Cathedrals

SKU: HL.4003170

UPC: 884088651466. 9.0x12.0x0.044 inches.

“Cath edral Grove” is a magnificent park on Vancouver Island in British Columbia, Canada, containing some of the oldest and largest trees in the world. It is the towering, majestic pillars of these ancient giants and the quiet serenity of this place that inspired this music. Evocative and impressionistic in nature, Robert Buckley's writing depicts the richness of the colors and textures, and the diffused light shining through the canopy of leaves above. At times hauntingly lyrical, and other times prayer-like and reverent, but always filled with awe and beauty. (Includes optional part for acoustic guitar or harp). Dur: 3:05.

SKU: HL.35003018

UPC: 747510071570.

Follo wing a stately introduction that reflects the massive grandeur of medieval cathedrals, the orchestra takes off with an energetic original theme that culminates with the inspiring classic hymn, “Praise to the Lord.” The substantial use of multiple meters keeps everyone alert, including the conductor. Optional notes are provided for less experienced ensembles to make this playable in first position (except basses). Technically conservative enough for 3rd year groups, musically and rhythmically interesting enough to hold the attention of advanced players. This flexible piece will work for concert, contest, and sacred settings.

SKU: HL.35003019

Following a stately introduction that reflects the massive grandeur of medieval cathedrals, the orchestra takes off with an energetic original theme that culminates with the inspiring classic hymn, “Praise to the Lord.” The substantial use of multiple meters keeps everyone alert, including the conductor. Optional notes are provided for less experienced ensembles to make this playable in first position (except basses). Technically conservative enough for 3rd year groups, musically and rhythmically interesting enough to hold the attention of advanced players. This flexible piece will work for concert, contest, and sacred settings.

SKU: BT.DHP-1196190-070

ISBN 9789043157971. English-German-French-Dut ch.

1982 saw the publication of a melody for written for bagpipes by the name of Highland Cathedral—a name that draws its inspiration from a famous neo-Gothic church in Glasgow, Scotland. Since its first appearance, Highland Cathedral has enjoyed a triumphant tour around the globe, often acknowledged as an enthusiastic tribute to the nation of Scotland. Anthony Gröger’s version for string quartet combines this passionate character with unmistakeable echoes of the Scottish feel of the original work. Here then is this true classic, especially popular at wedding ceremonies, now arranged for string quartet.

In het jaar 1982 werd een voor doedelzak geschreven melodie gepubliceerd, waarvan de titel Highland Cathedral was ge nspireerd op een beroemde neogotische kerk in het Schotse Glasgow. Sindsdien heeft het stuk gaandeweg de wereld veroverd en wordt het vaak ten gehore gebracht als enthousiast eerbetoon aan Schotland. Anthony Grögers versie voor vier strijkers combineert dat gepassioneerde karakter met onmiskenbare echo’s van de Schotse sfeer van het origineel. Een geliefde klassieker, veelvuldig gespeeld op bruiloften, is nu dus ook verkrijgbaar in een arrangement voor strijkkwartet.

Im Jahre 1982 wurde eine für Dudelsack geschriebene Melodie erstmals veröffentlicht, deren Name Highland Cathedral auf einen berühmten neogotischen Kirchenbau im schottischen Glasgow anspielt. Seitdem hat sie ihren Siegeszug um die Welt angetreten und wird oft als enthusiastisches Bekenntnis zur schottischen Nation aufgefasst. Anthony Grögers Version für Streichquartett verbindet diesen leidenschaftlichen Charakter mit unverkennbaren Anklängen an das schottische Klangidiom des Originals. Ein beliebter Klassiker, vor allem auf Hochzeitsfeiern, steht somit nun auch Streichquartett-Formation en zur Verfügung.

Publ iée pour la première fois en 1982, la mélodie pour cornemuse « Highland Cathedral » fait référence une célèbre église de style néogothique de Glasgow, en Écosse. Souvent perçue comme un hommage enthousiaste la nation écossaise, cette mélodie entama dès lors une marche triomphale travers le monde. La version pour quatuor cordes d’Anthony Gröger allie ce même caractère passionné aux sonorités écossaises, indissociables du langage sonore caractéristique de l’original. Un classique très populaire, notamment lors des mariages, désormais disponible pour quatuor cordes.

SKU: JF.MFBBGH1011

UPC: 747187101105.

The Crystal Cathedral Golden Collection from Fred Bock Music Company celebrates the 50th Anniversary of Crystal Cathedral Ministries with organ accompaniments and anthems written by some of the finest writers for organ anywhere. Titles include: My Country Tis of Thee, Love Divine All Loves Excelling, All Hail the Power of Jesus' Name, and I Love Your Kingdom Lord..

SKU: HP.2873

UPC: 763628128739.

An original composition Ideal for any concert or worship service, this impressionistic composition was inspired by the series of paintings by Claude Monet. Specifically the depiction of the varying light shining on Rouen Cathedral throughout the day. The composition is reflective and free, like the spaciousness of a cathedral.

SKU: FG.55011-567-5

ISBN 9790550115675.

Alex Freeman's (b. 1972) Cathedral of Spring for chamber choir (2019) to poems of e.e. cummings and Robert Frost was commissioned and premiered by Somnium Ensemble. The composer tells: For the celebration of the 10th anniversary of Somnium Ensemble (Finland), I was commissioned to write a piece with spring as a central theme. While contemplating that and perusing appropriate poetry, I was inspired by memories of the night-time sky in early spring--the warm air, the teeming, buzzing energy of life all around, and an expansive dome of stars overhead. I then imagined that moment in time as a kind of sacred space; this is the point where the cathedral notion came to mind. The frenetic and joyous poetry of e.e. cummings, from his Epithalamion, gives an exclamatory introduction to the set, followed by his vision of spring from the point of view of giddy children in his iconic poem, [in Just-]. We then take a moment to contemplate the ephemerality of all this beauty (spring giveth and spring taketh away, i.e. an offertorium of sorts); Robert Frost's Blue-Butterfly Day places us in a moment where, by chance, we find ourselves enveloped by a delicately fluttering swarm of butterflies. Peaceful and still, yet in constant flux, we spend a some time taking that phenomenon in, while also experiencing a twinge of the realisation that this is truly fleeting. The final movement, returning to a later stanza from Epithalamion, cummings's sparkling paean to May is set as a kind of final anthem..

SKU: CF.CM9606

ISBN 9781491154281. UPC: 680160912780. 6.875 x 10.5 inches. Key: C major. English. Charles A. Coffin (1844-1926).

Be thlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedrals music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for the cave of Bethlehem and the child of poverty.) But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedralas music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for athe cave of Bethlehema and athe child of poverty.a)A But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedral's music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for the cave of Bethlehem and the child of poverty.) But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedral's music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for the cave of Bethlehem and the child of poverty.) But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedral’s music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for “the cave of Bethlehem” and “the child of poverty.”)  But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.

SKU: HL.14022707

ISBN 9781846090851. 7.5x6.25x0.264 inches.

A collection of chants designed for use by Church choirs. A considerable number of Cathedral Psalter Chants which have stood the test of time have been retained, and favourites form other sources have been added. Besides these, many new ones by 20th century composers will be found, including 43 double and 20 single chants which have been specially written for this book. Edited by Charles H. Lloyd.

SKU: HL.4006948

ISBN 9789043160506. UPC: 840126946659. 9.0x12.0 inches.

SKU: OU.9780193531024

ISBN 9780193531024. 12 x 9 inches.

Bednall's creation, rooted in the tradition of French organ improvisation, tenderly evokes the mysterious beauty of Wells Cathedral's remarkable 'Jesse Window'. The radiant music ebbs and flows calmly, moving through freely expressive passages of rich harmony, before closing with gentle murmurs at the top of the instrument.

SKU: CL.012-2001-00

One of Debussy’s most popular works. The Engulfed Cathedral has been transcribed in many different forms, and is available for the modern concert band/wind ensemble. Written in a short span of two months, the Preludes reveal the evolving ‘impressionist†™ style of the composer during the mid-point of his composing career.

SKU: FJ.PS1034

UPC: 241444445136. English.

A new edited publication of Debussy's La cathédrale engloutie The Sunken Cathedral from Préludes Book 1, no.10. A must-have piece in any pianist's library.
This new sheet is accessible for students wishing to add to
recital repertoire, with spacious pages and recommended
fingering for easier reading.