Comparaison

SKU: GI.G-4099

English.

A Comparison of Scores on the 1971 and 1993 Editions of the Iowa Tests of Music Literacy: Implications for Music Education and Selecting an Appropriate String Instrument for Study Using the Instrument Timbre Preference Test. .

SKU: FL.FX073557

This short piece, very melodic, romantic and tonal, is perfect for an audition, an exam or for presentation of the instrument. - Rene POTRAT ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 3.

SKU: BR.EB-8906

ISBN 9790004185384. 9 x 12 inches.

,,La comparaison avec le celebre ,Children's Corner' de Debussy est justifiee. On y trouve la meme verve, l'humour, la richesse harmonique en meme temps que les marques du romantisme tardif et du nouveau siecle. Souhaits a cette edition de trouver le chemin des concerts et du disque. (Pascal Gresset, Tempo flute).

SKU: BR.OB-5299-19

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339312. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-5299-15

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339299. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-5299-23

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339329. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-5299-16

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339305. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-5299-27

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339336. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-5299-30

ISBN 9790004339343. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.PB-5524

ISBN 9790004212134. 6.5 x 9 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.PB-4519

ISBN 9790004204184. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale.

SKU: M7.BP-1880

ISBN 9790015188008.

SKU: BR.OB-4540-30

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314258. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

SKU: BR.OB-4519-19

ISBN 9790004313060. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

SKU: FZ.5390

ISBN 9790230653909. 24.00 x 33.00 cm inches.

This facsimile of an original by Pietro Antonio Locatelli is part of our Dominantes collection. X Sonate, VI a violino solo e basso, e IV a tre. Opera Ottava. Edition: Amsterdam, l'Auteur, undated (=1744). Presentation by Nicolas Fromageot: Bibliography - Comparison of the first and second editions - Hints about the score. A copy deposited at the University of Leiden by the composer himself. The preface contains a comparison with the second Dutch edition and the French edition. Facsimile of the copy preserved at the library of the university of Leiden. Edition in separated parts: first violin part, with the bass, in full score for the first six sonatas and without the bass for sonatas VII to X - second violin part (sonatas VII to X) - continuo bass (sonatas VII to X). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Library of the University of Leiden (Netherlands). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: BR.OB-4540-19

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314234. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

SKU: BR.PB-4540

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004204375. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

SKU: BR.OB-4540-26

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314241. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

SKU: BR.OB-4519-15

ISBN 9790004313046. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

SKU: BR.OB-4519-30

ISBN 9790004313084. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

SKU: BR.OB-4540-11

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314203. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

SKU: BR.OB-4540-15

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314210. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.