| Concerto for bass tuba and orchestra Tuba et Orchestre [Conducteur d'étude / Miniature] Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by David Matthews. For tu...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by David Matthews.
For tuba and orchestra
(tuba solo, 2 flutes,
oboes, 2 clarinets,
baritone, 2 horns, 2
trumpets, 2 tuba,
timpani, 2 percussion
(snare drum, cymbals,
triangle, bass drum),
strings). This edition:
second edition. Study
score. 72 pages. Duration
13'. Published by Oxford
University Press
$31.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| John Craton : Tuba Concerto in G Minor Tuba, Piano [Part|Score] - Avancé Wolfhead Music
By John Craton. Chamber ensemble. For Tuba, piano. Chamber Music. Concerto for t...(+)
By John Craton. Chamber
ensemble. For Tuba,
piano. Chamber Music.
Concerto for tuba and
orchestra, arranged for
tuba and piano.
Contemporary. Score and
part. 26 pages. Duration
19:00. Published by
Wolfhead Music. (WM902)
Level: Advanced.
$20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Tuba and String Orchestra Tuba et Piano Stainer and Bell
| | |
| A Chameleon Concerto Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.49936 Composed by Richard Meyer. MakeMusic Cl...(+)
Orchestra - Grade 3
SKU: AP.49936
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). Duration 4:40.
Highland/Etling
#00-49936. Published by
Highland/Etling
(AP.49936). ISBN
9781470657741. UPC:
038081575605.
English. Give your
young string orchestra a
chance to learn the
all-important skills
needed to accompany a
soloist with this
compact, one-movement
work that features a
soloist playing ANY
string or band
instrument: oboe, viola,
tuba---you name it! A
Chameleon Concerto, by
Richard Meyer, has catchy
melodies that explore
various moods. The
constant give-and-take
between the soloist and
strings keeps every
section of your group
active. There is even a
short cadenza toward the
end of the piece to offer
everyone on stage a
complete concerto
learning experience.
(4:40). $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Chameleon Concerto Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.49936S Composed by Richard Meyer. Performance...(+)
Orchestra - Grade 3
SKU: AP.49936S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score.
Duration 4:40.
Highland/Etling
#00-49936S. Published by
Highland/Etling
(AP.49936S). ISBN
9781470657758. UPC:
038081575612.
English. Give your
young string orchestra a
chance to learn the
all-important skills
needed to accompany a
soloist with this
compact, one-movement
work that features a
soloist playing ANY
string or band
instrument: oboe, viola,
tuba---you name it! A
Chameleon Concerto, by
Richard Meyer, has catchy
melodies that explore
various moods. The
constant give-and-take
between the soloist and
strings keeps every
section of your group
active. There is even a
short cadenza toward the
end of the piece to offer
everyone on stage a
complete concerto
learning experience.
(4:40). $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cello Concerto Violoncelle, Orchestre [Conducteur d'étude / Miniature] Oxford University Press
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello a...(+)
Composed by William
Walton (1902-1983).
Edited by David
Lloyd-Jones. For cello
and orchestra (solo
cello, 2 flutes, oboe,
english horn, 2 clarinets
in A, 2 bassoons, 4
horns, 2 trumpets in C, 3
trombones, tuba, timpani,
percussion, celeste,
harp, strings). William
Walton Edition. Pieces
and Studies. Level D
(difficult). Study score.
136 pages. Duration 27'.
Published by Oxford
University Press
$32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tuba Concerto - Partitur Gehrmans Musikforlag
Tuba solo + string orchestra (strings) SKU: GH.CG-6026P Composed by Erlan...(+)
Tuba solo + string
orchestra (strings)
SKU: GH.CG-6026P
Composed by Erland Von
Koch. Score. Duration 14
minutes. Gehrmans
Musikforlag #CG 6026P.
Published by Gehrmans
Musikforlag
(GH.CG-6026P).
Concerto for
tuba and string
orchestra. $52.08 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Tuba Concerto - Klaverutdrag Gehrmans Musikforlag
Composed by Erland Von Koch (1910-). For tuba solo + string orchestra. Piano red...(+)
Composed by Erland Von
Koch (1910-). For tuba
solo + string orchestra.
Piano reduction. Duration
14 minutes. Published by
Gehrmans Musikforlag
$46.41 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rhapsody for English Horn and Strings (Piano Score) Cor anglais, Piano [Reduction] Galaxy Music Corporation
Composed by Gordon Jacob (1895-1986). Orchestra: Youth Orchestra, Bestseller. Pi...(+)
Composed by Gordon Jacob
(1895-1986). Orchestra:
Youth Orchestra,
Bestseller. Piano score.
Galaxy Music Corporation
#1.5094. Published by
Galaxy Music Corporation
$13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 14 Concert Duets Basset Hound Music
2 tubas SKU: P2.PZA90187 Composed by Various. Edited by Zach Collins. Arr...(+)
2 tubas SKU:
P2.PZA90187 Composed
by Various. Edited by
Zach Collins. Arranged by
Jim Self. 2 tubas (or 2
bass trombones) or
tuba/bass trombone with
downloadable backing
track. Score and
downloadable audio.
Published by Basset Hound
Music (P2.PZA90187).
Concert Duets
is a collection of 14
arrangements of works by
prominent 18th-century
composers, mostly taken
from Trio Sonatas. Duet
11 is a Jim Self original
work in the Rococo style;
and Duets 12, 13 and 14
are arrangements of the
three-movements of the
Bach Concerto for Two
Violins. Included with
this edition are
play-along recorded
tracks by tubist Zach
Collins, who also served
as editor of the current
edition.
I created
these duets as Christmas
gifts for my tuba playing
friends, with the first
duet being arranged in
1976. All 14 of the duets
are challenging and fun
to play and are
especially effective as
concert pieces.
As
a young musician I had
the privilege of playing
duets with many of the
world’s finest
tubists including Harvey
Phillips, John Fletcher,
Bob Pallansch, Chester,
Schmitz, Dan Perantoni,
Toby Hanks, Ron Bishop,
Winston Morris and Tommy
Johnson. I learned more
about playing music in
these duo sessions than
from any other musical
activity I have ever
experienced. Duets are
powerful teaching tools
for learning and
mastering rhythm,
phrasing and intonation
and for developing
overall
musicianship.
Jim
Self:
Self (b.
1943) is a Los Angeles
free-lance musician, a
veteran of thousands of
Hollywood motion
pictures, television
shows and records, and
tuba soloist on many
prominent movies. His
tuba was the “Voice
of the Mothershipâ€
in Close Encounters of
the Third Kind. He is
Principal Tuba/Cimbasso
with the Pacific and
Pasadena Symphonies and
the Los Angeles Opera and
Hollywood Bowl
Orchestras. Formerly he
was in The U.S. Army Band
and tuba / euphonium
professor at the
University of Tennessee.
He holds a DMA from the
USC Thornton School of
Music where he is Adjunct
Professor of Tuba and
Chamber Music. His
compositions and
arrangements include
works for solo tuba,
brass quintet, other
brass, string and
woodwind chamber music,
wind band and orchestra.
Jim has produced many
solo jazz and classical
recordings. His music and
recordings are available
from Potenza Music and
www.jimself.com. Jim Self
is a Yamaha Performing
Artist.
Zach
Collins,
editor:
Zach
Collins is professor of
Tuba and Euphonium at
Indiana University of
Pennsylvania. In 2019, he
released his first solo
album, Chronicle. It was
recognized with the 2021
ITEA Roger Bobo Award for
Excellence in Recording
for the best Solo Tuba
Album.
His
interpretation of William
Kraft’s Encounters
II for Solo Tuba was
released on Cambria
Master Recordings. Zach
performs with Eastern
Standard, a horn, tuba,
piano trio he formed with
Heidi Lucas and Jacob
Ertl. The ensemble has
released two commercial
albums, Eastern Standard
and
Wanderlust.
Zach
regularly performs with
the Keystone Chamber
Winds, Altoona Symphony
Orchestra, and West
Virginia Symphony
Orchestras. His
compositions and
arrangements for brass
and for tuba and
euphonium can be
purchased from Cimarron
Music and Eighth Note
Publications. Zach earned
degrees from Texas
Christian University and
the University of
Southern California. His
primary teachers have
been Richard Murrow, Jim
Self, Tommy Johnson, and
Norm Pearson. Zach
Collins is a Miraphone
artist. $40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tchaikovsky and More - Volume IV (Low Brass) [CD Sheet Music] Hal Leonard
(Complete Low Brass Parts to 42 Orchestral Masterworks on CD-ROM) CD-ROM (Window...(+)
(Complete Low Brass Parts
to 42 Orchestral
Masterworks on CD-ROM)
CD-ROM (Windows and Mac)
for trombone, tuba and
low brass. With standard
notation. Series: The
Orchestra Musician's
CD-ROM Library. Published
by Hal Leonard.
(1)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Concerto for Viola and Orchestra Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, English Horn,
Flute 1, Flute 2, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piano,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Tuba and more. SKU:
PR.446413410 Composed
by Michael Boyman. Study
Score. With Standard
notation. Duration 30
minutes. Merion Music
#446-41341. Published by
Merion Music
(PR.446413410). UPC:
680160667420. 9 x 12
inches. I wrote
this piece with a darker
sonority and an emphasis
on lyricism, qualities
that I associate with the
viola. In the first
movement, titled
Fantasia, the viola
begins with a quiet and
free cadenza, becoming
more passionate until the
woodwinds join in
dialogue with the
soloist. Gradually the
rest of the orchestra
enters, exploring ideas
from the solo cadenza
while introducing a new
theme that reappears in
the last movement. The
second movement is a
scherzo, mischievous in
mood with the orchestra
and viola trading barbed
jokes. The antics are
interrupted by a brass
chorale with
embellishment from the
viola. The scherzo then
resumes with prominent
contributions from the
bassoons. The last
movement, titled
Nocturne, plays with
different kinds of music
associated with the
night. A sensual and
romantic atmosphere gives
way to something more
menacing and ultimately
violent. After a climax
from the full orchestra,
soft strings and solo
viola lead us into the
coda, taking an ambiguous
idea from the first
movement and transforming
it into a lyrical and
heartfelt prayer. The
concerto ends with the
solo viola ascending on
the crest of an
orchestral wave of
sound. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Viola and Orchestra Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, English Horn,
Flute 1, Flute 2, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piano,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Tuba and more. SKU:
PR.44641341L Composed
by Michael Boyman. Large
Score. With Standard
notation. Duration 30
minutes. Merion Music
#446-41341L. Published by
Merion Music
(PR.44641341L). UPC:
680160667437. 11 x 17
inches. I wrote
this piece with a darker
sonority and an emphasis
on lyricism, qualities
that I associate with the
viola. In the first
movement, titled
Fantasia, the viola
begins with a quiet and
free cadenza, becoming
more passionate until the
woodwinds join in
dialogue with the
soloist. Gradually the
rest of the orchestra
enters, exploring ideas
from the solo cadenza
while introducing a new
theme that reappears in
the last movement. The
second movement is a
scherzo, mischievous in
mood with the orchestra
and viola trading barbed
jokes. The antics are
interrupted by a brass
chorale with
embellishment from the
viola. The scherzo then
resumes with prominent
contributions from the
bassoons. The last
movement, titled
Nocturne, plays with
different kinds of music
associated with the
night. A sensual and
romantic atmosphere gives
way to something more
menacing and ultimately
violent. After a climax
from the full orchestra,
soft strings and solo
viola lead us into the
coda, taking an ambiguous
idea from the first
movement and transforming
it into a lyrical and
heartfelt prayer. The
concerto ends with the
solo viola ascending on
the crest of an
orchestral wave of
sound. $180.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Double Concerto Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 2 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 2 Trumpets in
Bb, 3 Percussion, 4 Horns
in F, Harp, Piccolo, Solo
Trombone, Solo Trumpet in
C, Strings, Timpani, Tuba
SKU: PR.41641509L
For Trumpet, Trombone,
And Orchestra.
Composed by Eric Ewazen.
Contemporary. Large
Score. With Standard
notation. Duration 21
minutes. Theodore Presser
Company #416-41509L.
Published by Theodore
Presser Company
(PR.41641509L). UPC:
680160620906. Picco
lo, 2 Flutes, 2 Oboes, 2
Clarinets in Bb, 2
Bassoons, 4 Horns in F, 2
Trumpets in Bb, 2
Trombones, Tuba, Timpani,
3 Percussion, Harp, Solo
Trumpet in C, Solo
Trombone, Strings. $160.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Double Concerto Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 2 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 2 Trumpets in
Bb, 3 Percussion, 4 Horns
in F, Harp, Piccolo, Solo
Trombone, Solo Trumpet in
C, Strings, Timpani, Tuba
SKU: PR.416415090
For Trumpet, Trombone,
And Orchestra.
Composed by Eric Ewazen.
Contemporary. Full score.
With Standard notation.
Duration 21 minutes.
Theodore Presser Company
#416-41509. Published by
Theodore Presser Company
(PR.416415090). UPC:
680160620890. Picco
lo, 2 Flutes, 2 Oboes, 2
Clarinets in Bb, 2
Bassoons, 4 Horns in F, 2
Trumpets in Bb, 2
Trombones, Tuba, Timpani,
3 Percussion, Harp, Solo
Trumpet in C, Solo
Trombone, Strings. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Piano And Orchestra Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Trumpets in
C, 4 Horns in F, 4
Percussion: Glockenspiel,
Bass Clarinet, Bass Drum,
Bass Trombone, Cabasa,
Cymbals, Daf, English
Horn, Guiro, Piccolo, Sl,
Timpani, Tuba,
Vibraphone, Xylophone
SKU: PR.416415010
Composed by Behzad
Ranjbaran. Premiered by
Jean-Yves Thibaudet,
Piano, and the Atlanta
Symphony Orchestra,
Robert Spano, Conductor,
at Symphony Hall,
Atlanta, Georgia.
Contemporary. Full score.
With Standard notation.
Composed 2008. 165 pages.
Duration 30 minutes.
Theodore Presser Company
#416-41501. Published by
Theodore Presser Company
(PR.416415010). UPC:
680160619306. 9 x 12
inches. Piccolo, 2
Flutes, 2 Oboes, English
Horn, 2 Clarinets in Bb,
Bass Clarinet, 2
Bassoons, 4 Horns in F, 3
Trumpets in C, 2
Trombones, Bass Trombone,
Tuba, Timpani, 4
Percussion: Glockenspiel,
Vibraphone, Xylophone,
Bass Drum, Cabasa,
Cymbals, Daf, Guiro,
Sleigh Bells, Snare Drum,
Tambourine, Tam-Tam,
Triangle, Wood Blocks,
Celesta, Harp, Solo
Piano, Strings. $100.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Piano And Orchestra Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Trumpets in
C, 4 Horns in F, 4
Percussion: Glockenspiel,
Bass Clarinet, Bass Drum,
Bass Trombone, Cabasa,
Cymbals, Daf, English
Horn, Guiro, Piccolo, Sl,
Timpani, Tuba,
Vibraphone, Xylophone
SKU: PR.41641501L
Composed by Behzad
Ranjbaran. Premiered by
Jean-Yves Thibaudet,
Piano, and the Atlanta
Symphony Orchestra,
Robert Spano, Conductor,
at Symphony Hall,
Atlanta, Georgia.
Contemporary. Large
Score. With Standard
notation. Composed 2008.
165 pages. Duration 30
minutes. Theodore Presser
Company #416-41501L.
Published by Theodore
Presser Company
(PR.41641501L). UPC:
680160619313. 11 x 17
inches. Piccolo, 2
Flutes, 2 Oboes, English
Horn, 2 Clarinets in Bb,
Bass Clarinet, 2
Bassoons, 4 Horns in F, 3
Trumpets in C, 2
Trombones, Bass Trombone,
Tuba, Timpani, 4
Percussion: Glockenspiel,
Vibraphone, Xylophone,
Bass Drum, Cabasa,
Cymbals, Daf, Guiro,
Sleigh Bells, Snare Drum,
Tambourine, Tam-Tam,
Triangle, Wood Blocks,
Celesta, Harp, Solo
Piano, Strings. $225.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sacrificio - Partitur Gehrmans Musikforlag
Tuba solo + orchestra (3333-4331-04-1-piano-str ings-live electronics (CD or sam...(+)
Tuba solo + orchestra
(3333-4331-04-1-piano-str
ings-live electronics (CD
or sampler)) SKU:
GH.GE-10756
Concerto for Tuba,
Live-Electronics and
Orchestra. Composed
by Benjamin Staern.
Score. 58 pages. Duration
17 minutes. Gehrmans
Musikforlag #GE 10756.
Published by Gehrmans
Musikforlag
(GH.GE-10756). ISBN
979-0-070-10756-3. A3
inches. $87.92 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto BIM
Piano and symphony orchestra (3 fl (+picc./+alto),3 ob (eh), 3 bassoon - 3 trump...(+)
Piano and symphony
orchestra (3 fl
(+picc./+alto),3 ob (eh),
3 bassoon - 3 trumpets, 4
horns, 3 trombones, tuba
- timpani, percussions,
e-guitare, harp, cembalo,
synthesizer, strings) -
Grade 6 SKU:
ET.PNO3B Composed by
Georgi Mintchev.
Contemporary. Orchestra
score. Duration 27'.
Editions BIM #PNO3B.
Published by Editions BIM
(ET.PNO3B). ISBN
9790207014498. â
œ...In Georgi
Mintchev’s
Concerto for Piano the
history of the whole
genre is present: Grieg,
Rachmaninov, Ravel,
Prokofiev, Bartok. Yet
Minchev’s work
does not consist of
quotations or stylistic
borrowing, but rather of
respective musical and
technical expressive
“gestures, provided
by a solid language. The
whole work is constructed
with great vigor, with
conviction in the effect,
with sense to the
listener’s
conscious and
subconscious expectations
and is brilliant not only
in terms of keyboard
virtuosity but also in
terms of a concert work.
It is not surprising that
this piece won the first
prize at the
International
Composer’s Tribune
in Paris. Ruch
Muzyczny, Warszawa,
Poland, 13.10.1983
Olgierd Pisarenko. $122.44 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 Piano seul Subito Music
Solo Piano; 2fl(picc), 2ob, 2cl, 2bn; 2tpt, 2tbn, 2hn, tba; perc; stgs (piano; 2...(+)
Solo Piano; 2fl(picc),
2ob, 2cl, 2bn; 2tpt,
2tbn, 2hn, tba; perc;
stgs (piano; 2 flutes
(piccolo), 2 oboes, 2
clarinets, 2 bassoons; 2
trumpets, 2 trombones, 2
horn, tuba; percussion;
strings) SKU:
SU.90810080 Composed
by Nancy Galbraith. Study
Score. Composed 1993.
Duration 33'. Subito
Music Corporation
#90810080. Published by
Subito Music Corporation
(SU.90810080).
Instrumentation
: piano; 2fl(picc), 2ob,
2cl, 2bn; 2tpt, 2tbn,
2hn, tba; perc; strings
Duration: 33' Full Score
& Parts: available on
rental Composed: 1993
Published by: Subito
Music Publishing A
formidable work for piano
in three movements, this
is an equally virtuoso
piece for orchestra, and
a welcome addition to the
concerto literature of
this century.
--Cincinnati Inquirer A
wonderful work --American
Record Guide. $59.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Theodore Presser Co.
Orchestra piano solo and orchestra SKU: PR.416414650 For Piano and Orc...(+)
Orchestra piano solo and
orchestra SKU:
PR.416414650 For
Piano and Orchestra.
Composed by Daniel Dorff.
Michael Gagliardo
conducting the Etowah
Youth Orchestra, Jeffrey
Biegel pianist; Gadsden,
Alabama. Contemporary.
Full score. With Standard
notation. Composed 2006.
150 pages. Duration 24
minutes. Theodore Presser
Company #416-41465.
Published by Theodore
Presser Company
(PR.416414650). UPC:
680160614325. 8.5 x 11
inches. 2 Flutes, 2
Oboes, 2 Bb Clarinets, 2
Bassoons, 3 F Horns, 2 Bb
Trumpets, 2 Tenor
Trombones, Tuba, 3
Percussion, Percussion I:
Snare Drum, Triangle,
Sizzle Cymbal, Mark Tree,
2 Timpani, Percussion II:
Tom-tom, Glockenspiel,
Suspended Cymbal,
Xylophone, Mark Tree,
Duck Call, Triangle,
Percussion III: Bass
Drum, Triangle, Crash
Cymbals, Suspended
Cymbal, Vibraphone (no
motor), Solo Piano,
Strings. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Theodore Presser Co.
Orchestra piano solo and orchestra SKU: PR.41641465L For Piano and Orc...(+)
Orchestra piano solo and
orchestra SKU:
PR.41641465L For
Piano and Orchestra.
Composed by Daniel Dorff.
Michael Gagliardo
conducting the Etowah
Youth Orchestra, Jeffrey
Biegel pianist; Gadsden,
Alabama. Contemporary.
Large Score. With
Standard notation.
Composed 2006. 150 pages.
Duration 24 minutes.
Theodore Presser Company
#416-41465L. Published by
Theodore Presser Company
(PR.41641465L). UPC:
680160614332. 11 x 14
inches. 2 Flutes, 2
Oboes, 2 Bb Clarinets, 2
Bassoons, 3 F Horns, 2 Bb
Trumpets, 2 Tenor
Trombones, Tuba, 3
Percussion, Percussion I:
Snare Drum, Triangle,
Sizzle Cymbal, Mark Tree,
2 Timpani, Percussion II:
Tom-tom, Glockenspiel,
Suspended Cymbal,
Xylophone, Mark Tree,
Duck Call, Triangle,
Percussion III: Bass
Drum, Triangle, Crash
Cymbals, Suspended
Cymbal, Vibraphone (no
motor), Solo Piano,
Strings. $180.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Triple Concerto Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Percussion, 2 Trum...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Percussion, 2 Trumpets in
C, 3 Solo Trombones (2
Tenor Trombones, 4 Horns
in F, Bass Trombone),
Marimba, Piccolo,
Strings, Tuba, Vibraphone
SKU: PR.41641456L
For 3 Trombones and
Orchestra. Composed
by Eric Ewazen. Premiered
by the Buffalo
Philharmonic Orchestra,
Buffalo, NY; Jeff Dee,
Jonathan Lombardo, and
Timothy Smith, trombone.
Contemporary. Large
Score. With Standard
notation. Composed 2012.
Duration 24 minutes.
Theodore Presser Company
#416-41456L. Published by
Theodore Presser Company
(PR.41641456L). UPC:
680160612116. 11 x 14
inches. $110.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Triple Concerto Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Percussion, 2 Trum...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Percussion, 2 Trumpets in
C, 3 Solo Trombones (2
Tenor Trombones, 4 Horns
in F, Bass Trombone),
Marimba, Piccolo,
Strings, Tuba, Vibraphone
SKU: PR.416414560
For 3 Trombones and
Orchestra. Composed
by Eric Ewazen. Premiered
by the Buffalo
Philharmonic Orchestra,
Buffalo, NY; Jeff Dee,
Jonathan Lombardo, and
Timothy Smith, trombone.
Contemporary. Full score.
With Standard notation.
Composed 2012. Duration
24 minutes. Theodore
Presser Company
#416-41456. Published by
Theodore Presser Company
(PR.416414560). UPC:
680160612109. 8.5 x 11
inches. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Trombone and Orchestra Theodore Presser Co.
Orchestra 2 Bassoons, 2 Bb Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 C Trumpe...(+)
Orchestra 2 Bassoons, 2
Bb Clarinets, 2 Flutes, 2
Oboes, 2 Trombones, 3 C
Trumpets, 4 F Horns, 4
Percussion, Bass
Trombone, Bb Bass
Clarinet, Contrabassoon,
English Horn, Harp,
Piano, Piccolo, Solo
Trombone, Strings,
Timpani, Tuba SKU:
PR.41641404L Composed
by Melinda Wagner.
Premiere: Joseph Alessi,
Trombone, New York
Philharmonic Orchestra,
conducted by Lorin
Maazel, Avery Fisher
Hall, New York, NY.
Contemporary. Large
Score. With Standard
notation. Composed 2006.
88 pages. Duration 24
minutes. Theodore Presser
Company #416-41404L.
Published by Theodore
Presser Company
(PR.41641404L). UPC:
680160600632. 11 x 17
inches. $125.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Maha Mantras Orchestre Theodore Presser Co.
(Concerto for Alto/Soprano Saxophone and Orchestra). Composed by Narong Prangcha...(+)
(Concerto for
Alto/Soprano Saxophone
and Orchestra). Composed
by Narong Prangcharoen.
For orchestra (solo
alto/soprano saxophone, 3
flutes (3rd doubling
piccolo), 3 oboes, 3
clarinets in Bb (3rd
doubling bass clarinet),
2 bassoons,
contrabassoon, 4 horns in
F, 3 trumpets in Bb, 2
trombones, bass trombone,
tuba, timpani, 3
percussion, piano,
strings). Contemporary.
Full score - study.
Standard Notation. 52
pages. Duration 17
minutes. Theodore Presser
Company #416-41482.
Published by Theodore
Presser Company
$38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|