SKU: PR.41641653L
UPC: 680160672110. 11 x 17 inches.
This suite was composed in the winter of 1993. Some of the material was written for use as a film score and its programmatic style is quite evident. Although most of this music is original there are some tunes from the Civil War period (Marching Along and For the Dear Old Flag).This suite was composed in the winter of 1993. Some of the material was written for use as a film score and its programmatic style is quite evident. Although most of this music is original there are some tunes from the Civil War period (Marching Along and For the Dear Old Flag).This suite was composed in the winter of 1993. Some of the material was written for use as a film score and its programmatic style is quite evident. Although most of this music is original there are some tunes from the Civil War period (Marching Along and For the Dear Old Flag).
SKU: PR.416416530
UPC: 680160672103. 9 x 12 inches.
SKU: MB.30762M
ISBN 9781513465692. 8.75x11.75 inches.
Civil War Suite for Classical Guitar is a collection of ten Civil War-era songs arranged in standard notation for the advanced solo classical guitarist. The suite includes music from the Confederacy and the Union, along with soldier's songs, parlor songs, and an African American spiritual. The sequencing of the pieces is designed to create a musical narrative, with songs grouped in a manner that shows various perspectives of the war before ultimately celebrating Union victory. Throughout the suite, extensive passages feature delightful special effects that emulate period instruments such as the banjo, snare drum, and fiddle. Includes access to online audio.
SKU: FJ.B1869
English.
The nostalgic sounds of the American Civil War come to life in this anthology of sentimental ballads, spirited anthems, and authentic military fife, bugle, and drum calls. Featured songs include The Irish Volunteer, Aura Lea, and The Battle Cry of Freedom. An interdisciplinary work well suited for concert, contest, or military holiday programming.
About FJH Developing Band
Sligh tly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: FJ.B1869S
SKU: CY.CC2969
ISBN 9790530057889.
Giul io Cesare in Egitto (Julius Caesar in Egypt) is an opera in three acts composed in 1724 for the Royal Academy of Music and is loosely based on events during the Roman Civil War of 49-45 BC.Justin Bland was arranged a wonderful suite of seven movements from Handel's opera for Brass Quintet. Length of about 20 minutes and appropriate for advanced performers.Instrumen tation is for: Trumpet 1 in B-flat and E-flat, Trumpet 2, Horn in F, Trombone and Tuba.
SKU: GI.G-10368
ISBN 9781622776276.
This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell   The Wind Music Research Quarterly: Mitteilungsblatt der IGEB   (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor   Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis   The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner   Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist†Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)  Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa.
SKU: GI.G-003434
ISBN 9781622776573.
Song of Justice, Peace, and Love is a collection of over 100 hymns on a variety of topics ranging from the church year through saints and worthies to paraphrases of scripture. Each text is set to music, the tunes range from old familiar to very new. Many hymns could find immediate use by the assembly, others may inspire composers to create music uniquely suited to them. Christopher L. Webber is an Episcopal priest and author. Previous collections of hymn texts include A New Metrical Psalter (1986) and Hymns from the Bible (2000)., Recent books include Dear Friends: Letters of St. Paul to Christians in America, American to to the Backbone, a biography of James W.C. Pennington, a remarkable pre-Civil war abolition leader, and Beyond Beowulf, the first-ever sequel to the old English saga, Beowulf.
SKU: BT.DHP-0960683-040
The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being uncivilised. Prokofiev himself wrote after this first performance . . . The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, createdby the blaring brass, on account of his sick wife and three children . . ..
SKU: BT.DHP-0960683-010
