Concerto in D major, RV 513, originally for two Violins, Strings and Organ (or Cembalo), edited by Louis Kaufman

Continuo realization (solo: trp - 2.2.0.2 - 2.2.0.0 - timp - str - bc)

SKU: BR.OB-4760-12

Composed by Franz Joseph Haydn. Arranged by Gunter Raphael. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Joseph Haydn's Trumpet Concerto in E flat major Hob VIIe:1 was composed in 1796 for the Vienna court trumpeter Anton Weidinger. The key trumpet which he developed possessed a broader range of notes than the trumpets of that time. Solo concerto; Classical. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 4760-12. Published by Breitkopf and Haertel (BR.OB-4760-12).

ISBN 9790004320693. 10 x 12.5 inches.

Joseph Haydns Trumpet Concerto in E flat major Hob VIIe:1 was composed in 1796 for the Vienna court trumpeter Anton Weidinger. The key trumpet which he developed possessed a broader range of notes than the trumpets of that time, and allowed chromatic sequences as well.The cadenzas to be played in Haydns trumpet concerto have not been transmitted. The present piano reduction contains a cadenza suggestion for the first movement; in the final movement, the performer is encouraged to invent an original cadenza.

Horn and orchestra (solo: hn - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.PB-15131

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Full score. 40 pages. Duration 16'. Breitkopf and Haertel #PB 15131. Published by Breitkopf and Haertel (BR.PB-15131).

ISBN 9790004214671. 10 x 12.5 inches.

Prank or Color Code? Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

Basso (cello/double bass) (solo: hn - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.OB-15131-26

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 15131-26. Published by Breitkopf and Haertel (BR.OB-15131-26).

ISBN 9790004342671. 10 x 12.5 inches.

Prank or Color Code?Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

Basso (cello/double bass) (solo: pno - 0.2.0.0. - 2.0.0.0. - str)

SKU: BR.OB-5300-26

Jenamy Concerto (formerly known as Jeunhomme Concerto) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert Cliff u. Levin Eisen. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for t. Solo concerto; Classical. Part. 8 pages. Duration 35'. Breitkopf and Haertel #OB 5300-26. Published by Breitkopf and Haertel (BR.OB-5300-26).

ISBN 9790004335130. 10 x 12.5 inches.

Robert Levin's brilliant and inspired recording (with Christopher Hogwood and the Academy of Ancient Music) and Breitkopf's new edition have two things in common: their historically well-founded approach and the editorial team consisting of Robert Levin and Cliff Eisen. Here, Urtext signifies an eschewal of a final version that never existed and that Mozart himself had never even envisaged. On the contrary, Levin and Eisen pursue an editorial philosophy tailored to Mozart and his music: Standardization is the greatest aesthetic threat in the performance of Mozarts concertos. To prepare the score of the new edition, the editors were able to consult the autograph, located in Krakow, for the very first time. The new edition clearly incorporates a much broader base of findings than any previous edition, including the NMA. At the same time, the score and piano reduction offer a wealth of additional information on performance practice gleaned from further authentic sources, including observations on continuo practice, instruments, size and disposition of the orchestra, ornaments, tempo and character, cadenzas and flourishes.

Double bass (solo: pno - 1.2.0.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5136-27

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 8 pages. Duration 31'. Breitkopf and Haertel #OB 5136-27. Published by Breitkopf and Haertel (BR.OB-5136-27).

ISBN 9790004329238. 9 x 12 inches.

Viola (solo: pno - 1.2.0.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5136-19

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 8 pages. Duration 31'. Breitkopf and Haertel #OB 5136-19. Published by Breitkopf and Haertel (BR.OB-5136-19).

ISBN 9790004329214. 9 x 12 inches.

Basso (cello/double bass) (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.OB-5137-26

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 12 pages. Duration 29'. Breitkopf and Haertel #OB 5137-26. Published by Breitkopf and Haertel (BR.OB-5137-26).

ISBN 9790004329283. 9 x 12 inches.

Violin 1 (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.OB-5137-15

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 12 pages. Duration 29'. Breitkopf and Haertel #OB 5137-15. Published by Breitkopf and Haertel (BR.OB-5137-15).

ISBN 9790004329252. 9 x 12 inches.

Violoncello (solo: pno - 1.2.0.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5136-23

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 8 pages. Duration 31'. Breitkopf and Haertel #OB 5136-23. Published by Breitkopf and Haertel (BR.OB-5136-23).

ISBN 9790004329221. 9 x 12 inches.

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.PB-5137

Composed by Wolfgang Amadeus Mozart. Orchestra; Softbound. Partitur-Bibliothek (Score Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Full score. 64 pages. Duration 29'. Breitkopf and Haertel #PB 5137. Published by Breitkopf and Haertel (BR.PB-5137).

ISBN 9790004208823. 9 x 12 inches.

Viola (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.OB-5137-19

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 12 pages. Duration 29'. Breitkopf and Haertel #OB 5137-19. Published by Breitkopf and Haertel (BR.OB-5137-19).

ISBN 9790004329276. 9 x 12 inches.

Violin 2 (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.OB-5137-16

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 12 pages. Duration 29'. Breitkopf and Haertel #OB 5137-16. Published by Breitkopf and Haertel (BR.OB-5137-16).

ISBN 9790004329269. 9 x 12 inches.

Violoncello (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-23

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-23. Published by Breitkopf and Haertel (BR.OB-15136-23).

ISBN 9790004341322. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin 2 (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-16

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-16. Published by Breitkopf and Haertel (BR.OB-15136-16).

ISBN 9790004341308. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Double bass (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-27

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-27. Published by Breitkopf and Haertel (BR.OB-15136-27).

ISBN 9790004341339. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15137-07

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Study Score. 36 pages. Breitkopf and Haertel #PB 15137-07. Published by Breitkopf and Haertel (BR.PB-15137-07).

ISBN 9790004214732. 6.5 x 9 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin 1 (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-15

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-15. Published by Breitkopf and Haertel (BR.OB-15136-15).

ISBN 9790004341292. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15136

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 32 pages. Breitkopf and Haertel #PB 15136. Published by Breitkopf and Haertel (BR.PB-15136).

ISBN 9790004214725. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.