Complete Piano Works - Volume 2

Complete Piano Works - Volume V. Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contents: Faschingsschwank aus Wien op. 26- 3 Romanzen op. 28- Scherzo, Gigue, Romanze und Fughette op. 32- Album für die Jugend op. 68 - Vier Fugen op. 72- Vier Märsche op. 76- Waldszenen op. 82 / Partition brochée / Répertoire / Piano

including the unfinished works-The second volume in this series of Franz Schubertâ??s Complete Piano Sonatas has been carefully edited annotated and fingered for the ABRSM by Howard Ferguson. This is part of a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions performance notes and detailed editorial markings. Volume Two includes the four sonatas: D.575 D.664 D.784 and D.845 as well as five unfinished works and range from popular favourites to mere fragments only a few bars long. Even in the earliest of these sonatas Schubert demonstrates his compositional poeticism sensitivity and skill inthe romantic idiom. For a broad scope of emotion and feeling they are second only to Beethovenâ??s sonatas.

These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.

Franz Xaver Mozart était le plus jeune fils de W. A. Mozart. Poussé dès son plus jeune âge par sa mère à embrasser une carrière de musicien, il marcha sur les traces de son père, mais ne put, de son vivant, se libérer de l'ombre de celui-ci. Notre édition en deux volumes (le Volume II, HN 959) publie pour la première fois l'intégrale de ses oeuvres pour piano à deux ou trois mains. Le premier volume comporte neuf cycles de variations, certains étant très développés (l'un d'eux édité pour la première fois), une Fantaisie en La majeur (aussi en toute première édition) de grande envergure et la Sonate op. 10 en quatre mouvements. Le recueil se termine de manière originale par un cycle de variations à trois mains.? / Piano / 147 pages / Partition

Editée il y a moins de 10 ans par les éditions Henle sous la référence 927, cette partition de musique Complete Piano Works - Volume IV du compositeur Schumann Robert a été composée pour Piano. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Piano / 12 + 7 P.S pages / niveau : 4 / Editions Instrumentales - Format: 21 X 29.7

Editée il y a moins de 10 ans par les éditions Henle sous la référence 923, cette partition de musique Complete Piano Works - Volume II du compositeur Schumann Robert a été composée pour Piano. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Piano / Partition

Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contents: Faschingsschwank aus Wien op. 26- 3 Romanzen op. 28- Scherzo, Gigue, Romanze und Fughette op. 32- Album für die Jugend op. 68 - Vier Fugen op. 72- Vier Märsche op. 76- Waldszenen op. 82 / Partition reliée / Date parution : 2010-10-15/ Répertoire / Piano

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

Par BEETHOVEN LUDWIG VAN. Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng/Ger) which covers all salient editorial issues withregard to Beethoven’s notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship! - A definitive new critical performing edition at the cutting edge of Beethoven scholarship - Elegant, ready-friendly layout with practical page turns - Table of contents with incipits as well as running titles enable easy location of works / Date parution : 2019-09-06/ Répertoire / Piano

Par BEETHOVEN LUDWIG VAN. Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven's Complete Piano Sonatas in three volumes. This edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng/Ger) which covers all salient editorial issues with regard to Beethoven's notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship! / Date parution : 2019-09-06/ Répertoire / Piano

Béla Bartók Complete Critical Edition Volume 38. Par BARTOK BELA. The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Suite, op. 14), we find Bartók's audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations. The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems. / Somfai, László / Répertoire / Piano

When Christa Landon presented the first printed version of her edition of Joseph Haydn's Piano sonatas Haydn's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-centurymusic have changed considerably. The new edition comprises all works of the previous Wiener Urtext edition plus the sonata Hob. XVI:16 edited by Landon along with the Sonata in F major which was rediscovered in Bozen a few years ago and attributed to Joseph Haydn. The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volumes 1 and 2 contain the early sonatas. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn's performance practice.

When Christa Landon presented the first printed version of her edition of Joseph Haydn's Piano sonatas Haydn's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-centurymusic have changed considerably. The new edition comprises all works of the previous Wiener Urtext edition plus the sonata Hob. XVI:16 edited by Landon along with the Sonata in F major which was rediscovered in Bozen a few years ago and attributed to Joseph Haydn. The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volumes 1 and 2 contain the early sonatas. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn's performance practice.