Concerto No. 3 in F for Double Winds, HWV 334

SKU: TM.01572SC

Scored for strings and double winds - each with 2 oboes and 1 bassoon.

SKU: TM.01572SET

Scored for strings and double winds - each with 2 oboes and 1 bassoon.

SKU: BR.PB-5613

ISBN 9790004215104. 6.5 x 9 inches.

It takes on a new guise, however, in this volume of the Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy: the work is now supplemented by 12 winds and timpani, which the composer himself notated in a separate wind score. Since this partial score was rediscovered only a short while ago, all the recordings available to this day feature only a string orchestra accompanying the soloists. Assuming that the work had never been performed with winds and timpani before, the presumed world premiere of the Double Concerto with full symphony orchestra took place in Darmstadt on 27 February 1999 with Latica Honda-Rosenberg (violin), Beatrice Berthold (piano) and the Kammerphilharmonie Merck under the direction of Christian Rudolf Riedel.

SKU: FG.55011-904-8

ISBN 9790550119048.

Publ ished for the first time in 2024! Einojuhani Rautavaara's Concerto grottesco was composed in 1950 and is among his first orchestral works. With overall duration of six minutes, the work includes four movements.

This product includes the full score and the set of parts:
Flutes 1–2 (2nd flute also piccolo)
Oboes 1–2
Clarinets 1–2 in Bb & A
Bassoons 1–2
Horns 1–2 in F
Trumpets 1–2 in Bb
Trombone
Tuba
Timpani
Percussion (1 performer): Tamburo rullante, piatto sospeso, triangolo, Wood block
Double basses 1–2

Einojuhani Rautavaara (1928−2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Seventh Symphony, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music works and choral works. Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism.

SKU: SU.00220160

The complete Double Bass parts [CD-ROM] for the 81 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 6: Mozart and Haydn. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: HAYDN Symphonies 22, 44, 45, 82, 83, 84, 85, 86, 87, 88, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, The Creation, The Seasons. MOZART Symphonies No. 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 38, 39, 40, 41; Piano Concertos No. 10, 13, 14, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27; Violin Concertos No. 3, 4, 5; Overtures: Abduction from the Seraglio, La Clemenza di Tito, Cosi fan tutte, Don Giovanni, Idomeneo, Impresario, Magic Flute, Marriage of Figaro; Divertimenti No. 1, 11, 15, Eine Kleine Nachtmusik; A Musical Joke; Notturno in D for 4 Orchestras; Serenades (Haffner and Posthorn); Gran Partita for Winds (Eb and C Minor); Sinfonia Concertante; Requiem; Mass in C Major; Mass in C Minor (55 works in all) Visit for more information

Ple ase note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: TM.01573SC

Two Groups of 2 oboes, 2 bassoon, 2 horns. 5 movement version ed. by Kogel (does not match the original 6 movement). Pomposo, Allegro, A tempo ordinario, Largo, Allegro.

SKU: TM.01573SET

Two Groups of 2 oboes, 2 bassoon, 2 horns. 5 movement version ed. by Kogel (does not match the original 6 movement). Pomposo, Allegro, A tempo ordinario, Largo, Allegro.

SKU: TM.01574SET

Two Groups 2 oboes, 1 bassoon, 2 horns.

SKU: TM.01574SC

Two Groups 2 oboes, 1 bassoon, 2 horns.

SKU: BA.BA06943

ISBN 9790006498666. 27 x 19 cm inches.

Johann Hermann Schein was born in the town of Grünhain in the Erz Mountains in 1586. He studied law and liberal arts in Leipzig before becoming musical director at Weissenfels and Leipzig. From 1616 until his early death in 1630 he was cantor at St Thomas's in Leipzig and took an active part in the city's musical life as „Director musici chori“.

This setting of the Lord's Prayer has solo „concerto“ sections with continuo accompaniment set against full-voiced ritornelli from a „ripienochorus†œ. ln this way the five-part vocal tutti can be doubled ad libitum by strings and winds, creating an effective climax for festive church occasions.

SKU: PR.41641301L

UPC: 680160619795.

Under the Sun's Gaze as a title for a musical composition conjures up many possibilities. It is, in fact, an imagined line from an unwritten poem, invented with the idea of capturing something of the visual aura the sounds and energy of this work invoke in its composer' mind. An omnipotent presence in all of nature, a source of life yet also capable of its destruction, the sun affects the light and dark in our physical existence as it defines the daily and seasonal life. The music of this work, in three interlocking parts, takes turns being exuberant, caressing, scorching, receding, hazy, lazy, blazing, dissolving into darkness, blinding in its intensity. Subtitled Concerto da Camera III, this work is written for what has become known as the standard Pierrot instrumentation of flute, clarinet, violin, cello, piano plus percussion. The difference here is that the winds are doubled - the two flutists alternating with piccolo and alto flute and both clarinetists also doubling on bass clarinets. The ninth member of the ensemble, a soprano saxophone, appears well into the piece, its lyrical, plaintively expressive quality dominating the musical terrain for a while. While occasionally joining the others for some tutti outbursts, it maintains its position as something of a guest throughout. Of the various thematic ideas that populate this work, a six-note descending line played by the clarinet appearing right at the work's opening then arching back up reveals itself, as the music unfolds, to be the principal melodic building block of Under the Sun's Gaze. Its various transformations include the plaintive soprano saxophone melody appearing in the middle section. Just under 20 minutes in length, the work in its totality can be heard as being in a loose arch form, its ending receding into a distant darkening horizon which carries in it the seed of the new dawn that lies beyond. Under the Sun's Gaze was commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress for the San Francisco Contemporary Players, David Milnes, conductor.

SKU: PR.416413010

UPC: 680160605682.

Under the Sun's Gaze as a title for a musical composition conjures up many possibilities. It is, in fact, an imagined line from an unwritten poem, invented with the idea of capturing something of the visual aura the sounds and energy of this work invoke in its composer' mind. An omnipotent presence in all of nature, a source of life yet also capable of its destruction, the sun affects the light and dark in our physical existence as it defines the daily and seasonal life. The music of this work, in three interlocking parts, takes turns being exuberant, caressing, scorching, receding, hazy, lazy, blazing, dissolving into darkness, blinding in its intensity. Subtitled Concerto da Camera III, this work is written for what has become known as the standard Pierrot instrumentation of flute, clarinet, violin, cello, piano plus percussion. The difference here is that the winds are doubled - the two flutists alternating with piccolo and alto flute and both clarinetists also doubling on bass clarinets. The ninth member of the ensemble, a soprano saxophone, appears well into the piece, its lyrical, plaintively expressive quality dominating the musical terrain for a while. While occasionally joining the others for some tutti outbursts, it maintains its position as something of a guest throughout. Of the various thematic ideas that populate this work, a six-note descending line played by the clarinet appearing right at the work's opening then arching back up reveals itself, as the music unfolds, to be the principal melodic building block of Under the Sun's Gaze. Its various transformations include the plaintive soprano saxophone melody appearing in the middle section. Just under 20 minutes in length, the work in its totality can be heard as being in a loose arch form, its ending receding into a distant darkening horizon which carries in it the seed of the new dawn that lies beyond. Under the Sun's Gaze was commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress for the San Francisco Contemporary Players, David Milnes, conductor.