Concertante in b, Op. 88 No. 2 for Two Violins and Orchestra

SKU: TM.01663PC

SKU: HL.48186059

Joseph Boulogne Chevalier de St-Georges: Symphonie concertante in G major (Violins & Orchestra).

SKU: HL.49010220

ISBN 9790200206692.

For two violins and orchestra.

SKU: TM.01663SET

Solos sold individually. Solo I = Solo Violin I; Solo II = Solo Violin II. P/C is not a pf reduction/accompaniment.< /p>

SKU: TM.05411SET

No Score - violin conductor only.

SKU: FZ.5805

ISBN 9790230658058. 24.00 x 33.00 cm inches.

This facsimile of an original by Isidore Bertheaume is part of our French classical music collection. Edition : Paris, l'Auteur, 1787. The orchestra is modest in size: strings, 2 oboes, 2 horns. The solo parts may be played by the orchestra,s section leaders. The second symphonie concertante adds to the two solo violins either a solo viola or solo horn. For this project, which led to a concert performance at th Abbaye aux Dames, a full score was prepared and has been added to the facsimile. Preface by the students of the formation superieure aux metiers de l'orchestre des musiques classiques et romantiques - Abbaye-aux-Dames-Saintes: biography of Bertheaume, the symphonies of Bertheaume at the Concert Spirituel, hints for performance. Separate parts: violino primo principale, violino secondo principale, alto viola principale, corno principale, violino primo, violino secondo, alto, basso, oboe primo, oboe secondo, corno primo, corno secondo.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: CA.4058409

ISBN 9790007219208. Language: all languages.

Score available separately - see item CA.4058400.

SKU: CA.3321509

ISBN 9790007051662. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and parts available separately - see item CA.3321500.

SKU: CA.3103819

ISBN 9790007136093. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.

SKU: CA.3103809

ISBN 9790007042783. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.

SKU: CA.3103805

ISBN 9790007042769. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.

SKU: CA.3321549

ISBN 9790007051716. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500.

SKU: CA.4068309

ISBN 9790007220273. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SKU: CA.4068319

ISBN 9790007138158. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SKU: CA.3103803

ISBN 9790007042752. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.

SKU: CA.3321514

ISBN 9790007051709. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500.

SKU: CA.3103800

ISBN 9790007042745. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance.

SKU: CA.3321513

ISBN 9790007051693. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500.

SKU: CA.3321505

ISBN 9790007051655. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score available separately - see item CA.3321500.

SKU: CA.3103807

ISBN 9790007042776. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.

SKU: CA.3103813

ISBN 9790007042813. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

SKU: CA.3103811

ISBN 9790007042790. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

SKU: CA.3321512

ISBN 9790007051686. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500.

SKU: CA.2703509

ISBN 9790007199159. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and parts available separately - see item CA.2703500.

SKU: CA.3103814

ISBN 9790007042820. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

SKU: CA.3103812

ISBN 9790007042806. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

SKU: CA.2703512

ISBN 9790007199173. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

SKU: CA.2703500

ISBN 9790007005726. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist).