Classical Quartets For All - Cello Ensemble

21 Quartets That Can Be Played by Any Combination of String Instruments-The Compatible Ensemble Series allows chamber groups to play together no matter the instrumentation or who wants to play melody harmony or bass.This collection contains 21 quartets for string instruments in a variety of styles from classical to folk to original compositions. Players get the opportunity to mix-and-match instrumentation and line played making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.

21 Quartets That Can Be Played by Any Combination of String Instruments-The Compatible Ensemble Series allows chamber groups to play together no matter the instrumentation or who wants to play melody harmony or bass.This collection contains 21 quartets for string instruments in a variety of styles from classical to folk to original compositions. Players get the opportunity to mix-and-match instrumentation and line played making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.

Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre

Par NELSON SHEILA MARY. Simple string quartet pieces arranged by Sheila Nelson to encourage ensemble playing from the earliest stages. Includes an attractive mixture of traditional melodies, classical material and original contemporary pieces. Scored for two violins, viola (optional third violin part included) and cello. String Quartet (Score & parts)./ Répertoire / 2 Violons, Alto ou Violon et Violoncelle

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes