Celebrated Minuet

Piano

SKU: HL.368695

Composed by Herbert Howells. Piano. Classical. Softcover. 132 pages. Novello & Co Ltd. #NOV100463. Published by Novello & Co Ltd. (HL.368695).

ISBN 9781705141779. UPC: 840126969085. 9.0x12.0x0.289 inches.

This collection of 27 pieces, transcribed and edited by the Howells scholar Jonathan Clinch and published for the first time to coincide with Matthew Schellhorn's recording of the complete piano music by Howells for Naxos, reveals a previously neglected aspect of this celebrated English composer. The pieces chart the musical development of Howells, from his earliest known work “The Arab's Song,” written when he as 16, to the “Petrus Suite,” completed in his 80s, as well as demonstrating his fascination with French music (“Phantasy,” “Harlequin Dreaming”) and the Tudor period (“Pavane” and “Galliard.”) The volume also includes the moving tribute to his friend and fellow composer Finzi. Comprising a wide array of pieces from characterful miniatures to more substantial suites, the collection will appeal to Howells devotees and lovers of 20th century English music, as well as to anyone seeking fresh and distinctive piano repertoire. Includes: The Arab's Song • To a Wild Flower • Romance • Melody • Legend • Summer Idyls: I. Meadow-Rest • II. Summer-Song • III. June-Haze • IV. Down the Hills • V. Quiet Woods • VI. Near Midnight • VII. In the Morning • Phantasy • Harlequin Dreaming • Minuet for Ursula • My Lord Harewood's Galliard • Finzi: His Rest • Siciliana • “Comme le cerf soupire...” • Pavane and Galliard • Petrus Suite: Finnicle's Scherzo • Gavotte • Vagrant Flute • Minuet • 'Sine Nomine' • Bassoonic's Dance • Odd's Minuet • Toccatina.

By Robert D. Vandall. For Piano. Piano Solo. Level: Elementary. Sheet. 4 pages. Published by Alfred Publishing.

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R02. Published by The Frederick Harris Music Company

By Luigi Boccherini. Edited by Forrest Buchtel. For flute. Solos/Ensembles. Level: Grade 2. Music Book. Published by Neil A. Kjos Music Company.

By Robert D. Vandall. For Piano. Piano Collection. Level: Late Elementary. Book. 24 pages. Published by Alfred Publishing.

From the string quintet. Composed by Luigi Boccherini (1743-1805). Arranged by Lothar Windsperger. This edition: Folding. Sheet music. Einzelausgaben (Single Sheets). Classical. Composed 1771. Op. 13, No. 5. 4 pages. Schott Music #ED0893. Published by Schott Music

By Luigi Boccherini. Edited by Forrest Buchtel. Solos/Ensembles. Level: Grade 3. Music Book. Published by Neil A. Kjos Music Company.

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R01. Published by The Frederick Harris Music Company

By C. H. Trevor (Arranger). For Organ. Celebrations, Weddings. Sheet Music. 32 pages. Published by Novello and Co Ltd.

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R03. Published by The Frederick Harris Music Company

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55

Composed by Paul Lansky. Set of Score and Parts. 8+8+8+8+8+32 pages. Duration 17:55. Carl Fischer Music #MXE55. Published by Carl Fischer Music (CF.MXE55).

ISBN 9781491153864. UPC: 680160911363.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55F

Composed by Paul Lansky. Full score. 32 pages. Duration 17:55. Carl Fischer Music #MXE55F. Published by Carl Fischer Music (CF.MXE55F).

ISBN 9781491153895. UPC: 680160911394.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Marimba - intermediate

SKU: HL.44005498

24 Classical Masterpieces. Arranged by Ivo Weijmans. De Haske Play-Along Book. Classical. Book [Softcover]. Composed 2005. 46 pages. De Haske Publications #1053787. Published by De Haske Publications (HL.44005498).

ISBN 9789043122214. UPC: 073999370744. 9.0x12.0x0.221 inches. English-German-French-Dut ch.

This book contains a selection of famous classical pieces that have been carefully adapted for the marimba. Composers such as Bach, Mozart, Beethoven, Vivaldi, Rimsky Korsakov and Clementi are all included. The book enables marimba players with reasonable playing experience to perform these splendid masterpieces. The pieces are ordered by difficulty and, with the exception of a few pieces at the end of the book which require four mallets, are all playable with two mallets. Musical style and good technique are essential for a good performance. In addition to making wonderful concert pieces the exciting arrangements in this book will also make a most useful teaching tool.

Dit boek bevat een aantal meesterwerken uit de klassieke muziek die zorgvuldig zijn bewerkt voor marimba. Componisten als Bach, Mozart, Beethoven maar ook Vivaldi, Rimsky-Korsakov en Clementi komen aan bod. Enigszins geoefende marimbaspelerszullen prima met deze juweeltjes uit de voeten kunnen. Daarbij zijn stijl en een goede uitvoering belangrijk. De meeste werken zijn speelbaar met twee mallets, maar achter in het boek zijn ook enkele stukken bewerkt voorvier mallets. De werken zijn gerangschikt naar moeilijkheidsgraad. Een must voor de ambitieuze muzikant en een ideaal hulpmiddel voor de les- en uitvoeringspraktijk.
< br>Masters on Marimba enthalt eine Auswahl an beruhmten klassischen Stucken, die sorgfaltig fur das Marimbaphon bearbeitet wurden. Komponisten wie Bach, Mozart, Beethoven, Vivaldi, Rimski-Korsakow und Clementi sind hier vertreten. Mit diesem Buch bekommen Spieler mit etwas Erfahrung die Gelegenheit, diese Meisterwerke zu spielen. Die Stucke sind nach Schwierigkeitsgrad geordnet und konnen - bis auf einige Stucke am Ende des Buches, die vier Schlagel erfordern - mit zwei Schlageln gespielt werden. Stilistisch und technisch gutes Spiel ist entscheidend fur einen guten Vortrag.

Master s on Marimba une selection de celebres œuvres classiques de compositeurs tels que Marais, Senaille, Bach, Mozart, Beethoven, Vivaldi, Rimski-Korsakov et Clementi. La plupart des compositions se jouent avec deux baguettes, a l'exception de quelques oeuvres qui ont ete arrangees pour quatre baguettes.

Masters on Marimba e una selezione di celebri opere classiche di compositori quali Marais, Senaille, Bach, Mozart, Beethoven, Vivaldi, Rimski-Korsakov e Clementi. La maggior parte delle composizioni e da suonare con due bacchette, ad eccezione di brani arrangiati per quattro bacchette. Con Masters of Marimba affronterete uno specifico repertorio che vi permettera di affinare la vostra musicalita, il vostro tocco e la precisione ritmica. Potrete poi esibirvi in pubblico dimostrando come anche la marimba possa suonare da solista al pari di altri strumenti, per intensita di suono e morbidezza d'espressione.

by Gail Smith. For Piano. method. All Styles. Level: Beginning. Book. Size 8.75x11.75. 80 pages. Published by Mel Bay Publications, Inc.

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R05. Published by The Frederick Harris Music Company

Arranged by Desmond Ratcliffe / Bill Ramsey / O.H. Peasgood. For Organ. Music Sales America. Celebrations, Weddings. 48 pages. Music Sales #NOV010124. Published by Music Sales

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R0B. Published by The Frederick Harris Music Company

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R04. Published by The Frederick Harris Music Company

Collection for solo piano(all C instruments), . 159 pages. Published by Santorella Publications.

By Jane Smisor Bastien. Edited by James Bastien. Bastien Piano. Level: Level 1. Music Book. Published by Neil A. Kjos Music Company.

By Amy Marcy Beach. Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Intermediate (grade 4/5). Book. 20 pages. Published by Alfred Publishing.