Cantate, jubilate

SKU: HL.143615

UPC: 888680059248. 5x5 inches.

Here is a joyful and celebratory work that is well-crafted for younger performers. Ideal for contest and festival, your choirs will shine!

SKU: HL.143614

UPC: 888680059231. 6.75x10.5 inches.

Here is a joyful and celebratory work that is well-crafted for younger performers. Ideal for contest and festival, your choirs will shine!

SKU: KU.GM-1174

Latin.

The Set of Parts contains:
1/1st horn
1/2nd horn
1/1st violin
1/2nd violin
1/viola
1/ violoncello/contrabass

SKU: LO.45-1645H

ISBN 9780787779290.

This reproducible collection features 6 Latin settings for unison and two-part choirs. Full of musically diverse selections, this collection will guide your young choirs as they build a strong foundation of choral technique. From Mary Lynn Lightfootâ??s jubilant Cantate Hodie! (Sing Today) to Greg Gilpinâ??s haunting Sanctus and Mark Burrowsâ?? elegant Lux Aeterna, this collection contains musical styles for a vast range of programming needs. Translation and pronunciation guides precede each piece throughout the collection. The text and music pairings in this collection will offer â??easy winsâ? along with slightly more challenging repertoire as your ensemble advances. Featuring unison, optional two-part, and two-part pieces, you can use this collection time and again as your singersâ?? skills develop.

SKU: CA.3101213

ISBN 9790007204617. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.

SKU: CA.3101211

ISBN 9790007204594. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.

SKU: CA.3101215

ISBN 9790007204631. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.

SKU: CA.3101212

ISBN 9790007204600. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.

SKU: CA.3101214

ISBN 9790007204624. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.

SKU: CA.3101209

ISBN 9790007204587. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and parts available separately - see item CA.3101200.

SKU: CA.3101207

ISBN 9790007102937. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score available separately - see item CA.3101200.

SKU: CA.3101205

ISBN 9790007102920. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score available separately - see item CA.3101200.

SKU: HP.C5889C

UPC: 763628958893. By Joseph Haydn. Scripture: Psalm 96:1, Psalm 98:1, Psalm 149:1.

Classic hymn by Joseph Haydn Appropriate for church and concert use, this exuberant setting of a canon by Johann Michael Haydnhas been arranged with both small and large choirs in mind. Incorporating the well known Latin phrases: Gloria Deo (glory to God) and Cantate Domino (sing to the Lord), this is a perfect selection year around. The opt. Flute Part is included and offers a supportive obbligato for this jubilant Psalm setting.