41 Chorales for Orchestra

with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel sources this collection features a variety of Brahmss most cherished choral works with orchestral accompaniment. Selections include:- Rhapsodie für eine Altstimme Männerchor und Orchester Op. 53 (Rhapsody for an Alto Mens Choir and Orchestra)- Schicksalslied von Friedrich Hölderlin für Chor und Orchester Op. 54 (Song of Destiny by Friedrich Hölderlin for Choir and Orchestra)- Nänie von Friedrich Schiller für Chor und Orchester Op. 82 (Nänie by Friedrich Schiller for Choir and Orchestra)- Gesang der Parzen von Goethe für sechsstimmigen Chor und Orchester Op. 89 (Song of the Fates by Goethe for Six-Part Chorus and Orchestra)- Ave Maria für Frauenchor mit Orchester oder Orgel-Begleitung Op. 12 (Ave Maria for Womens Chorus with Orchestral or Organ Accompaniment)- Begräbnisgesang für Chor und Blasinstrumente Op. 13 (Funeral Song for Chorus and Wind Instruments)- Gesänge für Frauenchor mit Begleitung von zwei Hörnern und Harfe Op. 17 (Songs for Womens Chorus Accompanied by Two Horns and Harp)- Ellens zweiter Gesang aus Walter Scotts 'Fräulein vom See' von Schubert für Sopran dreistimmigen Frauenchor vier Hörnern und zwei Fagotte Op. 52(Ellens Second Song from Walter Scotts 'Lady of the Lake' by Schubert for Soprano Solo Three-partWomens Chorus Four Horns and Two Bassoons)This edition features a new English translation of the original Editors Commentary as well as new translations of song lyrics.

Song Cycle for Chorus and Orchestra-Written for the Greenwich High School choir and orchestra Emmy award-winning and Grammy-nominated musician and GHS parent Rob Mathes wrote a song cycle entitled Far From Here as a tribute to the GHS students' and their upcoming graduation. The three movements include: Yesterday/My Home Where Shall I Go' You'll Find Me Singing to create an impressive showcase for high school musicians.

John Tavener's Sollemnitas In Conceptione for Soloists Double SATB Chorus and Orchestra.This work was commissioned by festival religio musica nova the Zürcher Kammerorchester and Saint Thomas? Church FifthAvenue New York. First performance on 8th December 2007 at Großmünster Zürich by the Rundfunkchor Berlin and Zürcher Kammerorchester conducted by Simon Halsey. USA premiere on 7th March 2008 at Saint Thomas? Church by TheSaint Thomas Choir of Men and Boys and The Orchestra of St. Luke?s conducted by John Scott.Duration: 100 minutes

Work for SATB Chorus and Orchestra. Revised by Colin Matthews in 1973 in consultation with Imogen Holst. Words by Walt Whitman. / Scores

Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).

Description One of the most frequently performed of all choral works, reprinted in the definitive German edition.