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Concerto No. 1 in E Minor Op. 11 - Version for One Piano
$20.95
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(Chopin National Edition, A. XIIIa Vol. 13). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. For Piano. PWM. Softcover. 92 pages. Polskie Wydawnictwo Muzyczne #51600006. Published by Polskie Wydawnictwo Muzyczne
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Extrait de partition
Concerto No. 1 in E Minor Op. 11 - Version for One Piano
$ 20.95
Extrait de partition
Concerto No. 1 in E Minor Op. 11 - Version for One Piano
$ 20.95
Item Number: HL.132235
ISBN 8389003600. 9.25x12 inches. Chopin National Edition (ed. Jan Ekier and Pawel Kaminski).
Though the Op. 11 concerto is called Concerto No. 1, it was written after what was later known as Concerto No. 2. The piece is also available in its conventional form in the Urtext National Edition. 00132236 is the 2 pianos/4 hands version. 00132233 is the full score. 00132234 is a historical version of the full score.
The National Edition of the Works of Fryderyk Chopin
Published by PWM
Exclusively Distributed by Hal Leonard Corporation
Co-Editors
Jan Ekier and Pawel Kaminski
The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology.
The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort.
The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume.
The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the harmonic legato; (a performance technique often used by Chopin and now forgotten).
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Wolfgang Amadeus Mozart: Mozart - Concerto No. 24 in C Minor KV491: Piano:
23.99
Wolfgang Amadeus Mozart: Mozart - Concerto No. 24 in C Minor KV491: Piano:
Piano seul
[Partition + CD]
Music Minus One
Performed by David Syme pianoAccompaniment: Stuttgart Symphony OrchestraConduct...
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Performed by David Syme pianoAccompaniment: Stuttgart Symphony OrchestraConductor: Emil KahnBrilliantly written for the instrument this C-minor concerto is unusual when compared to most otherMozart concerti. A passionate work filled with originality Mozart employs his largest orchestra utilizing woodwinds extensively giving a beautiful effect. Highly recommended. Includes a high-quality printed music score and acompact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment minus the soloist.
23.99 GBP - vendu par Musicroom GB
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Classics Meet Jazz Vol. 2 - Piano
28.80
Classics Meet Jazz Vol. 2 - Piano
Piano seul
[Partition + CD]
Schott
14 famous themes from music history, from Bach to Offenbach, each with its own j...
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14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side. The accompanying CD provides examples and suggestions as to how all of these pieces can be interpreted.
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The Classical Piano Method
22.13
The Classical Piano Method
Piano seul
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Ce troisième volume de La Méthode de piano classique est destiné aux étudian...
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Ce troisième volume de La Méthode de piano classique est destiné aux étudiants qui ont terminé Method Book 2, ou pour ceux qui ont déjà une base solide dans le piano et sont de retour à l'instrument. Clairement énoncée et progresser par petites étapes gérables le livre comporte répertoire intéressant, varié et bien connu de l'époque baroque, classique et romantique époques Comprend un enregistrement sur CD de toutes les pièces offrant des performances de modèle pour vous aider à apprendre. Peut être complété par un répertoire supplémentaire, Duo et livres de fitness doigts. / Piano
22.13 EUR - vendu par LMI-partitions
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Sergei Rachmaninov: Rachmaninov - Piano Concerto No. 1: Piano: Instrumental Work
Piano seul
[Partition]
Spartan Press
2nd Movement-Transcription of the slow movement of Rachmaninov's First Piano Con...
(+)
2nd Movement-Transcription of the slow movement of Rachmaninov's First Piano Concerto op 1. Programme note by Murray McLachlan: Rachmaninov's first concerto in F sharp minor op 1 was composed in 1891 and dedicated to Alexander Siloti. The work was substantially revised in 1917 with textures made much lighter. The revised version is also more concentrated and disciplined with the material eliminating some of the earlier episodic sections entirely from the score. The second movement is an exquisite 74 bar miniature a nostalgic nocturne that is contrapuntally rich. In this soloversion the use of all three pedals and the middle pedal in particular make it possible to project the multifaceted textures the 'colour counter-point' that along with Rachmaninov's chromaticism enhances his considerable melodic gifts. Was Rachmaninov the 'Russian Bach?' Certainly his genius for 'inner voices' 'inner melodies' and counter-melodies make his music an inexhaustible treasure house of possibility for the creatively charged solo pianist. In Rachmaninov's piano writing there is simply no such thing as 'padding' or anonymous accompaniments- every line can be vocally or orchestrally charged making the music glow with richness and inspiration. This transcription was given its world premiere on April 1- Rachmaninov's birthday- in 2017 in New York as part of a recital for the Lezetizky society. Further performances were given on what was an intense US Easter tour in Washington Texas Boston and Vermont. I've also performed the transcription in Canada and the UK.
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Wolfgang Amadeus Mozart: Mozart Concerto No. 20 in D Minor KV466: Piano
25.99
Wolfgang Amadeus Mozart: Mozart Concerto No. 20 in D Minor KV466: Piano
Piano seul
[Partition + Accès audio]
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For Piano and Orchestra Includes Demonstration and Backing Tracks Online-Perfor...
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For Piano and Orchestra Includes Demonstration and Backing Tracks Online-Performed by David Syme pianoAccompaniment: Stuttgart Symphony OrchestraConductor: Emil KahnThis concerto one of only two Mozart wrote in a minor key is by far the most famous of all his pianoconcerti and is filled with profound music of the highest order as well as lively and charming themes. Among its later most ardent admirers were Beethoven and Brahms. Demands sensitivity from the soloist and is an important workfor every pianist to study and learn. This deluxe 2CD set includes a slow-tempo practice version to help you get up to speed. Includes a printed music score on high-quality ivory paper; a digital stereo compact disc featuring acomplete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20%slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.
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Johann Sebastian Bach: J.S. Bach - Concerto in D Minor BMV1052: Piano
23.99
Johann Sebastian Bach: J.S. Bach - Concerto in D Minor BMV1052: Piano
Piano seul
[Partition + Accès audio]
Music Minus One
Piano Book/2-CD Pack-Bach's beautiful and noble D-minor concerto is a testament ...
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Piano Book/2-CD Pack-Bach's beautiful and noble D-minor concerto is a testament to this master's abilities at the keyboard. It is actually a transcription of one of his violin concerti and Bach has given it a grand treatment and the expressive slow movement is reminiscent of his famous Italian Concerto. A lovely and rewarding piece. This beautiful new deluxe edition now digitally remastered contains a second CD featuring a slow-tempo version of the accompaniment to help you as you learn the piece. Includes a newly engraved music score printed on high-quality ivory paper newly edited by Bach expert Romeo Smilkov with orchestral reduction; and a compact disc containing a complete version withsoloist in digitally remastered stereo followed by a second version in full stereo of the orchestral accompaniment minus the soloist; and a second CD featuring a full-speed version of the complete version followed by a -20% slow-tempo version of the accompaniment for practice purposes. Performed by David Syme piano. Accompaniment: Stuttgart Festival Orchestra. Conductor: Emil Kahn
23.99 GBP - vendu par Musicroom GB
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Romance Op. 11 (Arrangement For Violin And Piano)
13.86
Romance Op. 11 (Arrangement For Violin And Piano)
Violon et Piano
Barenreiter
First ever publication based on the autographOriginally written for violin and o...
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First ever publication based on the autographOriginally written for violin and orchestra between 1873 and 1877, Dvorák's 'Romance? immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement. He probably wrote the 'Romance? for his friend, the violin virtuoso Franti?ek Ondrícek, who later premiered Dvorák's Violin Concerto in 1883.Our edition is the first to avail itself of the recently rediscovered autograph of Dvorák's own version for violin and piano. Compared to the well-known piano reductions, it differs from the orchestral version in several important respects and is also one bar shorter.Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version.- First edition of the piano version based on Dvorák's autograph- Foreword by David R. Beveridge (Cz/Eng/Ger)- Critical Commentary (Eng) by the editor / Violon Et Piano
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Chopin For Easy Piano
11.90
Chopin For Easy Piano
Piano seul
Hal Leonard
Ce produit est un membre de la famille de Piano facile et comporte des arrangeme...
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Ce produit est un membre de la famille de Piano facile et comporte des arrangements solos simples. Cette version spéciale de Piano facile comporte du compositeur complexes mélodies, des harmonies et des rythmes nouvellement arrangés pour que pratiquement tous les pianistes peuvent connaître le frisson de jouer au piano de Chopin ! Comprend les valses, nocturnes, polonaises, préludes et mazurkas 20 favoris. / Piano
11.90 EUR - vendu par LMI-partitions
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Johann Sebastian Bach: Triple Concerto in A minor BWV1044: Piano: Instrumental
19.99
Johann Sebastian Bach: Triple Concerto in A minor BWV1044: Piano: Instrumental
Piano seul
[Partition + CD]
Music Minus One
Music Minus One Piano-Bach's intricate 'triple' concerto for keyboard violin an...
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Music Minus One Piano-Bach's intricate 'triple' concerto for keyboard violin and flute is a challenge containing much brilliant passagework. The less formidable slow movement was taken from the organ sonata No. 3. It is a companion to the Brandenburg Concerto No. 5 the first movement of which is included on this album. An extremely rewarding and enjoyable piece for study. Also included on this album is the first movement of the Brandenburg Concerto No. 5 written for harpsichord flute violin and orchestra was Bach's first truly original keyboard concerto and is a unique work full of bravura passages. An eternal favorite! Includes a high-quality printed music score and a compact disccontaining a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of the orchestral accompaniment minus the soloist. Performed by Neill Eisenstein piano Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn
19.99 GBP - vendu par Musicroom GB
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
21.10
Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violon et Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wien...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechli?ska Footnotes 1. See The Critical Commentary, p. ' and onward. 2. See V. Grigoriev, Henryk Wieniawski. ?ycie i twórczo??. [Life and Work] Warszawa - Pozna? 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes.Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w PoznaniuSeries: Henryk Wieniawski - Complete WorksCover: softbackNr ISMN: 979-0-2740-0753-9Number of pages: 34 8Format: N4 stoj. 235x305Language version of text: pol., Eng.
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David Dutkanicz: A First Book Of Rachmaninoff: Piano: Instrumental Album
6.99
David Dutkanicz: A First Book Of Rachmaninoff: Piano: Instrumental Album
Piano seul
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Dover Publications
For the Beginning Pianist with Downloadable MP3s-Now even the often-challenging ...
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For the Beginning Pianist with Downloadable MP3s-Now even the often-challenging works of the last of Russia's Romantic composers are accessible to beginning pianists. Rachmaninoff's music can be daunting to those just starting out but these simple arrangements focus on the composer's melodies and style. The more abstract works are excerpted and presented in manageable samples and the keys are simplified. Suggested fingerings are also provided.The collection features easy-to-play versions of 'Vocalise'; Prelude in C-sharp Minor Op. 3 No. 2 ('Bells of Moscow'); the second movement of the Piano Concerto No. 2 in C Minor Op. 18 (Theme); Nocturne No. 1 in F-sharp Minor and Nocturne No. 3 in C Minor; Morceaux de Salon No. 3 Op. 10; Variations of a Theme of Corelli; and other selections.In addition to the piano arrangements the compilation includes a free MP3 download for every piece which will help students develop an ear for the melodies. The MP3s may be downloaded individually or collectively.
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Johannes Brahms: A First Book of Brahms: Piano: Instrumental Album
8.10
Johannes Brahms: A First Book of Brahms: Piano: Instrumental Album
Piano seul
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Facile
Dover Publications
26 Arrangements for the Beginning Pianist-Suitable for beginning pianists of all...
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26 Arrangements for the Beginning Pianist-Suitable for beginning pianists of all ages this volume features 26 simplified versions of longer pieces by the great Johannes Brahms in order of increasing difficulty.Selections include the famous 'Lullaby' as well as the theme from 'Academic Festival Overture' and 'Hungarian Dance No.5'. Additional melodies include themes from the composer's quintet and concertos for Piano 'Variations on a theme by Haydn ' and other pieces.
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Piano Concerto No. 3: Piano: Instrumental Album
25.99
Piano Concerto No. 3: Piano: Instrumental Album
Piano seul
Lauren Keiser Music Publishing
Solo Version (Printed Edition)-I have finally decided to re-create the already-d...
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Solo Version (Printed Edition)-I have finally decided to re-create the already-daunting Rach 3 into an even more horrifying but also emotionally satisfying project which was to make such a large-scale arrangement for solo piano requesting the pianist to combine both the piano and the orchestral accompaniment of Rachmaninoff's original crowning achievement thus merging an 80-people orchestral sonority onto one person. The process of this project was one of the most artistically educational experiences for me as I couldn't just take the original score and copy and paste it onto the same instrument which would've been meaningless and would simply sound like a mess. One has to really work as a sensitivecomposer to know the differences between the timbres and colors of the piano and that of the orchestra which requires me to re-arrange registers minor shifts of structural obstacles avoidance of over-toned harmonies and attempt to make it sound like as if it was conceived originally as a grand solo piano sonata instead of just some crazy transcription for showing off. I hope this new version of the Rach 3 can achieve a different kind of in-depth virtuosity and emotional scope and that it may attract interest from my contemporary and future pianists or musicians.
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Dvorak A. - Concerto In G Minor Op.33 - 2 Pianos
36.90
Dvorak A. - Concerto In G Minor Op.33 - 2 Pianos
2 Pianos, 4 mains
Barenreiter
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urt...
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Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák's only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel 'olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel 'olc.
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Piano Repertoire Level 2
22.14
Piano Repertoire Level 2
Piano seul
Universal Edition
Additional books to complement the tutor for adults and young people. Play the P...
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Additional books to complement the tutor for adults and young people. Play the Piano! Levels 1 & 2, are now available providing specially arranged favourite pieces in keeping with the technical level attained by the end of each course book. Whilst still under Mike's guiding hand, here is the chance for players to explore and enjoy more beautiful music in a variety of styles, confident that the technical levels are within their capabilities. Includes popular classics by Purcell, Handel, Bach, Mozart, Grieg, Humperdinck, Schumann, Chopin, Rimsky-Korsakov, Brahms, Elgar and more. Also included are traditional folksong favourites along with selections of Jazzy, Latin and Ragtime pieces by Scott Joplin, Mike Cornick and Duke Ellington. • Includes 'In the Shed' by Mike Cornick • Easy arrangements of favourite pieces in a variety of musical styles • Pieces for any middle-grade pianist seeking to broaden their repertoire and ideal for those who have completed the tutor PLAY THE PIANO! Level 2 – for more music to play and enjoy • Helpful advice is provided with each piece and, in some cases, suggestions for further listening • FREE DOWNLOADS of play-along versions and/or demonstration performances of some pieces are available from: www.universaledition.com/pianorepertoire2/ Recueil / Piano
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Concerto In F Minor Version With Second Piano (CHOPIN FREDERIC)
27.43
Concerto In F Minor Version With Second Piano (CHOPIN FREDERIC)
2 Pianos, 4 mains
PWM (Polskie Wydawnictwo Muzyczne)
Par CHOPIN FREDERIC. / Répertoire / Piano 4 Mains
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Piano Play Along Vol.08 Classical Themes Cd
25.00
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Chorale 2 parties
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Paroles et partitions pour piano (note à note et accords) un CD audio contenant deux enregistrements de chaque titres. Une démo complète et une version sans piano pour vous permettre de jouer accompagné. 8 chansons / Chant Et Piano
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Piano Concerto #2 F Minor Op. 21
20.53
Piano Concerto #2 F Minor Op. 21
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[Conducteur d'étude / Miniature]
Eulenburg
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Concertos pour Piano de Chopin ont souvent été critiquées pour leur orchestration. Dans le passé, cela a souvent conduit à changements ou complètes re-rouages de l'instrumentation. Mais en y regardant les versions de Chopin contiennent plusieurs sophistiqué et St / Piano Et Orchestre
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Piano Concerto In C Minor K. 491
23.21
Piano Concerto In C Minor K. 491
2 Pianos, 4 mains
G. Henle
According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it ...
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According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it was Mozart's only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an 'academy? at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was written and by the repeated corrections. Unlike earlier publications, our edition contains the definitive version as in Mozart's manuscript. The piano reduction of our edition was undertaken by the celebrated pianist András Schiff, to whom we also already owe our reductions of the concertos K. 453, 467, 488 and 503 (HN 765, 766, 767 and 825). He also supplied the fingerings for the solo part, the cadenzas and the lead-ins. / Piano
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Concerto For Piano And Orchestra G Minor Op. 33 B 63 (DVORAK ANTONIN)
40.54
Concerto For Piano And Orchestra G Minor Op. 33 B 63 (DVORAK ANTONIN)
2 Pianos, 4 mains
[Partition]
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Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano con...
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Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Šolc./ Répertoire / 2 Pianos
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Bach J.s. - Concerto In G Minor Bwv 1056 - Violon and Piano
14.80
Bach J.s. - Concerto In G Minor Bwv 1056 - Violon and Piano
Violon et Piano
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Bach, Johann Sebastian Concerto for Violin, Strings and Basso Continuo G minor Reconstructed from BWV 1056 - Reconstructed from the Urtext of the 'New Bach Edition' - Meticulous analysis and evaluation of the sources - Interpretative leeway for keyboard players This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion.
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Concerto For Violin, Strings And Basso Continuo G Minor (BACH JOHANN SEBASTIAN)
16.18
Concerto For Violin, Strings And Basso Continuo G Minor (BACH JOHANN SEBASTIAN)
Violon et Piano
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Barenreiter
Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in ...
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Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion./ Répertoire / Violon et Piano
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Easy Concert Pieces
21.65
Easy Concert Pieces
Saxophone Alto et Piano
[Partition + CD]
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Facile
Schott
23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone an...
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23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano
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Mindfulness Piano Collection
17.73
Mindfulness Piano Collection
Piano seul
[Partition]
Faber Music Limited
This collection of beautiful piano pieces provides a unique way for pianists to ...
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This collection of beautiful piano pieces provides a unique way for pianists to reach a state of Mindfulness by sharpening their musical focus towards their internal and external experiences within the present moment. With the help of Einaudi, Debussy, Beethoven, Vaughan Williams and Satie, as well as music themed images to colour in, this aid to simple meditation is the perfect musical remedy in an increasingly frantic and pressurised world / Recueil / Piano
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Mozart: Complete Works for Piano (Version 2.0)
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Concerto No. 1 in E Minor Op. 11 - Version for One Piano
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Concerto in E Minor Op. 11 - Version with Second Piano
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(Flute and Piano Reduction). Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Andr�¡s Adorj�¡n and Jan Philip Schulze. For Flute, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1207. Published by G. Henle
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