de chasse, des airs de danses et des chansons d’amour. Une sérénade romantique s’élève dans la douceur du soir.La Befana (L’Épiphanie)< /I>La nuit avant l’Épiphanie, la Piazza Navona est envahie par une foule en liesse qui s’apprête célébrer la fête des rois. Des rythmes endiablés viennent clore le poème symphonique.Les sémillantes Fêtes romaines d’Ottorino Respighi puisent leur essence dans diverses fêtes historiques. Le compositeur-arrangeur japonais Yoshihiro Kimura en a réalisé une superbe adaptation pour Orchestre d’Harmonie.