Matériel : Conducteur et Parties séparées
Thanks to cable channel reruns just about everyone will recognize these wonderful theme songs from television's past. Cleverly woven together in a medley for younger groups you can't go wrong with this entertaining arrangement.Includes: Happy Days The Brady Bunch Ballad of Jed Clampett Theme from “Bewitched ” The Addams Family Theme and I Love Lucy.
SKU: CL.012-1749-00
Here’s a delightful program piece for young bands highlighting the flute and clarinet sections. An effective rhythmic background enhances the melodic material which is definitely the ``Sound of Today.’’ This music is simple, straightforward and fun to play with some nice touches added by the writer. No preparation problems.
About Heritage of the March
Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: HL.8724769
UPC: 884088902728. 9.0x12.0x0.062 inches.
SKU: HL.44010539
UPC: 884088481490. 9x12 inches. English-German-French-Dut ch.
Also available for euphonium and piano (HL44010860) Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund. Undoubtedly the finest baritone player of her generation, Ms. Marzella was granted an education bursary from the BBC Performing Arts Fund (as a result of winning BBC Radio 2's Young Brass Soloist of the Year in 2004), which allowed her to commission a series of new works for euphonium. Scaramouche continues Sparke's series of works that highlights the Italian theatre tradition of commedia dell'arte. Like its predecessors Pantomime and Harlequin, Scaramouche draws on the contrasting moods of pathos and comedy characterized by the symbolic happy/sad masks of European theatre. A slow, expressive ballad followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the instrument, and the soloist to display its full capabilities.
SKU: HL.44010538
UPC: 884088481483. 9x12 inches. English(US)/Deutsch/Franc ais/Nederlands.
Als o available for euphonium and piano (HL44010860) Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund. Undoubtedly the finest baritone player of her generation, Ms. Marzella was granted an education bursary from the BBC Performing Arts Fund (as a result of winning BBC Radio 2's “Young Brass Soloist of the Year†in 2004), which allowed her to commission a series of new works for euphonium. Scaramouche continues Sparke's series of works that highlights the Italian theatre tradition of commedia dell'arte. Like its predecessors Pantomime and Harlequin, Scaramouche draws on the contrasting moods of pathos and comedy characterized by the symbolic “happy/sad†masks of European theatre. A slow, expressive ballad followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the instrument, and the soloist to display its full capabilities.
SKU: BT.DHP-0991507-010
Antonin’ s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo†novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes.
SKU: PR.11642169L
UPC: 680160692118.
Chine se mythology is a cultural heritage that has been passed down through the ages. It is full of bizarre andsupernatural artistic charm. Shan Hai Jing is like a history book, which contains many mythological stories depictingthousands of mountains and waters, geography and humanities, The Concerto for Orchestra Shan Hai Jing is using alarge scyle orchestra in multi-movements, inspired by the anceint supernatural aesthetics, and creates an imaginaryuniverse and human illusion with an abstract sound world. This work is not based on the story of the ancient gods, butbased on the geographical distribution of the Fivering Mountains, metaphorical waters, mountains range, folkcustoms, and rituals of the gods, depicting the north, west, east, south, and middle respectively in five movements. Thecharacteristics of the mountain system and the regional customs.The first movement, Beishan Jing (Largo) (page 1-30). In this movement, folk music elements such as the traditionalMongolian “Humai” and the traditional Tibetan “Bon’e’ri” are used to Ode the folk customs and heroism of the vastmountains and plains and different ethnic groups.The second movement, Xishan Jing (Allegro and Adagio) (page 31-52). The music of this movement has the westernstyle of Gansu and Qinghai Plateau.The third movement, Dongshan Jing (Adagio and Allegro) (page 53-86). The legend of great bells that ringspontaneously without being struck has origins in the ancient Classic of Mountains and Seas, in which we read:“Upon the Mountains of Plenty, Nine Bells ring with Knowledge of the Frost.”Tales of those blasts of wind that pulse like a heartbeat through caverns in the limestone cliffs, setting off a mysterioussympathetic ringing from bells encrusted in frost, led to “Frost-Bell” becoming a word during the Tang dynasty, almosta millennium after the Mountains and Seas classic first appeared.The fourth movement, Nanshan Jing (Adagio and Andante) (page 87-100) . The music is characterized by thewoodwinds and string harmonics texture depicting of the cloud mountain in the south of the Yangtze River, Fujian,Guangdong and Hunan.The fifth movement, Zhongshan Jing (Allegretto) (page 101-118) symbolizes the end of the ritual ceremony, which isroughly centered on the sacred place of Chu. The people danced together, waving flowers and hitting the bronze drums,just like sending the Divine Comedy, the scene is lively, the atmosphere is Solemn and lively.
