Matériel : Conducteur d'étude / Miniature
SKU: HL.400379
ISBN 9781596153479. UPC: 884088188894. 9.0x12.0x0.056 inches.
Italian Baroque Master Tomaso Albinoni is sometimes overlooked due to his fellow countryman Vivaldi's immense popularity, but this collection demonstrates the immense gifts which Albinoni exhibited as a composer. These three concerti are representative of his beautiful Baroque style. Includes a high-quality printed music score and recordings containing a complete performance with soloist, then a second version with the orchestral accompaniment, minus the soloist. Performed by Frantisek Kimmel, oboe Accompaniment: Czech Symphony Chamber Orchestra Conductor: Mario Klemens Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
SKU: BA.BA04233-74
ISBN 9790006446490. 30 x 23 cm inches. Key: B-flat major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA04233-65
ISBN 9790006446476. 30 x 23 cm inches. Key: B-flat major.
SKU: BA.BA04233-75
ISBN 9790006446506. 30 x 23 cm inches. Key: B-flat major.
SKU: BA.BA04233-82
ISBN 9790006446537. 30 x 23 cm inches. Key: B-flat major.
SKU: BA.BA04233-86
ISBN 9790006446544. 30 x 23.5 cm inches. Key: B-flat major.
SKU: BR.PB-5509
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004211694. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: BR.OB-5509-27
ISBN 9790004338506. 9 x 12 inches.
SKU: BR.OB-5509-23
ISBN 9790004338490. 9 x 12 inches.
SKU: BR.OB-5509-12
ISBN 9790004338452. 9 x 12 inches.
SKU: BR.OB-5509-16
ISBN 9790004338476. 9 x 12 inches.
SKU: BR.OB-5509-19
ISBN 9790004338483. 9 x 12 inches.
SKU: BR.OB-5509-15
ISBN 9790004338469. 9 x 12 inches.
SKU: HL.48181191
UPC: 888680787806. 9.0x12.0x0.104 inches.
The concerto is composed in B-flat Major; the solo part is for Trumpet in C. Finished in 1948, the Concerto for Trumpet and Orchestra was composed by the French composer, conductor and the 1927 winner of the Grand Prix de Rome, Henri Tomasi (1901-1971), and lasts approximately 14 minutes. Dedicated to the trumpeter Ludovic Vaillant, soloist at the National Orchestra, the Concerto for Trumpet and Orchestra was premiered in Paris in 1949. The first part, which lasts 7 minutes, Allegro and Cadenza, begins with a trumpet cadenza and a quiet snare drum background. The Nocturne follows as the second part of this Concerto, and the Finale, the shortest part of the concerto, ends up with a cheerful cartoon-music theme. Henri Tomasi also composed a variety of concerti for alto saxophone and for trombone, as well as some ballades.
SKU: ST.K47
ISBN 9790220224027.
The keyboard concertos in K47 contain both solo material and a simple reduction of the orchestral passages, and this allows the concertos to be played either with or without orchestral accompaniment. Full details are given in the introduction as well as in MB94. Sets of instrumental material which may be used to accompany the concertos are available. Philip HAYES: Concerto no. 3 in F major (1769) James HOOK: Concerto no. 1 in C major (1771) George RUSH: Concerto no. 3 in B flat major (1773) John STANLEY: Concerto op. 10 no. 4 in C minor (1775) Charles WESLEY: Concerto set 3 no. 2 in E major (1778).
SKU: BR.OB-5386-19
ISBN 9790004334591. 10 x 12.5 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions.The popular Concerto Op. 4 No. 6 in B flat major was originally a harp concerto (and is thus called Concerto per la Harpa in the autograph) and was performed in this version at its premiere in 1736, when it was inserted into Handel's oratorio Alexander's Feast in order to illustrate the harp playing of the Greek singer Timotheus. A harp edition is also in preparation.I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik)Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
SKU: BR.OB-5386-15
ISBN 9790004334577. 10 x 12.5 inches.
SKU: BR.PB-5386
ISBN 9790004210772. 9 x 12 inches.
SKU: BR.OB-5386-30
ISBN 9790004334614. 10 x 12.5 inches.