SKU: BR.EB-8835
Jussim takes us to cities that have become famous through their music, or, more precisely, through their rhythms.
ISBN 9790004183991. 9 x 12 inches.
Many cities around the world are celebrated for their unique beauty, their breathtaking sights or their historical significance. These elements also often go hand in hand. What is much less frequent is to showcase a city from the perspective of its music. This is precisely the path taken here by Stadte und Rhythmen on its journey to cities that have become famous through their music, or, more precisely, through their rhythms, and from where dances such as the polka, the waltz, the tarantella and others began their triumphant march through music history. Igor Jussim, known for his Blues Collection (EB 8718), fashions the pieces in Stadte und Rhythmen after characteristic patterns. He highlights the selected rhythms in a musical idiom and form that encourage the players access to these rhythms. Igor Jussim livre des morceaux originaux qui ne manquent pas de dynamisme. (Pianiste)Jussim takes us to cities that have become famous through their music, or, more precisely, through their rhythms.
SKU: FJ.B1854
UPC: 241444438442. English.
It is easy to be in awe at the level of detail and magnitude of the spectacular skyscrapers that fill the skylines of large cities. This work takes the listener on a tour of a building site as the resulting superstructure begins to take form. Grooving rhythms and memorable melodies make this an excellent choice for young bands!
About FJH Developing Band
Sligh tly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: ET.SAX8
ISBN 9790207002990.
Au coeur du Tibet (In the Heart of Tibet) was commissioned by the - then newly founded - Association for the development of saxophone. The members wanted to mark that event with several first performances given simultaneously in different cities of Switzerland, France and United States, which all were schedulded February 11, 2000. The piece starts with rhythms and finger drummings on the soundboard of the guitar. Then, within a long meditation, the heart starts to beat, interrupted by silences. The tension culminates into a sequence full of life and movements, followed by rhythmical noises on the saxophone keys accompanied by the gitarre, as a reminiscence of tibetan sounds: spoken words, ritual horn (Dung Chen) and a drum. And the heart is beating again. A tibetan singing bowl is ending the piece and I hope it will keep resonding for a long time... Caroline Charrière, July 2008.
