Matériel : Conducteur d'étude / Miniature
Voir toutes les partitions de Marvin Hamlisch
SKU: HL.438833
UPC: 852940000790. 5.5x10.0x2.63 inches.
The Bass Chorus is the first in Carl Martin's new line of bass effects. Although similar in function to the older Chorus XII, it is housed in the new wider/lower metal housing with 'chicken-head knobs' for adjustment. Of course, the quality remains the same, and the new housing also encloses the regulated +/-12V power supply for maximum headroom and clarity. So why design a special chorus just for bass? Most chorus effects in the marketplace are designed for guitar use and therefore are mid-range heavy. The Bass Chorus has been extensively fine-tuned so that the full effect of the chorus is evident as far down as low B. Like its' predecessor, the Bass Chorus is a dual stereo effects pedal with independent sets of speed and depth controls. The 'Select' button allows you to use or bypass the effect and the 'On' button allows you to choose between your two chorus settings. There is an LED to show the effect is on, and each chorus has its' own LED indicator which flashes at the speed setting. An added feature with the Bass Chorus is found when switching from a slow chorus to a faster chorus, the effect speeds up slowly for that 'phat' vintage Leslie effect! The Bass Chorus is the only choice for bass artists when you compare features..... Carl Martin quality, simplicity, flexibility and transparency.
SKU: BT.MVH10001031
ISBN 9783932839597.
230 songs to sing in the pub, or at a party or other social gathering. This songbook contains a selection of traditional German songs that are joyful and fun to play. All songs are arranged in a melody line, lyrics and chords format. This book is accompanied by 3 CDs that contain the first verse and the chorus of every title to enable the player to become acquainted with them. Die 230 besten Lumpenlieder, Spaßlieder, Trinklieder und frivolen Lieder für die gesellige Runde und fürs Wirtshaus-Singen. Dank des besonderen Formats DIN A5 maxi (+ 20 %) ist die Schrift sehr gut lesbar. Die einzelnen Titel sind jeweils arrangiert mit Melodiezeile, den Akkorden und Text zum Spielen mit Keyboard und Gitarre sowie zur Gesangsbegleitung. Als Begleitung zum Buch erhalten Sie 3 CDs zum Kennenlernen aller im Buch enthaltenen Lieder und zum Mitsingen. Der 1. Vers und der Refrain werden dabei angespielt, Gesangsbegleitung inklusive.
SKU: BT.EMBZ14973
English-German-Hungari an.
The volume contains selected transcriptions from well-known sets that Bartók wrote for children and young people: For Children, Children's and Female Choruses, 44 Duos and Mikrokosmos. Some are based on folk melodies and some on original themes. The volume consists of 16 pieces. In nine, the bottom part is set for alto flute. The collections serve to draw music students into the realm of a great genius of 20th-century music, while concurrently introducing them to the basic techniques of playing chamber music.
SKU: PR.342402070
ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.
To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.â It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.
SKU: KJ.ZB452
UPC: 8402704866.
A minor blues that features swinging lines and intricate counterpoint. A short rhythm out section showcases a different texture. Features a roaring shout chorus. All First Place for Jazz selections feature moderate ranges, notated rhythm section parts, and open solo sections.
About First Place for Jazz
All First Place for Jazz selections feature moderate ranges, notated rhythm section parts, and open solo sections.
SKU: KJ.ZB452F
ISBN 9788402704863. UPC: 8402704867.
SKU: HL.645924
ISBN 9781495082184. UPC: 008148009541. 9.0x12.0x0.091 inches. Book/Online Audio.
This series of sacred solos includes favorite hymns, gospel songs, spirituals and sacred music from classical repertoire. The selections have been made to appeal to students of all ages and also with regard to popularity in many different churches. Some of the hymn tunes may be known with different titles and lyrics. Level Four includes: Ave Maria (Schubert) • Crown Him with Many Crowns • Hallelujah Chorus • How Great Thou Art • I Love to Tell the Story • Onward Christian Soldiers • Rock of Ages • Sheep May Safely Graze • Softly and Tenderly • Song of Joy • When the Saints Go Marching In. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
SKU: AD.ADG242
ISBN 9781958017296. UPC: 663389124226. 9 x 12 inches.
The Blues Play A Long and Solos Collection for Harmonica is an indispensable instructional book written by renowned musician and educator, Andrew D. Gordon.Specifical ly designed for beginners, this book provides a comprehensive guide to playing the blues on the bass while offering a plethora of play-along tracks and soloing opportunities.And rew D. Gordon, with his extensive experience as a multi-instrumentalist and music educator, has meticulously crafted this book to cater to harmonica players who want to delve into the captivating world of blues music. Whether you're a complete novice or have some basic knowledge of the harmonica, this book will guide you step-by-step through the fundamentals of blues playing, enabling you to develop your skills and confidence.The Blues Play-Along and Solos Collection for harmonica is part of an esteemed series of instructional books, with other editions available for a variety of instruments such as piano/keyboards, guitar, bass, alto and tenor saxophone, flute, trumpet, trombone, ukulele, recorder, mandolin, bass and violin. This series ensures that musicians across different disciplines can explore the blues genre and its unique characteristics.K ey features of The Blues Play-Along and Solos Collection for Harmonica include: Play-Along Tracks: Explore a diverse selection of 30 professionally produced play-along tracks, featuring authentic blues grooves in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. These tracks allow you to apply your newly acquired skills and play alongside a band, providing an immersive and enjoyable practice experience.Each of the 30 play-a-long tracks has been recorded with 10 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos.Soloing Techniques: Discover various soloing techniques and improvisational approaches, empowering you to create your own expressive solos and melodies within the blues framework. Repertoire Building: Develop a repertoire of blues songs, licks, and riffs specifically tailored for the harmonica. Expand your musical vocabulary and gain confidence in your ability to perform and jam with others.Music Notation : The book contains clear and easy-to-read music notation ensuring accessibility for beginners and facilitating a smooth learning process. Whether you aspire to perform on stage, jam with friends, or simply enjoy playing the bass at home.The Blues Play-Along and Solos Collection for Harmonica provides you with all the tools you need to embark on an exciting blues journey. Andrew D. Gordon's expertise and passion for teaching music shine through in this book, making it an essential resource for any bass player seeking to explore the expressive and soulful realm of blues music.
SKU: HL.645921
ISBN 9781495082153. UPC: 008148009510. 9.0x12.0x0.128 inches. Book/Online Audio.
This series of sacred solos includes favorite hymns, gospel songs, spirituals and sacred music from classical repertoire. The selections have been made to appeal to students of all ages and also with regard to popularity in many different churches. Some of the hymn tunes may be known with different titles and lyrics. Duet accompaniments offer many possibilities for recitals and Sunday school participation. The duets help provide valuable rhythmic training and ensemble experience. Duets are recommended for use at home as well as at the lesson. Level 1 includes: Amazing Grace * Beneath the Cross of Jesus * Christ the Lord Is Risen Today * Hallelujah Chorus (Handel) * I Love to Tell the Story * Nearer My God to Thee * Now Thank We All Our God * Onward Christian Soldiers * Praise to the Lord * Song of Joy (Beethoven) * What a Friend We Have in Jesus.
SKU: BT.PWM5447
''Stabat Mater'' by Karol Szymanowski for solo voices, chorus and orchestra, Op. 53, is one of the most famous and, at the same time, most personal works of the composer, making its appeal to the audience through the depth of its expression and sheer artistry. The first sketches of the work were made in the spring of 1925, while work on the full score occupied the composer from 20 January to 2 March 1926. Józef Jankowskis Polish translation of the medieval sequence formed the basis of the composition. This text, which was simple in a folk-like way, devoid of pathos but full of religious zeal, harmonized perfectly from the poetic point of view with the composers creative design. In an interview for the monthly Muzyka Szymanowski stated: ''in its Polish vestments that eternal, naive hymn was filled for me with its own immediate expressive content; it became something painted in colours which were recognisable and comprehensible as distinct from the black and white of the archaic original'' (''A Footnote to Stabat Mater'', Muzyka 1926, Nos. 11/12). In the score, the Latin text is given beside the Polish text, making it possible for the work to be performed more easily by foreign performers. In this work, the universal tradition of the Christian church was fused with the Polish religious tradition. The composer creates the religious folk-like climate primarily through the character of the melodies which are akin to to the plainchant melodies to the text of Stabat Mater (the sequence, and especially the hymn) and their paraphrases in Polish religious songs (e.g. Sta a Matka Bole ciwa [The Dolorous Mother was standing]) as well as motifs from Polish Lenten songs and Gorzkie ale (Bitter Laments). Szymanowski did not introduce them as quotations, but intersperses the melodic lines, which are more fully developed and frequently highly chromatic, with diatonic phrases, based on modal scales. They appear in all the movements of the work determining its cohesion. In dividing the twenty-stanza text into separate segments, Szymanowski created a six- movement cantata. He took care to distinguish between the emotional shades of the various movements, varying his selection of solo voices (soprano, contralto, baritone), the voices of the chorus (female or mixed) and the orchestral forces. In the first and third movements the lyrical idiom prevails; the first movement, portraying the Mother of God at the foot of the cross, has a narrative character, whereas the third is a kind of prayer from a man who sympathizes with, and who wishes to be associated with Mater Dolorosas pain. In these movements only the female voices are used (soprano, contralto and female chorus), while the orchestra is employed in a chamber style, sometimes drawing on solo accompanying parts (e.g. the beginning of the third movement). The fourth movement, which continues the mood of prayerful contemplation, is designed for soprano and contralto solo as well as unaccompanied chorus. On the other hand, the second and fifth movements, involving the participation of solo baritone and the full chorus and orchestra, are similar with regard to forces and their dramatic character, which is austere in expression, harsh in tone, and markedly dissonant. Here grand climaxes appear with powerful orchestral tutti. The sixth movement crowns the whole. The lyrical, soft melody of the solo soprano at the beginning is gradually strengthened by the addition of the female chorus and the solo contralto, and in the final section, the solo baritone as well as the tutti of chorus and orchestra. The conclusion, subdued and full of concentration, suggests the introvert character of the experience as opposed to its dramatic pathos. Stabat Mater by Szymanowski is part of a long tradition of compositions based on the text of the medieval sequence - ranging from polyphonic works by Josquin des Prés and Palestrina to the romantic Stabat by Giuseppe Verdi and Anton n Dvo ák. And it was perhaps because of his consciousness of this tradition that Szymanowski used stylizing devices in the spirit of early music. The archaization manifests itself not only in the character of the melodies and their modal framework, but also in the harmonies (with their predominance of triads, open fourths and fifths chords and doubled thirds), the simple rhythms as well as the texture of the choruses (esp. the fourth movement). The composer does not, however, imitate the style of any specific historical epoch, but combines resources taken from early music with modern tonal and harmonic techniques. Archaization in Stabat Mater serves, moreover, a symbolic function; in evoking the many-centuries old tradition of church music, it emphasizes the universal nature of the idea contained in the text of the sequence, while the re-reading of the text by the composer gives the work its individual features. [Zofia Helman, translated by Ewa Cholewka].
SKU: AP.48415
UPC: 038081552385. English.
Celebratin g the many ways that music touches our lives, the lyrics of this piece were inspired by words from young singers. A spoken section in the middle offers an opportunity for your students to add their own thoughts, or use the provided script. The memorable piano accompaniment provides its own voice while supporting the tuneful lines, and an optional descant brings the final chorus to new heights. Program for Music in Our Schools month, for combined pyramid performances, as an advocacy anthem, or as a concert theme.
About Alfred Choral Designs
Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
